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Topic: Cinema of Taiwan


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  Cinema of Taiwan - Wikipedia, the free encyclopedia
Taiwanese cinema is deeply rooted in the island's unique and rapidly changing history.
From 1901 to 1937, Taiwanese cinema was strongly influenced by the Japanese.
Taiwanese cinema of this period is related to censorship in the Republic of China and Propaganda in the Republic of China.
en.wikipedia.org /wiki/Cinema_of_Taiwan   (1306 words)

  
 Taiwan - Wikipedia, the free encyclopedia
It is bounded to the east by the Pacific Ocean, to the south by the South China Sea and the Luzon Strait, to the west by the Taiwan Strait and to the north by the East China Sea.
The romanization of Mandarin Chinese in Taiwan is inconsistent.
Taiwan's mainstream culture is primarily derived from traditional Chinese culture, with significant influences also from Japanese and American cultures, especially in the areas of politics and architecture.
en.wikipedia.org /wiki/Taiwan   (4387 words)

  
 Taiwan - Wikipedia, the free encyclopedia   (Site not responding. Last check: 2007-11-01)
Taiwan is mostly mountainous in the east, but gradually transitions to gently sloping plains in the west (satellite photo by NASA).
The main island of Taiwan, also known as Formosa (Portuguese sailors called it Ilha Formosa, which means "beautiful island"), is bounded to the east by the Pacific Ocean, to the south by the South China Sea, to the west by the Taiwan Strait, and to the north by the East China Sea.
Taiwan's two largest cities, Taipei City and Kaohsiung City, although on the island of Taiwan, are not part of the Taiwan Province, but centrally administered municipalities, with the same level as provinces.
www.gogog.com /project/wikipedia/index.php/Taiwan   (3106 words)

  
 NationMaster - Encyclopedia: Cinema of Taiwan   (Site not responding. Last check: 2007-11-01)
The cinema of Hong Kong is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and the cinema of Taiwan.
World cinema is a term used primarily in the West to refer to the films and film industries of non-English language speaking countries.
The island of Taiwan lies some 200 km off the southeastern coast of China across the Taiwan Strait, with the East China Sea to the north, the Philippine Sea to the east, the Luzon Strait directly to the south and the South China Sea to the southwest.
www.nationmaster.com /encyclopedia/Cinema-of-Taiwan   (3555 words)

  
 NationMaster - Encyclopedia: Cinema of China   (Site not responding. Last check: 2007-11-01)
The cinema of Mainland China after 1949 has grown up somewhat suppressed by the Communist regime until recent times, although certain films with political overtones are still routinely censored or banned in China itself.
Eastern cinema (sometimes called Far Eastern cinema or Oriental cinema) is a broad term used in the Western world to refer to the film industry and films produced in, and/or by natives of, East Asia or the Far East.
However, tighter-financed Chinese-language cinema are still relatively localized in content as seen in those from Hong Kong, Mainland China and Taiwan, especially in the latter two where many of the films have not yet found international distributors abroad.
www.nationmaster.com /encyclopedia/Cinema-of-China   (780 words)

  
 Republic of China
Taiwan remained under martial law, under the name of the "Temporary Provisions Effective During the Period of Communist Rebellion" (動員戡亂時期臨時條款) and one-party rule for four decades from 1948 until 1987, when Presidents Chiang Ching-kuo and Lee Teng-hui gradually liberalized and democratized the system.
Taiwan has become a major investor in Mainland China, Thailand, Indonesia, the Philippines, Malaysia, and Vietnam; although there are no direct transportation links between China and Taiwan, it is estimated at least some 50,000 Taiwanese businesses and 1,000,000 businesspeople and their dependents are established in Mainland China.
Taiwan has a high density of convenience stores, which in addition to the usual services, provide services on behalf of financial institutions or government agencies such as collection of the city parking fee, utility bills, traffic violation fines, and credit card payments.
www.brainyencyclopedia.com /encyclopedia/r/re/republic_of_china.html   (7572 words)

