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Topic: Cinema of Poland


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In the News (Fri 27 Nov 09)

  
  Europa Cinemas
Two other videos such as the Meeting of the Europa Cinemas exhibitors as well as the Press Conference organised for the launching of the European filmmakers’ Tour de France are also available.
On the occasion of the French Presidency of the European Union (1 July - 31 December 2008), the European Cultural Season (Culturesfrance) in partnership with the CNC is pleased to highlight the European cinema.
On the shortlist were 2 cinemas also members of the network.
www.europa-cinemas.org /en   (1012 words)

  
  Cinema of Italy   (Site not responding. Last check: )
The history of Italian cinema began a just few months after Lumière brothers had discovered it and it was with a few seconds of film in Pope Leo XIII was blessing the camera.
After WWI also due to consequent general economical Italian cinema produced less interesting works despite introduction of sound and it was only the end of the 1920s that some innovative films were directed Alessandro Blasetti Mario Camerini and his cousin Genina.
Italian cinema had little prices to pay dictatorship and perhaps only when approaching the war when (like in every fighting country) works were produced for propaganda purposes.
www.freeglossary.com /Cinema_of_Italy   (1551 words)

  
 Polish cinema   (Site not responding. Last check: )
The unrepeatable nature of the director's films and their great success at the world market could be a final satisfaction of our all complexes: the "lack of appreciation", absence in the world, neglect by festival juries etc. Hopefully that completed creativity may become a challenge to the present, creative ambitions.
The measure of Stuhr's mastery of the whole idea is the fact that the romantic and the common both serve as a way to prove one thing: that love has the supreme value in life, that approval of that feeling requires sacrifice and that loneliness is the only alternative to love.
And the paradoxial aspect of this emotion is the fact that it is connected to a lesser degree with the true evaluation of the cinema's successes and failures but mostly it is the expression of the disappointment with a total helplessness of this form of art in our country.
www.poland-embassy.si /eng/culture/todaycinema.htm   (3215 words)

  
 Polish Post-War Feature-Film 1945-1995
The cinema became tendentious and presented a false image of the country as being well managed and developed under the guidance of the "leading power of the nation," the Polish United Workers Party.
In the period of the early socialist realism, or socrealism, (1949-1950), cinema was controlled by "soft" agitators who tried to convince those, in their own words, "still not convinced" about the necessity of building the social order according to the Marxist-Leninist tenet.
This film presenting the fall of Gierek's era and the birth of the Independent Workers Union "Solidarity" was made by the artist using both the "strategy of the psychotherapeutist" and that of the "clairvoyant," since he questioned the indissoluble nature of the social agreement signed by the government with workers.
www.kinema.uwaterloo.ca /micz952.htm   (5278 words)

  
 Poland -- Related Web Sites
Destination Poland: Maintained by Lonely Planet, a publisher of travel guides, this Web page presents a wide range of information for the traveler who is going to Poland, including information on Poland's history and culture; suggested attractions and activities; travelers' reports on Poland; and, recommended reading.
Poland Country Guide: This on-line guide to Poland "provides access to a catalog of international data resources, data and information, on-line information resources, and tools." Information is organized by topic and all source documents have been indexed.
Poland: This presentation includes various kinds of information about Poland, including regional information; business opportunities in Poland; Polish cinema database; list of Polish WWW servers; information on the Center for Contemporary Art in Warsaw, and telephone area codes in Poland.
www.iearn.org.il /hgp/www-poland.html   (657 words)

  
 Warsaw Life | Warsaw Travel Guide | Restaurants Shops Pubs and Apartments Warsaw Hotels | Poland
We value your comments and suggestions - so get in touch and let us know what you think about Poland's capital, what you'd like to see on this website, and any other great bits of information you think we should know about.
Or just drop us a line if you'd like personal help with anything from general advice about travel to Poland, or help with booking a hotel room...
Join us in the country's capital in Poland's delightful second city, Cracow, (also called 'Krakow'), the Baltic beauty of Gdansk, the Silesian jewel of Wroclaw, Greater Poland's capital Poznan, or at the weekends in Zakopane, Poland's mountain resort!
www.warsaw-life.com   (445 words)

