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Topic: Cinema of Mexico

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	Mexico (Site not responding. Last check: 2007-10-08)
		Mexico borders two major bodies of water, the Pacific Ocean (with the Sea of Cortés between the mainland and the Baja California peninsula) to the west and on the east the Gulf of Mexico and the Caribbean Sea that lead to the Atlantic Ocean.
		Mexico has a free-market economy with a mixture of modern and outmoded industry and agriculture, increasingly dominated by the private sector.
		Mexico is the most populous Spanish-speaking country in the world and the second most populous country in Latin America after Portuguese-speaking Brazil.
	www.bidprobe.com /en/wikipedia/m/me/mexico.html (1475 words)

	Mexico - Wikipedia, the free encyclopedia
		Mexico is bordered by the United States to the north, and Belize and Guatemala to the southeast.
		Mexico is predominantly Roman Catholic (about 89% of the population), with 6% adhering to various Protestant faiths (mostly Pentecostal), and the remaining 5% of the population adhering to other religions or professing no religion.
		Spanish is the official language of Mexico and is spoken by the majority of the population.
	en.wikipedia.org /wiki/Mexico (5224 words)

	Cinema of Mexico - Wikipedia, the free encyclopedia
		The history of Mexican cinema goes back to the beginning of the 20th century, when several enthusiasts of the new medium documented historical events – most particularly the Mexican Revolution – and produced some movies that have been only recently been rediscovered.
		In the 1930s, once peace and a degree of political stability were achieved, cinematography took off in Mexico and several movies still experimenting with the nascent medium were done.
		Mexico dominated the film market in Latin America for most of the 1940s without competition from the United States film industry.
	en.wikipedia.org /wiki/Cinema_of_Mexico (398 words)

	Mexico (Site not responding. Last check: 2007-10-08)
		Mexico's major rivers include the Río Bravo del Norte (Rio Grande) and the Río Usumacinta on its northern and southern borders, respectively, together with the Río Grijalva, the Río Balsas, the Río Pánuco, and the Río Yaqui in the interior.
		Mexico is predominantly Roman Catholic (89%), with 6% adhering to various Protestant faiths and the remaining 5% adhering to other religions, or no religion.
		Mexico was the first country to establish, in the 1970s a system of "distance-learning" satellite secondary education, aimed for the little towns and rural communities.
	www.freecaviar.com /search.php?title=Mexico (3419 words)

	Mexico (Site not responding. Last check: 2007-10-08)
		For almost 3,000 years, Mexico was the site of several advanced Amerindian civilizations, the Mesoamerican cultures, such as the Olmec, the Maya and the Aztecs.
		The arrival of the Spanish in the early 16th century, and their defeat of the Aztecs in 1521, marked the beginning of the 300 year-long colonial period of Mexico as New Spain.
		Mexico's major rivers include the Río Bravo (known in the US as the Rio Grande), the Río Grijalva, the Río Balsas, the Río Pánuco, and the Río Yaqui.
	www.yotor.com /wiki/en/me/Mexico.htm (1571 words)

	Cinema of Mexico -- Facts, Info, and Encyclopedia article (Site not responding. Last check: 2007-10-08)
		In the (The decade from 1930 to 1939) 1930s, once peace and a degree of political stability were achieved, cinematography took off in Mexico and several movies still experimenting with the nascent medium were done.
		It is important to notice how early Mexican cinematographers wers influenced and encouraged by (Russian film maker who pioneered the use of montage and is considered among the most influential film makers in the history of motion pictures (1898-1948)) Sergei Eisenstein's visit to the country.
		Mexico dominated the film market in Latin America for most of the (The decade from 1940 to 1949) 1940s without competition from the United States film industry.
	www.absoluteastronomy.com /encyclopedia/c/ci/cinema_of_mexico.htm (506 words)

	Mexican Cinema
		Mexico's Cinema is an anthology volume consisting of an introduction, epilogue, and 12 chapters.
		Mexico's Cinema begins with an essay by Patricia Torres de San Martín on Adela Sequeyro and Matilde Landeta, the only two Mexican women directors with significant careers prior to the 1970s.
		Mexico's Cinema achieves this equilibrium; it should both spark interest in the topic and provide fresh insight for veterans of Mexican cinema scholarship.
	www.natcom.org /pubs/ROC/one-one/Wilt.htm (1574 words)

