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Topic: Churchyard Poets


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In the News (Thu 12 Nov 09)

  
  Thomas Churchyard - LoveToKnow 1911
Churchyard arranged the terms of surrender, and was sent with his chief to Paris as a prisoner.
Churchyard was employed to devise a pageant for the queen's reception at Bristol in 1574, and again at Norwich in 1578.
Churchyard lived right through Elizabeth's reign, and was buried in St Margaret's church, Westminster, on the 4th of April 1604.
www.1911encyclopedia.org /Thomas_Churchyard   (934 words)

  
 NationMaster - Encyclopedia: Thomas Gray
Although he was one of the least productive poets (his collected works published during his lifetime amount to less than 1,000 lines), he is regarded as the predominant poetic figure of the middle decades of the 18th century.
Gray combined traditional forms and poetic diction with new topics and modes of expression and may be considered as a classically focussed precursor of the romantic revival.
A few of these include: Churchyard Poets or Graveyard Poets is a critical term applied in retrospect to a number of English poets of the 1750s to the 1790s who wrote in the vein of Thomas Grays Elegy in a Country Churchyard (1750).
www.nationmaster.com /encyclopedia/Thomas-Gray   (1536 words)

  
  ooBdoo
Later poets and aestheticians often distinguished poetry from, and defined it in opposition to, prose, which was generally understood as writing with a proclivity to logical explication and a linear narrative structure.
The underlying concept of the poet as creator is not uncommon, and some modernist poets essentially do not distinguish between the creation of a poem with words, and creative acts in other media such as carpentry.
Numerous modernist poets have written in non-traditional forms or in what traditionally would have been considered prose, although their writing was generally infused with poetic diction and often with rhythm and tone established by non-metrical means.
www.oobdoo.com /wikipedia/?title=Poetry   (7231 words)

  
 Graveyard poets - Wikipedia, the free encyclopedia
The "Graveyard Poets" were a number of pre-Romantic English poets of the 18th century characterised by their gloomy meditations on mortality, 'skulls and coffins, epitaphs and worms' (Blair: The Grave 23) in the context of the graveyard.
The Graveyard Poets include Thomas Parnell, Thomas Warton, Thomas Percy, Thomas Gray, James MacPherson, Robert Blair, William Collins, Mark Akenside, Joseph Warton and Edward Young.
The Graveyard Poets were notable and influential figures, who created a stir in the public mind, and marked a shift in mood and form in English poetry, in the second half of the 18th century, which eventually led to Romanticism.
en.wikipedia.org /wiki/Churchyard_poets   (320 words)

  
 Yew
Another use of yew-wood by poets is recounted in a tale of Conn of the Hundred Battles, who with his druids and poets, lost his way in a mist and came to a supernatural world where a druid was recording names of every prince from Conn's time onwards on staves of yew.
On mainland Scotland, St. Ninian, a priest in Roman Britain, planted numerous yews in the churchyards, including the famous Fortingale Yew in Perthshire where Beltane fires were lit each year in a cleft of the trunk.
The yew trees were usually planted in a deliberate manner: one beside the path leading from the funeral gateway of the churchyard to the main door of the church, and the other beside the path leading to the lesser doorway.
www.druidry.org /obod/trees/yew.html   (1247 words)

  
 Thomas Gray - tScholars.com
Although he was one of the least productive poets (his collected works published during his lifetime amount to less than 1,000 lines), he was, besides William Collins (1721 - 1759), the predominant poetic figure of the middle decades of the 18th century.
Gray combined traditional forms and poetic diction with new topics and modes of expression and may thus be considered as a classically focussed precursor of the romantic revival.
The "Elegy" was recognized immediately for its beauty and skill, and the Churchyard Poets are so named because they wrote in the shadow of Gray's great poem.
www.tscholars.com /encyclopedia/Thomas_Gray   (579 words)

  
 The poems page
Later poets and aestheticians often distinguished poetry from, and defined it in opposition to, prose, relationship poems which was generally understood as writing with a different types of poems proclivity to logical explication and a linear narrative structure.
The underlying concept christian poems of the poet as creator is not uncommon, and some suicide poems modernist poets essentially do not distinguish between the creation of a poem with words, and creative acts in other media such best friend poems as carpentry.
Numerous modernist poets have written in non-traditional forms or free verse poems in what traditionally would have been considered prose, although their writing was generally infused with poetic diction and often with rhythm and tone established friend poems by non-metrical means.
www.govintelligence.com /Beow-to-Bam/poems.html   (7917 words)