  
 Cinema City Poland - Wikipedia, the free encyclopedia
Cinema City is a brand of multiplex cinemas in eastern and central Europe, run by the Israeli company Cinema City International (CCI).
In Poland Cinema City has almost 40% of the multiplex market, with Multikino its major competitor.
Cinema City has exclusive rights for operating IMAX technology theatres in Poland.
en.wikipedia.org /wiki/Cinema_City   (419 words)

  
 About the Unit for Cinema Studies   (Site not responding. Last check: )
At the University of Illinois at Urbana-Champaign, the historical, critical, and aesthetic study of film - Cinema Studies - is pursued in the College of Liberal Arts and Sciences.
In 1974, the Unit for Cinema Studies was established in the newly formed School of Humanities, and in 1979, the Cinema Studies Concentration was created within the Humanities Major (now the Interdisciplinary Studies Major).
The faculty of the Unit for Cinema Studies have individually achieved national and international reputations for their research in various areas of the discipline and for other scholarly activities.
www.uiuc.edu /unit/cinema/history.html   (397 words)

  
 2004-05 Cinema Studies Courses
One of the leading figures in East European cinema of the 1970s and 1980s, Krzysztof Kieslowski was closely associated with Poland’s Cinema of Moral Concern which helped give birth to the Solidarity movement and the collapse of Poland’s Communist regime.
Cinema Studies majors are required to take as Introductory Core Courses: Cinema Studies 101 (Form, Style, and Meaning in Cinema) and at least one of the Cinematic Traditions courses taught by the Cinema Studies faculty.
Yet since the early years of cinema, filmmakers and viewers around the world have found in the thriller a compelling vehicle for the articulation of issues surrounding complex subjects such as sexuality and gender, politics and nationalism, and espionage and violence.
www.oberlin.edu /fsc/courses/ay0405.html   (3052 words)

  
 Cinema Studies Links: National Cinemas   (Site not responding. Last check: )
CineGraph presents texts on the history of German-language cinema compiled by the Hamburgisches Centrum für Filmforschung e.V., a professional cinema research association.
Cinema Iran provides reviews of Iranian films and profiles of Iranian actors and directors.
Polish Cinema During the Period 1989-1999 and essay by Bozena Janicka, discusses Polish film during the last decade of the twentieth century.
www.uiuc.edu /unit/cinema/links/national.html   (857 words)

  
 “Why Not Have Our Own World?”: Interview with Andrzej Wajda
To anyone interested in the history of European cinemas, Andrzej Wajda’s name is synonymous with endurance and an ability determine and answer the most pertinent questions asked by his fellow Poles and other Europeans at a given historical time.
With more than 6 million tickets sold to its screenings in Poland (2), it was significant in allowing for the unprecedented domination of Polish box-office by domestic productions, an exception in the history of the late 20th century Polish and also European cinema.
The strength of the earlier Polish cinema was in the unity of a group of filmmakers who worked together in their common interest.
www.sensesofcinema.com /contents/05/36/andrzej_wajda.html   (4736 words)

  
 Classic Polish Film Posters: database, info, images
Suddenly the distribution of movies in Poland was taken over by Warner, Paramount, etc., and the Polish poster as we knew it ceased to exist.
Due to lack of commercial interest in the early period, these works were virtually unknown outside of Poland.
There is no surplus of these classical works in Poland or anywhere else in the World.
www.cinemaposter.com /index.html   (2792 words)

  
 GreenCine | Polish Cinema
With Poland off the map for so many years and under repressive regimes for many more, there is a strong tradition of Polish artists working in exile (traditionally in France).
Nevertheless, it is worth noting that Poland was quick to recognise the artistic potential of cinema, and philosopher and avant garde novelist Karol Irzykowski turned to criticism of the new medium, publishing an important theoretical work, The Tenth Muse, in 1922.
The middle section of the trilogy, White, would return to Poland to explore post-communist reality (although even admirers of the trilogy admit this part is slightly weaker than the others in the set).
www.greencine.com /static/primers/polish-1.jsp   (3175 words)

