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Topic: Chromolithography

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	Chromolithography - Beautiful Birds exhibit (Site not responding. Last check: 2007-10-24)
		Chromolithography is the art of producing colored prints from lithographic stones.
		The process of chromolithography allowed a wide range of colors to be used, from delicate to deep shades.
		Chromolithography was an expensive process and seldom produced the quality or sheen of color achieved by hand..
	rmc.library.cornell.edu /ornithology/exhibit/exhibit5.htm (184 words)

	Prints Old & Rare - Poultry page
		It is after a painting by J.W. Ludlow and is entitled "The Reverend AC Brooke's Pair of Malays, 1st Prize at Crystal Palace & Birmingham 1871 and Dublin 1872" and is in excellent condition.
		This print is among the finest examples of chromolithography.
		It is after a painting by J.W. Ludlow and is entitled "The Hon WCW Fitzwilliam's pair of La Fleche, 1st Prize at Wolverhampton, 2nd Birmingham & Bristol, 1871." and is in excellent condition.
	www.printsoldandrare.com /cassellpoultry (1749 words)

	Essays -- WWI Poster Exhibition
		The majority of the posters created during the Great War were produced by means of chromolithography, a process that produces rich colors and expressive line work.
		Chromolithography is the addition of color into the actual printing process as opposed to adding color by hand to a fl and white lithograph.
		Today, due to the complexity and expense, chromolithography is a process associated more with fine art prints than with advertising and propaganda.
	exhibitions.library.temple.edu /ww1/chromo_essay.htm (323 words)

	Chromolithography: The Art of Color--Publishers
		Chromolithography allowed the firm to produce larger, colored prints at a still affordable price, and they seemed to have been quite successful in this market niche, for the list of the later chromolithographs produced by the firm is quite extensive.
		Founded in 1885, the firm’s avowed purpose was to design “for large scale establishments of all kinds, and in originating and placing on the market artistic and fancy prints of the most elaborate workmanship.” Elaborate they certainly were- the majority of their prints being bright and dramatic, with action throughout the image.
		Using chromolithography, Hoover was able to produce attractive, colorful prints that were still affordable for anyone to use as decoration for home and office.
	www.philaprintshop.com /chrompub.html (853 words)

	Chromolithography. Beguin. (Site not responding. Last check: 2007-10-24)
		Senefelder had tried to use colour as of 1810 but chromolithography (or chromos in its abreviated form) was not invented until 1816 when Engelmann and Lasteyrie began to print two colour lithographs in Paris.
		Chromolithography must not be confused with lithochrome, which is also a lithographic process but which is used to reproduce (or should one say imitate) paintings by printing on cloth.
		Nevertheless although the goal of these two techniques is not the same and although they are used on different materials it is also true that their printing process has much in common.
	www.polymetaal.nl /beguin/mapc/chromolithography.htm (166 words)

	Trouvelot
		To illustrate his observations of celestial objects and phenomena, Trouvelot selected fifteen of his drawings to be resproduced using chromolithography, and illustration process that was at the zenith of its development in the 1880's.
		Before the development of the process of chromolithography, color was necessarily added by hand to illustrations, which greatly increased the cost of producing illustrated books; only the well-to-do could afford an indulgence in color.
		Chromolithography was cheap and allowed for the production of color illustrated works on a large scale.
	www.trouvelot.com (451 words)

	Antiques Roadshow/Tips of the Trade: Chromolithography: Bringing Color to the Masses
		Invented in 1796, the process of chromolithography used images drawn with greasy pens on limestones to press different-colored inks on to paper.
		He called chromolithography "printing in colors from drawings on stone." Prang would sometimes commission artists, but would also issue chromolithographs of famous paintings, featuring many of them in his magazine, Prang's Chromo: A Journal of Popular Art.
		The technique of chromolithography faded towards the end of the 19th century.
	www.pbs.org /wgbh/pages/roadshow/tips/chromolithography/index.html (756 words)

	Lithography - Wikipedia, the free encyclopedia
		During printing, water adhered to the gum arabic surfaces and avoided the oily parts, while the oily ink used for printing did the opposite.
		Within a few years of its invention, the lithographic process was used to create multi-color printed images, a process known by the middle of the 19th century as Chromolithography.
		A separate stone was used for each colour, and a print went through the press separately for each stone.
	en.wikipedia.org /wiki/Lithography (1361 words)