  
 Taiwanese Cinema
Cinema arrived on the island of Taiwan in 1901.
The New Cinema directors have responded to a recent increase in the public consciousness of the movement to return to the native and regional cultures.
The question of art cinema and popular cinema in relation to the industrial and commodity system in Taiwan seems to be the main issue underlying the many objections raised against the new directors, a consideration that has been ignored for too long and too easily.
cinemaspace.berkeley.edu /Papers/CityOfSadness/behind2.html   (2493 words)

  
 Literature of Taiwan - Wikipedia, the free encyclopedia
Literature of Taiwan is different from Chinese literature, but many books popular in China are also popular in Taiwan.
In fact, with the establishment of the Communist regime in China in 1949, books from China were not often published in Taiwan and books from Taiwan were not often published in China.
Taiwan Xiangtu (Hsiangtu) Wenxue (Taiwan Nativist Literature): the Sojourner-Narrator
en.wikipedia.org /wiki/Literature_of_Taiwan   (490 words)

  
 Asia Pacific Arts: The new new Taiwan cinema: An Interview with Chien Wei-Ssu
And the sound, that sound is the sound of an era, but in addition to this, it's because in the past, the KMT government denied the history and culture during the Japanese era/occupancy.
And because later when the KMT came to Taiwan, because of the culture gap -- that was why there was the 228 incident -- it resulted in a very unhappy historical incident.
Taiwan really doesn’t have any commercial films anymore -- some are art films, like Hou Hsiao-hsien or Tsai Ming-liang’s films, but the problem is their stuff is shot, it feels like they're shot for western critics.
www.asiaarts.ucla.edu /article.asp?parentid=30264   (3686 words)

  
 Dancing shadows of film exhibition: Taiwan and the Japanese influence
So Taiwan's early film history was quite removed from that of mainland China: the first films distributed in Taiwan came through the Japanese islands, at first from France, and later from other western countries and from Japan.
Taiwan saw both the eastern and western conventions for tinted colour in film, so a blue tint in a film from the West and an orange tint in a film from Japan both indicated a night scene.
The League terminated its activity in Taiwan and was immediately reorganised in Tokyo under the same name, with the same purpose and the same membership: there, it was approved by the minister of the interior, and the activism continued.
www.latrobe.edu.au /screeningthepast/firstrelease/fr1100/jdfr11g.htm   (8655 words)

  
 Cinema
During the late 1960s and early 1970s, Taiwan's film industry was one of the strongest in Asia, but the scene was dominated by syrupy romances, grade-B kung fu movies, and moralistic or propaganda-oriented dramas.
Initially inspired by Taiwan's nativist literature of the 1960s and 1970s, New Wave directors, such as Hou Hsiao-hsien, Edward Yang, and Wang Tong, created a cinema with a unique Taiwanese flavor by focusing on realistic and sympathetic portrayals of both rural and urban life.
New Cinema directors took a highly introspective approach in examining the effects of the political, social, and economic changes that Taiwan had experienced over the past five decades.
www.taiwan.com.au /Soccul/Arts/report09.html   (1263 words)

  
 Ban Wang, Globalization, Taiwan Cinema   (Site not responding. Last check: 2007-11-01)
In the study of Taiwan cinema, the issue of identity is political rather than a matter of image, style, aesthetics or reconfiguration of the mainstream patterns.
At the millennial turning point, accompanied by the loud gospel of global markets, liberal democracy, and the end of history, identity is blithely dissolved into a free-floating, hybrid blur of nonidentity or advertised diversity in the supposedly denationalized, deterritorialized world.
The identity of Taiwan cinema needs to be seen as a strenuous aesthetic grappling with volatile geopolitical situations in the world of shifting, antagonistic nations and forces.
mclc.osu.edu /jou/abstracts/wang2.htm   (318 words)