	Current Trends / Forging a National and Popular Art Cinema in Mexico: "María Candelaria" by Sergio de ... (Site not responding. Last check: 2007-10-08)
		Notwithstanding its status as the representative film of the classic Mexican cinema, "María Candelaria" is in fact a controversial film among Mexican film critics and scholars.
		Vasconcelos, Mexico's first Minister of Education (1921-24) sought to redeem the "barbarous Indian" through recruitment into the national modernization and a unification project of education, biological and ethnic assimilation (mestizaje).
		His contributions to world cinema through his innovations in film photography, encompass the areas of lenses, filters, lab processing, lighting apparatus and different ways of using the technologies, all of which are internationally recognized but under-researched.
	www.sdlatinofilm.com /trends5.html (1419 words)

	[No title]
		Mexico borders two major bodies of water, the Pacific Ocean (with the Sea of Cortés between the mainland and the
		Mexico's major rivers include the Río Bravo (known in the US as the Rio Grande), the Río Grijalva, the Río Balsas, the
		Mexico is the most populous Spanish-speaking country in the world and the second most populous country in Latin America (after Portuguese-speaking
	en-cyclopedia.com /wiki/Mexico (1476 words)

	Current Trends / Mexican Cinema in the '90s by David Maciel - San Diego Latino Film Festival Web site
		In the 1990s, the cinema of Mexico has clearly established itself as the leading cinematic movement in the Spanish-speaking world.
		Since the late 1980s to the present, the cinema of Mexico has been engaged in a process of flowering and artistic growth.
		Unique in the history of the cinema of Mexico is the fact that numerous directors of the generations of the 1990s are women.
	www.sdlatinofilm.com /trends8.html (1493 words)

	Mexico: Mexico Expo - Mexico City
		Mexico City is the capital of Mexico, and most of it is located in the Federal District (Distrito Federal), a politically separate area from Mexico's 31 states.
		The economic quality of life in Mexico City ranges from the exclusive areas of Zona Rosa and the Zocolo near the center of Mexico City, to the slums and poverty of Nezahualcoyott on the east side of town.
		Mexico City seems a zillion miles away from any tropical beach environment, but one of Mexico's best beach destinations is only 260 miles and a 5 hour dive from town.
	www.mexicoexpo.com /pages/p_mexcit.html (10328 words)

	Mexico \| Paris: Mexico
		Mexico city is full of this green VW taxis.
		Mexico City is "overpopulated" with billboards, but every once in a while we get to see some funny ones...
		This the Independence Angel, it is as significative to Mexico City as the Eiffel tower to Paris.
	jmgobet.neufblog.com /mexicoparis/mexico (942 words)

	InternationalReports.net : Mexico 2002 (2)
		The chain has 950 cinemas, making it the ninth largest in the world, and 70 million customers a year.
		It is the domestic cinema chain, however, which remains the main business.
		While the Ramirez Group is the leader nationwide, it is only second in the country's main market, Mexico City, with a 26 percent share, after Cinemex, which has 43 percent of the market in the capital.
	www.internationalreports.net /theamericas/mexico/2002/2/ramirez.html (427 words)

	Mexican cinema
		Probably the most complete study to date of Mexican cinema, as Duran Loera states in the preface of the book (ix), Mexican cinema comes forward as a sound, detailed, very thorough compilation of articles on the way and reasons involved in the birth, growth and actual situation of cinema in Mexico.
		Divided into six parts, the first one is a chronicle of Mexico and its cinema that goes from 1896 to 1994 merely juxtaposing data on economics, the political situation, cultural trends and facts related to the cinema.
		The second part, however, deals with the history of Mexican cinema and is in turn divided into three articles covering firstly the silent cinema, secondly the origins, development and crisis of sound cinema (1929-1964), and the third one looks at the crises and renovations of contemporary cinema (1965-1991).
	www.latrobe.edu.au /screeningthepast/shorts/reviews/rev0499/scbrapr.htm (766 words)