	The Art of Lithography (Site not responding. Last check: 2007-10-24)
		Marcel Salinas used a special form of lithography to create "Visage II" and "Visage III." Chromolithography allows an artist like Salinas to create already colored prints instead of applying color to prints after the prints are created on plates of stone.
		Chromolithography, invented in 1860 by Louis Prang, allowed everyone to own classic and priceless works of art, which had before been only available to the wealthy.
		Rather than provide you with an art history textbook description of lithographs, and in particular chromolithography, we'll share a glimpse inside the studio of an artist, and take you through the procedure step-by-step.
	www.picasso-galleries.com /lithography.php (529 words)

	[No title]
		William Sharp, the father of chromolithography in the United States, brought the art with him when he moved to Boston in 1841, as is demonstrated by the collection of chromo proofs struck in his native England before his immigration, now in the Boston Public Library.
		After 1870, full-fledged chromolithography, using ever more complex methods, multiple stones, and overprintings, was the primary medium of color book illustration until the end of the century.
		With advances in printing skills and the addition of fl to the mix of the three primary colors, it emerged in the early 20th century as the four-color process, the dominant technology in color printing until the digital revolution of modern times.
	www.reeseco.com /papers/stamped.htm (7524 words)

	Au Bon Marché Chromos, Maison Aristide Boucicaut, Paris. Collectionneurs des chromos publicitaires Au Bon Marché. ...
		This one is in very good condition, but a very small 'crunch' only to be noticed on the back The back is a classic postcard back, this one not written: thus, as new, has not circulated.
		Card in chromolithography presenting a snowy landscape, published by the well known Dutch chocolate and cocoa firm A. Driessen in Rotterdam, the Netherlands, purveyor of the King of the Netherlands.
		Card in chromolithography of the VERY FIRST SET issued by Kemmerich, one of Liebig' s most important competitors, presenting a couple of Italian peasants, flag, arms(?) and a stamp of Italy.
	home.tiscali.be /wafthrudnir/shadow.htm (1308 words)

	FAR Search (Site not responding. Last check: 2007-10-24)
		Unquestionably, chromolithography became the dominant color process of the century.
		Ironically, some of the most exceptional work was being done just as critics of chromolithography were decrying what they perceived as its attempts to supplant real art.
		The art critic Philip Gilbert Hamerton called “the employment of chromolithography to imitate the synthetic colour of painters...
	www.fineartregistry.com /cgi-bin/search.cgi?detail=320&s= (304 words)

	Seeing is Believing
		Although lithographs could be produced more easily, and generally more cheaply, than relief or intaglio illustrations, color was still expensive since it had to be applied by hand and so was used only for relatively upscale colored scientific and medical books.
		During the nineteenth century, lithographers perfected the art of printing in color by using multiple stones to achieve very complex colored images through a process known as chromolithography.
		While the most pervasive use of chromolithography was in advertising, it was also used extensively for making popular prints as well as for scientific and medical illustrations.
	seeing.nypl.org /planographic.html (290 words)

	Glossary
		It is cut obliquely at the point and the handle is usually wooden.
		Chromolithography is simply the process of lithographic printing in several colors.
		Chromolithography has existed probably since the earliest stages of lithographic printing.
	www.rareprintsgallery.com /glossary.htm (1219 words)

	Au Bon Marché Chromos, Maison Aristide Boucicaut, Paris. Collectionneurs des chromos publicitaires Au Bon Marché. ...
		Card in chromolithography with gold background presenting two children who are playing chess.
		Card in chromolithography depicting a falconry scene, three ladies and a man. Falcon landing on lady's hand, two falcons on hoop held by boy, dead rabbit on ground.
		Card in chromolithography presenting a man with three falcons on the classical hoop around his waist, titled Le Fauconnier (the falconer), gold background.
	home.tiscali.be /wafthrudnir/sports.htm (997 words)