  
 Poetry   (Site not responding. Last check: 2007-10-20)
Later poets and aestheticians often distinguished poetry from, and defined it in opposition to, prose, which was generally understood as writing with a proclivity to logical explication and a linear narrative structure.
The underlying concept of the poet as creator is not uncommon, and some modernist poets essentially do not distinguish between the creation of a poem with words, and creative acts in other media such as carpentry.
Postmodernism goes beyond modernism's emphasis on the creative role of the poet, to emphasize the role of the reader of a text, and to highlight the complex cultural web within which a poem is read.
www.tocatch.info /en/Poetry.htm   (7222 words)

  
 Metaphysical poets - Wikipedia, the free encyclopedia
The metaphysical poets were a loose group of British lyric poets of the 17th century, who shared an interest in metaphysical concerns and a common way of investigating them.
Their style was characterised by wit, subtle argumentations and the "metaphysical conceits", an unusual simile or metaphor such as in Andrew Marvell’s comparison of the soul with a drop of dew.
One of the primary Platonic concepts found in metaphysical poetry was the idea that the perfection of beauty in the beloved acted as a remembrance of perfect beauty in the eternal realm.
en.wikipedia.org /wiki/Metaphysical_poets   (386 words)

  
 The Poets.
Blake was a poet, a painter and an engraver.
Poet Laureate of England, 1930-1967; noted for his sea poems, such as "Sea-Fever" and "Cargoes".
Poets of the late 19th and early 20th centuries who, rebelling against Victorian standards, denounced him for sentimentality, insipidity, intellectual shallowness, and narrow patriotism.
www.blupete.com /Literature/Biographies/Literary/BiosPoets.htm   (3002 words)

  
 [No title]
If the poet had in mind any special place when writing of "Sweet Auburn," it was probably Lissoy, in Ireland, where he grew up; but the village of his imagination is lovelier than any actual spot, and there is no use in hunting for it on the map.
Yet he was brave and honest; he had a righteous hatred of hypocrisy; as the champion of the humble, he claimed for the poorest the full privileges of sturdy manhood; he cared heartily for his fellowmen and had a place in his affections even for the field-mouse and the daisy.
The poet says of his listener, "A sadder and a wiser man He rose the morrow morn." [*]When The Ancient Mariner was reprinted in 1800, the poet added explanatory notes in the margin.
www.ibiblio.org /pub/docs/books/gutenberg/1/3/5/3/13535/13535.txt   (16543 words)

  
 Definition of Churchyard Poets
"Churchyard Poets" or "Graveyard Poets" is a critical term applied in retrospect to a number of English poets of the 1750's to the 1790's who wrote in the vein of Thomas Gray's Elegy in a Country Churchyard (http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc) (1750).
Scholars have demonstrated that most of the characteristics of the Churchyard School are not unique to them, that the production of ballads and odes, e.g., did not rise in their years.
However, these were notable and influential figures who created a stir in the public and, at the very least, gave the impression of a shift in mood and form in English poetry in the second half of the 18th century.
www.wordiq.com /definition/Churchyard_Poets   (294 words)

  
 The village of Stoke Poges has erected quite a memorial to Gray in honor of the poem
This scholar and poet was the most famous for his poem "Elegy Written in a Country Churchyard." Thomas Gray was born on December 26, 1716 in London.
Where earlier neoclassical poets like Swift and Pope emphasized the rational powers of human beings, poets of sensibility turned their attention to the individual's capacity for sympathetic and empathetic emotional response.
Poets of sensibility, therefore, tried to write poetry that would offend no one by avoiding direct commentary on the divisive issues of class conflict, religious strife, and the political world.
faculty.winthrop.edu /kosterj/ENGL201/Gray.htm   (2687 words)