	Mexico's Cinema: A Century of Film and Filmmakers:0842026827:Hershfield, Joanne; Maciel, David R.; Maciel, ...
		Moreover, Mexico has the most advanced movie industry in the Spanish-speaking world in terms of economic resources, technical production, number of films produced annually, and in distribution.
		Mexico's Cinema: A Century of Film and Filmmakers is a collection of fourteen essays that encompass the first 100 years of the cinema of Mexico.
		Included are original contributions written specifically for this title, plus a few classic pieces in the field of Mexican cinema studies never before available in English.
	www.ecampus.com /bk_detail.asp?isbn=0842026827 (170 words)

	Variety.com - Latin America faces screen jam (Site not responding. Last check: 2007-10-08)
		In Mexico City, on the other hand, a movie fan might find dozens of screens packed into the same neighborhood.
		Mexico, the only country in the region with a healthy screen count (3,000-plus), is close to saturation point.
		On June 17, Deno opened the eight-plex Cinema Devoto in Villa Devoto, a middle-class neighborhood in the capital.
	www.variety.com /article/VR1117907003?categoryid=1447 (799 words)

	Mexican Cinema: Reflections of a Society (Site not responding. Last check: 2007-10-08)
		[Mexican cinema] is based on an excellent combination of research materials and methods, primary and secondary sources, interviews, and, most important, the screening of an impressive number of films."
		The result, for us, is a new window on Mexico, a country so many Americans like to think they know.
		He is the co-translator of The Mexican Cinema: Interviews with Thirteen Directors.
	www.swcp.com /~gigicarl/book.html (193 words)

	Welcome to Cinequest 12—San Jose Film Festival
		Cinequest is proud to announce the newest addition to its already formidable slate of maverick cinema from all corners of the world.
		Global Landscapes is designed to shed light on select regions, territories, or cultures that have had a substantial effect on cinema and demonstrate significant global impact or achievement.
		Demonstrating the depth of artistry and variety of subject matter explored by Mexican filmmakers, this showcase brings the discussion of contemporary Mexican social and artistic issues to the fore.
	www.cinequest.org /2002/global_landscapes.html (516 words)

	Mexico \| Paris
		This giant obelisk (la Colonne de la Grande Armée) is in the middle of Place Vendôme and was commissioned by Napoleon to commemorate his victories.
		This cinema is more than 50 years old and has a really nice Art-Deco facade.
		This is the World Trade Center building in Mexico City.
	jmgobet.neufblog.com /mexicoparis (424 words)

	Cinema Treasures \| Mexico Theatre (Site not responding. Last check: 2007-10-08)
		Another change of hands, circa 1980, came with a change of policy--Spanish language films, and a change of name--Mexico, after local exhibitor Jose Borges had to abandon his previous Mexico Theatre (the former Liberty) downtown due to redevelopment.
		I was told today that the Mexico has been sold to a local business owner.
		Note: Cinema Treasures is not affiliated with Mexico Theatre.
	cinematreasures.org /theater/2811 (345 words)

	Dollar Mambo, Paul Leduc, 1993, Mexico [Cinema] (Site not responding. Last check: 2007-10-08)
		FONDS SUD CINEMA (Ministry of Foreign Affairs and the Centre National de la Cinématographie - France).
		Born in Mexico 11 March 1942, Paul Leduc studies drama, then architecture at the Hispanic-Mexican Academy.
		In 1967 he returns to Mexico and founds the group "Ciné 70".
	www.france.diplomatie.fr /mediasociete/cinema.gb/cooperation/production/films/fds/film14.html (416 words)

	Comm. 110: Cinema in Latin America: Visions of a Continent in Transition
		Cinema in Latin America: Visions of a Continent in Transition
		Mexico: Matilde Landeta: My Filmmaking, My Life, a documentary on the life of the pioneer of women's cinema in Mexico.
		Lucia Set in three different periods and made with three different approaches to cinema, this film is an ode to strong, revolutionary women.
	communication.ucsd.edu /courses/syllabi/110.W98.html (1928 words)

