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	Encyclopedia: Chips Moman
		Lincoln Wayne "Chips" Moman is an American record producer, guitarist and songwriter, born 1936 in La Grange, Georgia.
		As a producer, Moman is known for recording Elvis Presley, Bobby Womack, Carla Thomas and Box Tops in Memphis during the 1960s.
		Chips Moman left Memphis in 1973 and briefly operated a studio in Atlanta.
	www.nationmaster.com /encyclopedia/Chips-Moman (1106 words)

	New Georgia Encyclopedia: Chips Moman (b. 1936)
		Lincoln Wayne "Chips" Moman was born in 1936 in LaGrange, where he learned to play guitar as a child.
		Moman encouraged them to relocate the recording studio to an old movie theater that he had discovered and to work with rhythm and blues artists.
		Moman's guidance and the down-home atmosphere of American Sound inspired some of Presley's strongest recordings in years, including "Suspicious Minds," "In the Ghetto," "Kentucky Rain," and "Rubberneckin,'" all of which charted in the top ten.
	www.georgiaencyclopedia.org /nge/Article.jsp?id=h-1721 (738 words)

	Chips Interview (Site not responding. Last check: 2007-10-09)
		Producer Chips Moman has been responsible for a string of hit singles and albums including those by Elvis Presley, Dusty Springfield and Neil Diamond.
		Chips Moman and American Sound gained a reputation for producing hit records.
		Chips and Bobby have co-written songs such as "Luckenbach", and Bobby is the keyboard player for the 827 band).
	homepage.ntlworld.com /peter.lewry/chipsinterview.html (1666 words)

	Georgia Rhythm
		Moman: I had an aunt living there at the time and her son was in the painting business.
		Moman: Well most of the time they'd come in and we'd have no idea at all in the world of what we were going to cut and we'd just start hunting songs.
		Moman: I would like to say on Dusty Springfield that I was there for a lot of that session but I did not produce that session.
	www.georgiarhythm.com /feature.html (3714 words)

	Dirty Movies: My Hat's Off To Chips Moman...
		Chips Moman was the legendary producer at American Studios in Memphis, Tennessee who was turning out hits in the late 1960s for artists such as Sam & Dave, Wilson Pickett, Dusty Springfield and Herbie Mann.
		Chips Moman's geniousness was that he knew that at the end of the day, you don't have to fuck with Elvis' tracks much.
		What Chips Moman recognized and executed were sessions that threw Presley into the forefront of the tracks with simple, and yet soulful, tracking arrangements.
	dirtymovies.blogspot.com /2005/03/my-hats-off-to-chips-moman.html (1101 words)

	Chips Moman -- Facts, Info, and Encyclopedia article (Site not responding. Last check: 2007-10-09)
		Lincoln Wayne "Chips" Moman is an American (Click link for more info and facts about record producer) record producer, (A musician who plays the guitar) guitarist and (A composer of words or music for popular songs) songwriter, born 1936 in La Grange, Georgia.
		During this period Moman co-wrote, with fellow Memphis producer and songwriter Dan Penn, "Do Right Woman-Do Right Man," recorded by Aretha Franklin, and "The Dark End of the Street," which soul singer (Click link for more info and facts about James Carr) James Carr recorded.
		Chips Moman left Memphis in 1973 and briefly operated a studio in (State capital and largest city of Georgia; chief commercial center of the southeastern United States; was plundered and burned by Sherman's army during the American Civil War) Atlanta.
	www.absoluteastronomy.com /encyclopedia/c/ch/chips_moman.htm (419 words)

	Elvis Presley News - Chip Moman
		Chips had recorded it with the song's writer Mark James in 1968 for Scepter, but the record never made the charts.
		Chips thought he had a good chance with Elvis whose voice and intensity were perfect for the song.
		Chips wouldn't need to tell Presley when he was off key or when he made a mistake.
	www.elvispresleynews.com /ChipsMoman.html (2658 words)