  
 Sailing to Byzantium Poet   (Site not responding. Last check: 2007-10-20)
Poets laureates of U.S. states - Many US states have posts occupied by prominent poets and entitled Poet Laureate of....
The responsibilities are typically similar to those of the Poet Laureate and the Poet Laureate Consultant in Poetry to the Library of Congress.
Churchyard poets - "Churchyard Poets" or "Graveyard Poets" is a critical term applied in retrospect to a number of English poets of the 1740s to the 1790s who wrote in the vein of Thomas Gray's Elegy in a Country Churchyard (1750).
www.walkerwing.com /sailingtobyzantiumpoet.html   (603 words)

  
 The Hudson Review | Brian Phillips
Authorities from Paris descended on Roquebrune, hastily identified and reassembled the poet’s bones, and arranged a ceremony in which the new coffin, draped in the Irish flag and escorted by a French guard of honor, was driven to Nice, where it joined an Irish naval vessel bound for Galway.
Yeats himself, as part of the campaign to cast his life as a function of his art, wrote a series of autobiographical works in which the details of his history are freely recomposed in order to fit the thematic scheme he had decided his life should assume.
Poetry proceeds from the mind and the heart, which are creative as well as responsive organs; and no poet may be told about entirely by telling what he did, or what he saw, or where he went.
www.hudsonreview.com /PhillipsSp04.html   (2725 words)

  
 Restoration & 18th C. English Poets
John Dryden (1631-1700) was Charles II's poet laureate and the dominant literary figure of his time, even though Milton still lived and published Paradise Lost in 1665.
Robert Burns (1759- 1796) began as folk poet and barely left home before he was 30; when his poems were published in 1786, he was a national celebrity, but he spent little time in Edinburgh, returning home to marry and drink himself to death.
Was buried at Stoke Poges in Bucks, the probable village of "Elegy in a Country Churchyard" (begun in 1740's, finished about 1750, an immediate popular success).
oldweb.uwp.edu /academic/english/canary/poets18.html   (1013 words)

  
 Elegy Written in a Country Churchyard Study Guide by Thomas Gray: Introduction
Gray's "Elegy Written in a Country Churchyard" is noteworthy in that it mourns the death not of great or famous people, but of common men.
The speaker of this poem sees a country churchyard at sunset, which impels him to meditate on the nature of human mortality.
The poem was written at the end of the Augustan Age and at the beginning of the Romantic period, and the poem has characteristics associated with both literary periods.
www.bookrags.com /studyguide-elegychurchyard/intro.html   (440 words)

  
 Gray
Thomas Gray is buried in St. Giles's Churchyard, Stoke Poges, Buckinghamshire, England.
Gray is chiefly remembered for his great poem : Elegy in a Country Churchyard - which is believed to have been set in St. Giles.
After the death of Colley Cibber in 1757 he was offered the Poet Laureateship but turned it down to take up a teaching post at Cambridge University.
www.poetsgraves.co.uk /gray.htm   (249 words)

  
 Finding the Graves of England's Literary Greats - English Culture
I've visited Poets' Corner at Westminster Abbey and paid homage to Shakespeare at his resting place, but this article made me think about all the other burial places of England's great writers and where a literature fan like myself might find them.
The Rossettis - Dante Gabriel Rossetti, a Pre-Raphaelite poet and artist, is buried at the parish church in Birchington, Kent.
Robert Bridges - England's former poet laureate is buried in the churchyard of St. Peter's and St. Paul's, Yattendon, Berkshire.
www.bellaonline.com /articles/art40652.asp   (644 words)

  
 circle of poets, poetry, poetry contest, poetry competition   (Site not responding. Last check: 2007-10-20)
Circle of poets puts here in application some of the concepts and principles we have seen in crafting great poetry compositions.
Circle of poets believes that this contributes to craft most of the poem and of poetry and creative writing as an art form.
Poets are not exempt from the need to check facts and sources, but stringing together such facts will not create poetry.
casestudy.circleofpoets.com   (8162 words)

  
 Poets.org - Poetry, Poems, Bios & More - Death, Be Not Proud: The Graves of Poets
For example, the poet D.H. Lawrence's remains were cremated, then his ashes were mixed in with cement to build an altar on a ranch in New Mexico.
Because gravesites of famous individuals often become destinations for fans and tourists, it may be easy to forget that living family and friends also visit the spot to honor their deceased loved one—the person not the icon.
When poet Jane Kenyon died from leukemia in 1995, her body was taken to Proctor Cemetery in Andover, New Hampshire, where a gravestone marks the place where her widower, current U.S. Poet Laureate Donald Hall, will someday join her beneath a headstone which already bears his name.
www.poets.org /viewmedia.php/prmMID/19256   (556 words)