	Open Directory - Regional:North America:Mexico:Arts and Entertainment (Site not responding. Last check: 2007-10-08)
		The architecture of Mexico: its style, history, preservation, and presentation to the public.
		Relating to the cinema of the geographic region of Mexico, or a significant portion of the country.
		This category is for English-language websites about information and organizations related to the literature of the entirety or of a large part of Mexico, or of an internationally recognized artist from Mexico.
	dmoz.org /Regional/North_America/Mexico/Arts_and_Entertainment/desc.html (840 words)

	Once Upon a Time in Mexico (2003) (Site not responding. Last check: 2007-10-08)
		The final instalment of the adventures of the mythic guitar singing hero, El Mariachi (Antonio Banderas), last seen in Desperado.
		The saga continues as El Mariachi makes his way across a rugged landscape on the blood trail of evil cartel kingpin, Barillo (Willem Dafoe), who has set in motion a plan to implement a coup d’état against the president of Mexico.
		Enlisted by a corrupt CIA agent (Johnny Depp), El Mariachi demands retribution and the blazing action adventure begins against a backdrop of revolution, greed and revenge.
	www.cinema.com /films/7493/once_upon_a_time_in_mexico/index.phtml (97 words)

	Viva Mexico! Washington Celebrates
		At various times during the last century, the cinema of Mexico has been the leading national cinema of Latin America.
		From April 18 through July 10, 2004, The National Gallery of Art, Washington will present Milestones in Mexican Cinema, a film series of some 30 historically significant feature films, in newly struck and subtitled theatrical prints.
		Together they offer a succinct survey of the vibrant cinematic culture of Mexico, from ephemeral 19th-century documentaries in the Library of Congress collections, to gritty urban melodramas now appearing regularly on the prestigious international festival circuit.
	www.washington.org /vivamexicodc/cinema.htm (259 words)

	Gerald Peary - film reviews - Japon
		The New Cinema of Mexico marches on with Carlos Reygades' Japon, but don't anticipate an audience-chummy film in the vein of Amores Perres and Y Tu Mama Tambien.
		He goes down, down, down, but after reaching the crude town, he retreats and goes up a bit (directions are very symbolic), climbing to a house on the edge of the canyon where he can rent a bed.
		Bunuel was an atheist, Bresson a devout believer, but both made cinema in which the do-gooders of the earth are defeated and crushed every time by the rabble.
	www.geraldpeary.com /reviews/jkl/japon.html (463 words)

	Spanish and Portuguese Language Films: Media Resources Center UCB
		With revolutionary Mexico as a backdrop, a successful local rancher returns triumphant from the war to the praise of townsfolk, and "El General" is ready to take a wife.
		Julia, a Mexico City telephone operator whose life is enlivened only by the ballroom dancing she enjoys each week, stuns her friends by impulsively following the trail of her missing dance partner to Veracruz.
		Examines the new cinema's political concerns, its desire to give expression to the traditional cultures, national identities, and everyday experiences of Latin Americans, and the growing prominence of feminist cinema.
	www.lib.berkeley.edu /MRC/LatinAmfilm.html (13203 words)

	Film Comment: After the breakthrough of Amores Perros, what's next for Mexican Cinema? - Mexico City Journal - Industry ... (Site not responding. Last check: 2007-10-08)
		Another figure in the Mexican cinema old guard, Felipe Cazals, came out of retirement last year to direct His Most Serene Highness (Su Alteza Serenisima), a gloomy account of the final days of General Santa Anna, best known as the president who lost half of Mexico's territory to the U.S. in 1847.
		Shot with the masterful sense of space that is Cazals' trademark, the film's incisive depiction of a decaying form of power that refuses to acknowledge its own end is particularly relevant in light of Mexico's current political events.
		Leonardo Garcia Tsao writes for the Mexico daily La Jornada and teaches at the Centro de Capacitacion Cinematografica.
	www.findarticles.com /p/articles/mi_m1069/is_4_37/ai_83115355/pg_2 (324 words)

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