	Chips Moman - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links
		Moman went to work for Stewart and Axton, engineering sessions at their small studio in Brunswick, Tennessee.
		At American, Moman had what he always desired at Stax: complete control; in late 1965, he assembled a house band that rivaled, in talent and ability, the one he had used at Stax (the MGs).
		Moman stayed in Nashville through the late '70s and '80s, producing and playing on records by Willie Nelson, Merle Haggard and Tammy Wynette, among others.
	store.artistdirect.com /nad/music/artist/bio/0,,469406,00.html (749 words)

	Elvis Presley 1969
		Producer Chips Moman and the searing band of musicians he had assembled at American Sound Studios were waiting the arrival of Elvis Presley and his notorious retinue.
		Chips only recorded three songs that evening, "Long Black Limousine" by Bobby George and Vern Stovall, that Chips introduced, "This Is the Story" by Arnold, Morrow and Martin, from Freddy Beinstock and H and R and "Wearin' that Loved On Look" by Dallas Frazier and Al Owens, which Lamar had brought in.
		Chips had a song by Mac Davis that he knew would be a hit, "In the Ghetto." Elvis liked Davis and his songs, like "A Little Less Conversation," but he wasn't sure about this one.
	www.furious.com /perfect/elvis69.html (5135 words)

	Chips Moman: Reviews, Discography, Audio Clips, and more \|\|\| Music.com (Site not responding. Last check: 2007-10-09)
		Memphis producer Chips Moman [+] has been behind the control board of the most successful studios in music, cutting hits by everyone from Carla Thomas [+] to Elvis Presley [+].
		At one point, Moman's success was such that during one particular week, over a quarter of Billboard's Hot 100 hits were generated at American.
		Moman stayed in Nashville through the late '70s and '80s, producing and playing on records by Willie Nelson [+], Merle Haggard [+] and Tammy Wynette [+], among others.
	music.com /person/chips_moman/1 (872 words)

	TARSUN.NET \| The Shawn Lane Pages by Pernath (Site not responding. Last check: 2007-10-09)
		Starr threatened to shift recording to Los Angeles, but this was avoided when Moman organized a picket of the newspaper, prompting the city council to rush through a resolution honoring Starr.
		Moman had apparently refused to allow Ringo to overdub drums onto the recordings "to get more of my personality on it".
		Further, in January '90, Moman was required [to] surrender the master tapes, in exchange for which Starr was to pay him $74,354 in recording expenses - less than half the total recording expenses, which totalled a massive $162,000.
	www.tarsun.net /disco/cd_tmua.htm (614 words)

	Read about Chips Moman at WorldVillage Encyclopedia. Research Chips Moman and learn about Chips Moman here! (Site not responding. Last check: 2007-10-09)
		As a producer, Moman is known for recording Elvis Presley,
		Although Dusty Springfield's 1969 Dusty in Memphis was recorded at American, Moman did not produce the album (that honor goes to
		During this period Moman co-wrote, with fellow Memphis producer and songwriter
	encyclopedia.worldvillage.com /s/b/Chips_Moman (380 words)

	Fishing, Fishtales, Tennesee Mutants
		When Chips bought the land he 4-wheeled back there and figured it would be a perfect place to build a pond.
		Chips was so kind and generous and told me I could come back whenever I wanted and fish.
		I went back to Chips place the next spring with my gear, so excited to get the thrill again only to find out he'd sold all 400 some acres and some autoparts store owner bought it and was going to build his Mansion down at the pond.
	www.wa4l.com /fishin/enneseemutants.htm (1143 words)

	Texarkana Gazette: News and Classifieds From Texarkana, Texas/Arkansas (Site not responding. Last check: 2007-10-09)
		But according to co-writer Chips Moman-B. Thomas' 1975 hit, "Hey Won't You Play Another Somebody Done Somebody Wrong Song" was not written for Thomas and in fact was not written with any singer in mind.
		Moman added there was no special reason or inspiration for writing the song since neither he nor co-writer Larry Butler had ever been done wrong by a lover!
		In fact Moman commented that he doesn't agree with some writers who insist that a writer has to have been there in order to write about it.
	www.texarkanagazette.com /articles/2005/04/29/local_news/features/features07.txt (360 words)