  
 Thomas Churchyard - The Suffolk Artist
Below is a short history of Thomas Churchyard by the holders of this collection.
Young Tom Churchyard had at fifteen or sixteen rejected his father's career and looking back to his yeoman ancestry, he longed to be a farmer.
Churchyard and Barton were of yeoman and trade stock, while George Crabb and FitzGerald had notable family connections and were well off.
www.thomaschurchyard.co.uk /theartist.htm   (3220 words)

  
 Search Results for "churchyard"
Dove Cottage was the home of William Wordsworth from 1799 to 1808; it now contains a Wordsworth museum.
His two best works are the novels The House by the Churchyard (1863) and Uncle Silas (1864).
Often set in a graveyard, their poems mused on the vicissitudes of life, the solitude of death and the grave,...
www.bartleby.com /cgi-bin/texis/webinator/65search?query=churchyard   (265 words)

  
 Britain.tv Wikipedia - Poetry
This "romantic"?title=approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic.
Yet other modernists challenge the very attempt to define poetry as misguided, as when Archibald MacLeish concludes his ironic poem, "Ars Poetica,"?title=with the lines: "A poem should not mean / but be."
Meter is often scanned based on the arrangement of "poetic feet"?title=into lines.
www.britain.tv /wikipedia.php?title=Poetry   (7196 words)

  
 Dr. Karen Droisen's Thomas Gray Assignment   (Site not responding. Last check: 2007-10-20)
Poets of sensibility tend to define their interest and work in opposition to Augustan poetry: whereas Augustan poets emphasize the rational powers of human beings, they turn their attention to the individual's capacity for sympathetic and empathetic emotional response.
This tries to evoke an emotional response from the reader: whereas Augustan poets try to teach their readers how to think, poets of Sensibility try to teach their readers how to feel.
Augustan poets and poets of sensibility, in other words, try to write poetry which will offend no one by avoiding direct commentary on the divisive issues of class conflict, religious strife, and the political world.
www.unlv.edu /faculty/droisen/graysnap.html   (702 words)

  
 A Review From In Dissent: Cooper Renner   (Site not responding. Last check: 2007-10-20)
Jean Valentine would seem, on the surface, to have fared best, even to the point of having been a "Farrar Straus poet" for a number of years, and she has more volumes in print than any of the men.
On the other hand, she has apparently been relegated to the dismissive status of "feminist poet," by which means the larger "poetic culture" manages to cease to deal with her.
A fourth sheet features a "normal" printing of most of the individual poems/elegies/tombstones which figure in the "actual" elegy and also notes, a la an entry signboard, "Rubbings Directory Restroom Crafts Souvenirs." This sheet is, of course, much easier to read, but removes most of the fun and much of the mystique.
www.webdelsol.com /LITARTS/In_Dissent/cooper5.htm   (1417 words)

  
 elegy - HighBeam Encyclopedia
BC in Greece and poets such as Archilochus, Mimnermus, and Tytraeus.
Later taken up and developed in Roman poetry, it was widely used by Catullus, Ovid, and other Latin poets.
In English poetry, since the 16th cent., the term elegy designates a reflective poem of lamentation or regret, with no set metrical form, generally of melancholy tone, often on death.
www.encyclopedia.com /doc/1E1-elegy.html   (558 words)

  
 [No title]
Through some oversight, however, he has included, as part of the poem beginning "In Peascod time when hound to horn gives ear while buck is kill'd", sixteen lines that were written not by Oxford but by Thomas Churchyard, a middling poet and minor functionary at Elizabeth's court.
He has never been a candidate before, and the fact that Venus and Adonis appeared when he was in his 74th year might tell against him, but he lived, like Oxford, until 1604 and strikes me as at least as plausible a pretender to Shakespeare's bays.
He has already shown signs of becoming an Oxfordian imperialist, claiming the sonnet cycle of one "E.C." for his hero and announcing last year in his newsletter that he will argue in a future book that "a thousand Petrarchan sonnets ascribed to others were actually Oxford's".
www.members.tripod.com /stromata/id116_m.htm   (598 words)

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