  
 Public relations programme for IMAX and Cinema City Poland   (Site not responding. Last check: )
IT International Theatres, locally represented by Cinema City Poland is the distributor of and investor in IMAX cinemas in Poland.
The approach resulted in regular publications and broadcast materials appearing between September and December 2001 (when the cinema was open), creating and sustaining excitement about the new venture and educating the publics about IMAX offer well in advance of the official opening.
Very few publications had appeared between the time of opening of the first IMAX cinema in Warsaw in September 2000 and the beginning of the campaign in April 2001.
www.ipra.org /library/docs/gwa2178.htm   (1023 words)

  
 News from Poland - Cinema for the blind
Cinema for blind people has been launched for the first time in Poland.
He said that although the method used couldn't replace sight, he was happy to be able to continue his hobby.
The first picture to be shown for the blind in Poland is a new Polish comedy.
www.poland.pl /news/article,Cinema_for_the_blind,id,247749.htm   (179 words)

  
 ACF Freedom Film Fest
The American Cinema Foundation is proud to present a festival of new and classic films that have made a significant contribution to our understanding of freedom, that memorialize the victims of tyranny, and that continually celebrate the priceless gift of a free and pluralistic culture.
In Berlin in February, director Andrzej Wajda received the ACF Freedom Award, and a week-long retrospective of his best-known work followed, and in the cultural centers of Hungary, Poland and the Czech Republic in the former East Berlin, the ACF presented a week of new films from eastern Europe.
Poland's cinema master Andrzej Wajda continues to be the touchstone for the festival: we present the second Andrzej Wajda/Philip Morris Freedom Prize to Jan Svankmajer, of the Czech Republic, on February 11 and follow up with a week of screenings at the Akademie der Künste.
www.cinemafoundation.com /free/fff_main.html   (767 words)

  
 Cinema Hostel - Krakow, Poland - Hostel Review
Cinema Hostel is the heaven for travellers, oasis for the ones looking for companionship and adventure.
The Cinema Hostel is a brand-new hostel (less than one month old) at the southern tip of Old Town in Krakow.
The theme is meant to be "cinema" but it is not executed very well.
www.hostelz.com /hostel/57841-Cinema-Hostel   (711 words)

  
 Bookshop: Books on Central and Eastern European Cinema
Being an American, Cook tends to subscribe too heavily to the view that US cinema is the centre of it all, but this does not detract from the attention he applies to global film making.
More than a feminist study of Russian cinema, this is a great all-round analysis of the social background to Soviet cinema which is both readable and recommended.
The latter half of the 1970s and the early 1980s might not be the obvious starting point for study of Central European cinema, but this is an excellent volume with some fascinating insights.
www.ce-review.org /books/cinema.html   (867 words)

  
 Prague 96 - News   (Site not responding. Last check: )
The cinema of Poland, for example, forms a strong element of this year's festival, which opens with Holy Week, the latest film from the great Andrzej Wajda.
Another major figure in European cinema, Max von Sydow, chairs the International jury for this year's competition, which comprises 14 films from as many countries.
American cinema's flourishing independent sector is well represented at Prague with a season of films that includes several European premieres, while powerhouse American actor Harvey Keitel will also be in town for a three-film tribute to his talents.
www.filmfestivals.com /prague/pnew4.htm   (440 words)

  
 Everything for sale: Polish national cinema after 1989 Canadian Slavonic Papers - Find Articles
March Almonds, in spite of Piwowarski's hazardous tendency to sentimentalize, may serve as a good example of new political, yet commercially minded, cinema in Poland.
It is a film which targets young Polish viewers with its references to world cinema, to the local rock scene (the Polish rock star Pawel Kukiz in the leading role), its mockery of Polish political life, and its humor.
Fast-action films, Pasikowski-style, are something new in Polish cinema, but Polish audiences are well prepared after having being exposed to numerous American action films, mostly on video.
www.findarticles.com /p/articles/mi_qa3763/is_199703/ai_n8755108/pg_9   (518 words)