	Scotty Moore 56 Super 400 CESN
		He acquired a new one in 1963 and traded his 56 to Chips Moman who continued to play and record with it until he put it up for auction at Christie's in London.
		Oddly enough, several years after trading it to Chip the guitar was again used for Elvis sessions on the recordings of "Suspicious Minds" and "Kentucky Rain" by Reggie Young at Chips' American Sound Studio.
		Scotty wasn't happy with the fact that Chips had kept it hanging on a wall and had let its maintenance slip.
	www.scottymoore.net /56S400.html (402 words)

	clevescene.com \| Music \| Chips Moman \| 2005-03-09 (Site not responding. Last check: 2007-10-09)
		Chips Moman got his rock and roll baptism early, playing guitar for obscure Sun Records artist Warren Smith in the late '50s -- that's probably him driving Smith's "Ubangi Stomp," one of the less politically correct Sun singles.
		The Georgia native's star rose quickly: Moman's first notable production work was for Carla Thomas after her 1961 hit "Gee Whiz," which put Stax Records on the map.
		In December 2001, Moman told a Johnny Cash fanzine that he plans to issue previously unreleased, later-year recordings by Carl Perkins and Billy Lee Riley (a Johnny Cash album he produced remains in the vaults).
	www.clevescene.com /Issues/2005-03-09/music/nightwatch7.html (318 words)

	Stereophile: The Unmaking of Elvis Presley: New Reissues 1960-1972
		Much of the quality of these sessions was due to Moman, who had already produced hits for Wilson Pickett, Dusty Springfield, Dionne Warwick, and the Box Tops, and who, along with his crack house band, wasn't all that impressed by Elvis.
		Regardless of the artist, Moman and his crew's sole focus was to make hit singles, and they didn't care whose toes they stepped on trying to do it.
		Moman also coaxed Elvis back into emoting in the studio, something he'd begun to have problems with at RCA's Studio B. Tunes like "In the Ghetto" are the strongest, most committed vocal performances of his entire post-Sun career.
	www.stereophile.com /musicrecordings/751/index3.html (918 words)

	Definition of chips
		3: '''Fish and chips''' is deep-fried fish in batter with deep-fried p...
		1:...ter conductor than [[aluminium]], this allows the chips to be smaller, and to use less energy, and may he...
		Chips'' lost to ''Gone With the Wind'' in five of the s...
	www.wordiq.com /search/chips.html (619 words)

	Phillip Rauls PhotoLog
		Chips Moman is one of several immensely talented record producers who came out of the Memphis Music scene during the 1960's.
		Chips Moman made significant contributions to Southern Music by mastering the blend between Country Music and Soul Music.
		Chips Moman is one of several immensely talented...
	phillipraulsphotolog.blogspot.com (2480 words)

	SurfWax: News, Reviews and Articles On Chips
		The epicentre is Fish And Chips, a riot of street smarts and trendy trainers with a perpetual soundtrack of rabid drum'n'bass and mentalist choons.
		Whether it is a package of poker chips picked up at a flea market or a section of orange snow fence found along a road, the artist said he feels more comfortable finding materials out in the world than he would be buying them in an art supply store.
		Traditional corned beef and cabbage and fish and chips are served daily; Irish stew and shepherd's pie are also available, along with soups, salads, sandwiches and desserts, including one called an Irish Donut: fried cream-filled sponge cake served with vanilla ice cream, chocolate and strawberry sauces.
	collectibles.surfwax.com /files/Chips_Collectibles.html (4200 words)

	Petula Clark.net - Spotlight on "Blue Lady"
		Chips Moman started in the music business as a session guitarist in the famed Gold Star Studio in Hollywood, the studio made famous by the Phil Spector and his "Wall Of Sound".
		Chips and his family of musicians way of doing things was a complete departure from how she had recorded before.
		The work with Moman is vintage Clark, with songs ranging from David-Bacharach to Nashville cats Moman and Bobby Emmons.
	www.petulaclark.net /home/spotbluelady.html (1889 words)