	Octavo Editions: Jones Ornament
		It was the concept of a young Welsh architect, Owen Jones (1809-74), who at the age of twenty-three went on his grand tour to visit Turkey, Egypt, Sicily, and Spain.
		For many people, especially in late nineteenth-century America, the economies that chromolithography brought to color printing made it possible to own a famous work of art, even if it was a reproduction.
		Looking back now on the manifold accomplishments of the chromolithographers, such criticism seems petty, and the bright colors of their images command admiration and respect.
	octavo.com /editions/jnsgrm/index.html (698 words)

	Types of Fashion Plates from Engravings to Pochoir Part 14
		Chromolithography soon followed and from 1850 it slowly took over as a main colouring method.
		By 1870 chromolithography was the most viable method of illustrating books with colour and hand colouring began to die out.
		When this technique is done well and with delicacy it can be very attractive, but when done badly as it often was in the early experimental days it could look clumsy compared to good hand tinting.
	www.fashion-era.com /fashion_plates/0014_engravings_pochoir_1920s.htm (1394 words)

	Chromolithography: The Art of Color
		Through chromolithography, historical events were graphically depicted, American views were spread far and wide, and all aspects of American life were vividly documented.
		At the same time, many artists used the process to create prints that very closely followed their artistic vision, and many chromolithographs, which were produced using heavy oil-based inks, closely duplicated the appearance of actual oil paintings.
		In honor of our 20th anniversary, we wanted to highlight chromolithography, a type of antique print that we feel receives less attention than is warranted by the interest and beauty of the material.
	www.philaprintshop.com /chromos.html (237 words)

	COLOR PRINTING: LITHOGRAPHY
		This one is unusual in being actually issued in a single unit with a box.
		He used chromolithography throughout; even the text is done by this method.
		This type of publication, known as a gift book was meant to be displayed on a table rather than read, similar to today's coffee table book.
	www.lib.udel.edu /ud/spec/exhibits/color/lithogr.htm (2682 words)

	Family Heirloom & Heritage Scrapbooking - Scrapbook Supplies
		Originally, they were reproduced by the early painstaking process of chromolithography, which simply means PRINTING IN COLORS.
		After centuries of fl ink on white paper, chromolithography intoxicated the world with its lush printed hues, transforming the look of trade and calling cards, valentines, wedding and birth announcements, cigar box labels, calendars, certificates, and chromos - pretty scenes meant to be hung on the wall.
		Chromolithography had a dazzling, meteoric life, appearing on the American scene about 1840 and vanishing during the third decade of the twentieth century.
	www.plannersguide.com /scrapbook.htm (599 words)

	About Cigar Label Art
		The final result is that a label, printed 100 years ago on acid- free rag paper, now appears clean and bright with no signs of aging.
		Stone chromolithography produced a brilliant multi-colored duplication of the original art work.
		The brilliance of stone- produced chromolithography ebbed through the 1920s in synchronization with the slow decline experienced in the cigar industry.
	www.cigarlabelart.com /story_of_cigar_label_art.htm (1681 words)

	Amazon.fr : Thomas Moran's West: Chromolithography, High Art, And Popular Taste : Livres en anglais (Site not responding. Last check: 2007-10-24)
		Thomas Moran's West reproduces this renowned collection, along with two dozen other color plates and over 100 fl-and-white illustrations, to recapture their impact on the American imagination.
		Chromolithography was outmoded by 1900 but represented an important transition in American art.
		Whereas previously published images of the West had been fl-and-white engravings, Moran's chromolithographs had the vivid beauty of high art but could be acquired by individuals who couldn't afford originals.
	www.amazon.fr /exec/obidos/ASIN/0700614133 (820 words)

	Oldimprints.com: Botanical - Vintage Seed Packets
		The similarity of package design of these seed packets and those of another New York firm led to these packets never being used, due to the possibility of litigation.
		They were warehoused prior to World War I. The vividness of the colors is typical of chromolithography, a pre-photographic method of printing, now seldom used in commercial publication.
		The vividness of the colors is typical of chromolithography, a pre-photographic method of printing, now seldom used in commercial publication.
	www.oldimprints.com /ephemera/pseed.htm (1970 words)