  
 Aleksander Ford and Film Censorship in Poland after 1945
Even though he never fully succeeded, his actions resulted in generating a complex system of cinema control, which was present in Poland, with slight modifications, almost until the end of 1980s.
Even before the first piece of land in Poland was liberated, the army filmmakers had made their minds.
In March 1969 he was forced to leave Poland as a victim of an anti-Semitic campaign initiated by the First Party Secretary Wladyslaw Gomulka.
www.kinema.uwaterloo.ca /misi032.htm   (4183 words)

  
 Cinema   (Site not responding. Last check: )
Founded in 1959, the Society for Cinema Studies is a professional organization composed of college and university educators, filmmakers, historians, critics, scholars, and others concerned with the study of the moving image
Founded in Paris in 1938, FIAF is a collaborative association of the world's leading film archives whose purpose has always been to ensure the proper preservation and showing of motion pictures.
The International Liaison Centre of Schools of Cinema and Television is an organization of the world's leading schools of film and television.
www.theatrelibrary.org /links/Cinema.html   (1104 words)

  
 Polish1450Syllabus
The course presents contemporary Polish cinema from 1945 to the present.
The main trends (schools, movements) in Polish cinema will be examined such as the so-called PolishSchool and the Cinema of Moral Concern.
The Cinema of Andrzej Wajda by Boleslaw Michalek, pp.
www.pitt.edu /~slavic/courses/pol1450/index.html   (715 words)

  
 [No title]
The course is designed as a survey of Polish cinema since 1945 up to the present, as an example of both a national and a European cinema.
Films will be examined from both a historical and an aesthetic perspective in order to present the main trends in post-war Polish cinema, for example: Socialist Realism, the Polish Film School and the Cinema of Moral Concern.
By the end of the course students will be familiar with the main trends of Polish post-war cinema as well as with works by the most important Polish filmmakers.
www.pitt.edu /AFShome/s/l/slavic/public/html/courses/pol0870   (711 words)

  
 Tribute to Krzysztof Kieslowski Presented by Academy / Exhibition of Film Posters from Poland Also to be Featured
Attendees will also be the first to see a new exhibition of cinema posters from Poland, which will remain on display at the Academy through December 17.
The companion exhibition, "International Cinema Posters from Poland," will feature 60 posters from the 1940s to the present.
The tribute, film series and poster exhibition have all been organized with the collaboration of and support of the Polish State Film Committee; the Museum of Posters in Vilanov, Poland; LOT Polish Airlines and the patronage of the Polish Prime Minister and the Polish Consulate of Los Angeles.
www.oscars.org /press/pressreleases/2000/00.09.05.html   (561 words)

  
 The History Department at CCSU
His current research includes: Poland and international politics,1914-39; Polish political culture; American cinema and Poland; and the Poles and international espionage.
"Poland and the Poles in the Cinematic Portrayal of the Holocaust” in Robert Cherry and Anna Maria Orla-Bukowska, eds., Polish Images and the Holocaust (Lanham, MD: Rowman and Littlefield, Forthcoming).
Poland: Pilsudski, 11 November, and the Politics of Symbolism” in Stanislav V. Kirschbaum, ed., Central Europe: Before and After EU Accession
www.history.ccsu.edu /fac/biskupski.html   (1205 words)

  
 Art and Cinema - Culture - Poland - Europe
In painting, Polish artists have been mainly influenced by various Western movements and trends, although in the 20th century traditional peasant art has exerted some influence.
Poland’s folk arts and crafts range from pottery, fabrics, and embroidery, to sculpture, graphics, and painting.
Since 1950 a number of Polish filmmakers, including Andrzej Wajda, Roman Polanski, and Krzysztof Kieslowski, have achieved international renown.
www.countriesquest.com /europe/poland/culture/art_and_cinema.htm   (92 words)

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