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Topic: Chest register

	VOICE - LoveToKnow Article on VOICE (Site not responding. Last check: 2007-11-04)
		The trachea conveys the blast of air from the lungs during expiration, and the whole apparatus may be compared to an acoustical contrivance in which the lungs represent the wind chest and the trachea the tube passing from the wind chest to the sounding body contained in the larynx.
		In advanced life the upper notes of the register are gradually weakened and ultimately disappear, whilst the character of the voice also changes, owing to loss of elasticity caused by ossification, which first begins about middle life in the thyroid cartilage, then appears in the cricoid, and much later in the arytenoid.
		Madame Seiler describes five conditions, viz, the first series of tones of the chest register, the second series of tones of the chest register, the first series of tones of the falsetto register, the second series of tones of the falsetto register, and the head register.
	www.1911ency.org /V/VO/VOICE.htm (4965 words)

	VOICE (Fr. voix, from L... - Online Information article about VOICE (Fr. voix, from L...
		series of tones of the chest register, the second series of tones of the chest register, the first series of tones of the falsetto register, the second series of tones of the falsetto register, and the head register.
		By means of the laryngoscope it is possible to see the condition of the rima glottidis and the cords in passing through all the range of the voice.
		During the production of the chest voice, the space between the arytenoid cartilages is open, and between the vocal cords there is an ellipsoidal opening which gradually closes as the pitch of the sound rises (see figs.
	encyclopedia.jrank.org /VIR_WAT/VOICE_Fr_voix_from_Lat_vox_.html (5769 words)

	Yale Review (Site not responding. Last check: 2007-11-04)
		You hear the odd suppressed cough from a nearby audience member, and the orchestra occasionally covers the singers - especially when they are in their middle register.
		The bottled-up, sometimes glaring recorded sound might take a little getting used to, but if you are accustomed to hearing live music, there is a certain pleasure in hearing a true voice-orchestra balance instead of the artifical one created in the studio.
		You also hear some blowsiness, a touch of vulgarity, an overindulgence of her baritonal chest register.
	www.mrichter.com /ae/yale.htm (4040 words)

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