	The Technology and Treatment of an Embossed, Chromolithographic 'Mechanical' Victorian Valentine Card
		The popularity of greeting cards was aided by developments in the middle of the 19th century in chromolithography.
		Prior to this time lithographic prints were made by inking a drawing on a porous limestone block covering it with paper, and running the ensemble through a press (4, 16).
		A dissertation submitted to the graduate school of arts and sciences of the George Washington University in partial satisfaction of the requirements for the degree of Doctor of Philosophy.
	aic.stanford.edu /sg/bpg/annual/v11/bp11-30.html (5637 words)

	Find in a Library: The art of chromolithography, popularly explained and illustrated by forty-four plates showing ...
		Find in a Library: The art of chromolithography, popularly explained and illustrated by forty-four plates showing separate impressions of all the stones employed : and all the progressive printings in combination, from the first colour to the finished picture,
		The art of chromolithography, popularly explained and illustrated by forty-four plates showing separate impressions of all the stones employed : and all the progressive printings in combination, from the first colour to the finished picture,
		WorldCat is provided by OCLC Online Computer Library Center, Inc. on behalf of its member libraries.
	www.worldcatlibraries.org /wcpa/ow/d0e22049feda4a3a.html (144 words)

	Chromolithography at Childscapes Rare and Wonderful Pisture Books (Site not responding. Last check: 2007-10-24)
		Overprinting and the use of silver and gold inks widened the range of color and design.
		Still a relatively expensive process, chromolithography was used for large-scale folio works and illuminated gift books which often attempted to reproduce the handwork of manuscripts of the Middle Ages.
		AEG Original crimson morocco-backed cloth gilt, heavily decorated in gilt and fl, Pp.
	www.childscapes.com /bookpages/chromo.html (306 words)

	Reproductions - John James Audubon's Birds of America
		A few years later his younger son, John Woodhouse Audubon, began a reissue of the elephant folio edition of The Birds of America.
		To reproduce his father’s work, John Woodhouse chose chromolithography, a popular medium in Europe at the time, and interested Julius Bien, a lithographer who had immigrated to the United States from Germany, in the endeavor.
		It was the same size as the original.
	www.princetonaudubon.com /reproduc.htm (1530 words)

	THE COLLECTOR’S GUIDE: GLOSSARY OF PRINTS AND ORIGINAL GRAPHICS TERMS (Site not responding. Last check: 2007-10-24)
		The resultant "original print" is of considerably greater intrinsic worth than the commercially reproduced poster which is mechanically printed on an offset press (see "limited edition" above).
		Chromolithography A process using several stones or plates--one for each color, printed in register.
		original graphics, prints, lithograph, artist proof, lithography, aquatint, etching, collograph, drypoint, mezzotint, iris print, glicee, chromolithography, monoprint, monotype, photogravure, serigraph, hand-pulled print, santa fe, taos, albuquerque, new mexico
	www.collectorsguide.com /fa/fa020.shtml (769 words)

	Ephemera Society of America
		She notes that the main purpose of assembling collections was and is to create a rich, complete, and reliable resource for studying the social life of her country.
		Finally, Michael Twyman of the Centre for Ephemera Studies at Reading University in England and the editor of The Encyclopedia of Ephemera...offers "Chromolithography: The Legacy of [Old] Europe." Michael has written and lectured extensively, most notably in America at Rare Book School at the University of Virginia, where he regularly offers a course on ephemera.
		The theme of his article is how American chromolithography was influenced by its European forerunners, a topic that Michael somewhat modestly says is difficult to come to grips with.
	www.ephemerasociety.org /news/news-x.html (762 words)

	Librarium Fine Books: The Glory of Uniforms
		An authoritative manual on chromolithography in 1885 (Colour and Colour Printing, by W. Richmond) asserts the need for at least nine separate stones to achieve such richness, but in fact the number of stones used was often more than twenty.
		An authoritative manual on chromolithography in 1885 (Colour and Colour Printing, by W. Richmond) asserts the need for at least nine separate stones to achieve a similar richness of tonal scale, but in fact the number of stones used was sometimes more than twenty!
		Bearing at foot, outside image area, the legend "Private, Grenadier Companies, 1768" in neat cursive, and at head "Plate C".
	www.librarium.nl /static-list/the_glory_of_uniforms.htm (14581 words)

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