	Il marchio delle idee (Site not responding. Last check: 2007-10-09)
		E' mentre suona in un night di Memphis che Mike Leech incontra Chips Moman, allora un rispettato chitarrista nonché ingegnere del suono e produttore per la Stax Records.
		It was nice when we did a project for a major and Chips produced, like BJ Thomas and Elvis.
		Chips only paid us when we did stuff primarily for him; then he would pay us personally.
	www.ilmarchiodelleidee.com /readinter.php?ID=19 (2666 words)

	Encyclopedia: Heart Like a Wheel
		J.D. Souther, born John David Souther on November 3, 1946 in Detroit, Michigan and raised in Amarillo, Texas, is a singer-songwriter and country rock singer.
		Chips Moman is the record producer and songwriter who: founded the Stax Records McLemore Avenue studio played lead guitar on Aretha Franklins I Never Loved A Man; co-wrote (with Dan Penn) Arethas Do Right Woman, Do Right Man; formed American Sound Studios where he produced over 120...
		Anna McGarrigle (born 1944 in Saint-Sauveur-des-Monts, Quebec) is a Canadian folk music singer/songwriter, who writes and performs as a duo with her sister Kate McGarrigle.
	www.nationmaster.com /encyclopedia/Heart-Like-a-Wheel (397 words)

	Afghan Whigs - Press - Independent (London) article - 1994
		The song was written by Dan Penn and Lincoln ''Chips'' Moman, southern whites with a deep love for fl soul music who'd met at a Wilson Pickett session in Muscle Shoals, Alabama.
		Chips Moman engineered a preposterous rendition by Oscar Toney Jr, complete with sweeping strings and thunderous drums that all but buried the singer's harsh gospel tenor.
		The version by Roy Hamilton on Moman's own GP label was less bombastic, and certainly better than Joe Tex's lazy, ragged reading on his 1968 Soul Country album.
	www.dullicious.com /afghanwhigs/AWpress_1994Independent.htm (1640 words)

	Chips Moman - Encyclopedia, History, Geography and Biography
		Chips Moman - Encyclopedia, History, Geography and Biography
		This page was last modified 23:19, 16 Jun 2005.
		This encyclopedia, history, geography and biography article about Chips Moman contains research on
	www.arikah.net /encyclopedia/Chips_Moman (456 words)

	Class of '55 - Wikipedia, the free encyclopedia
		Class of '55 is a music album by Johnny Cash, Jerry Lee Lewis, Roy Orbison and Carl Perkins released in 1986 through Chips Moman's American Sound Studios and Smash Records.
		While the album was in part a tribute to Elvis Presley, it was mainly a commemoration of those young performing hopefuls, the four album participants included, who came to Sun Records in 1955 to make music in the new era of Rock and Roll.
		The recorded "Interviews From the Class of '55 Recording Sessions" earned the 1987 Grammy Award for Best Spoken Word Album for the four performers plus for producer Chips Moman, Sam Phillips and Ricky Nelson.
	en.wikipedia.org /wiki/Class_of_'55 (258 words)

	Mark Lindsay: Goin' To Memphis
		He had two multi-track recorders: an Ampex 4-track and an old Ampex 3-track (our first Downbeats' demos were cut on a similar machine.) Moman used the 3-track most of the time, only bouncing to 4-track if he needed to overdub strings, horns, etc. He had a tiny live echo chamber and used it sparingly.
		However, The Raiders didn't come; "Chips" kind of let it be known that if his guys were doing the sessions, he didn't want any spectators.
		Paul, who was co-owner with me of the band at that time, was reluctantly invited by "Chips" to watch the project (at Jerry's and my insistence), but he declined to come.
	www.marklindsay.com /gointomemphis.htm (792 words)

	Go Cat Go
		With studio owner Chips Moman producing these sessions, they did not go well and originally lasted only a week.
		Then when Moman attempted to release these recordings in 1989 Ringo sued him, citing that they were recorded under the influence of alcohol, that he hadn't in fact played drums at the sessions and that his vocals had needed the assistance of Toni Moman (the producer's wife).
		Following on in January 1990, Moman was required to surrender the master tapes in exchange for which Starr was to pay him $74,354 in recording expenses - less than half the total recording expenses, which allegedly totalled $162,000.
	www.jpgr.co.uk /statb11.html (799 words)

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