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| | Criticine :: elevating discourse on southeast asian cinema |
 | | Wayang kulit, the Malay shadow play, gave the earliest inhabitants of Southeast Asia their first experience of ‘cinema.’ But narrative cinema as it is today only began in Malaysia, with the production of Laila Majnun in 1933, directed by B S Rajhans and produced by Motilal Chemical, a Bombay-based company in Singapore. |
 | | Singapore split from Malaysia in 1965 and two years later, the studio system of Shaws and Cathay (now called Cathay-Keris), collapsed in Singapore (Shaw Brothers, because of union problems). |
 | | Film in Malaysia was once dominated by Malay cinema, but now the Fifth Voice has gained momentum and — like it or not — is in the process of creating a new Malaysian Cinema, both independently and through the mainstream. |
| www.criticine.com /feature_article.php?id=17 (2707 words) |
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