  
 Cinema of Taiwan
Find cinema of taiwan and more at Lycos Search.
CONTEXT II: Taiwanese Cinema From the Beginning to the New Cinema.
Taiwan, Admissions box office and average ticket prices with...
www.logicjungle.com /wiki/Cinema_of_Taiwan   (281 words)

  
 Indian film festival to focus on Taiwan cinema   (Site not responding. Last check: 2007-11-01)
Taiwan is participating in the 'Country Focus' programme of the festival by screening five films under the banner 'Taiwan Cinema'.
Taiwanese films are known for being unconventional and for their realistic depiction of local life, besides their technical superiority and innovative narrative techniques.
"Taiwan's participation in IFFI would surely strengthen the India-Taiwan relations and would also serve as the platform for those who wish to get acquainted with the island's known cinema," the Taipei Economic and Cultural Centre here said in a statement.
www.nowrunning.com /news/news.asp?id=1908   (190 words)

  
 Cinema of China - Chinese Movie - Chinese Art
The history of Chinese_languageChinese-language filmcinema has three separate threads of development: Cinema of Hong Kong, Cinema of China, and Cinema of Taiwan.
The cinema of Mainland China after 1949 has grown up somewhat suppressed by the Communist regime until recent times, although certain Chinese films are still being routinely censored or banned there but allowed to be played abroad.
Nevertheless, it provided an introduction to Chinese cinema for many and increased the popularity of many Chinese films which may have otherwise been relatively unknown to Westerners.
www.famouschinese.com /virtual/Cinema_of_China   (1735 words)

  
 Formula 17: Testing a Formula for Mainstream Cinema in Taiwan
In the poster, as well as the trailer, the homosexual relationship is more than suggested (the trailer even reveals their big kiss) but it is not made to feel “heavy” as in the films of Tsai Ming-liang, so as to retain the atmosphere of a romantic comedy while squeezing squeals out of giddy teenage girls.
While the use of theme songs is hardly new in Chinese cinemas, the use of the music video shows that the film is directly targeting a certain audience and is promising that the film will adhere to a certain music video vocabulary, namely fast cutting, cross-cutting, unusual camera setups, and, of course, popular song (4).
The making-of featurette on the Taiwanese version of the DVD includes an extended section on the preparation of the love scene, showing that the film is not necessarily promoting acceptance of gay themes, but is offering the thrill of seeing their idols flirt with deviant sexuality, which is hardly a radical reading.
www.sensesofcinema.com /contents/05/34/formula_17.html   (2905 words)

  
 Cinema of Taiwan ( 台湾电影 )
For example, the use of a benshi (narrator of silent films), which was a very important component of the film-going experience in Japan, was adopted and renamed benzi by the Taiwanese.
The 1960s mark the beginning of Taiwan 's rapid modernization.
The New Wave Cinema films are, therefore, a fascinating chronicle of Taiwan 's socio-economic and political transformation in modern times.
www.chinadetail.com /ChinaWorld/TaiwanCinema.php?PHPSESSID=c1cf06c9e82...   (985 words)

  
 111.The Taiwan New Cinema   (Site not responding. Last check: 2007-11-01)
This presentation focuses on two stages of Taiwan movies:the pluralistic creativity of the 1990s,and the beginnings and foundation-building of the 1980s.It introduces contemporary directors of the time and their works to take viewers back to an enthusiastic and energetic era.
It describes the relationship between cinema and social development, and explores the mutual reliance of the aesthetic of realism and social thought.
Wave after wave of developments in Taiwan New Cinema occurred in the 1980s and 90s.
www.roc-taiwan.de /info/audio/111.htm   (111 words)

  
 Amazon.com: Island On The Edge: Taiwan New Cinema And After: Books: Chris Berry,Feii Lu   (Site not responding. Last check: 2007-11-01)
Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary (Asia-Pacific) by June Chun Yip
This is the first English-language anthology on the Taiwan New Cinema and its legacy.
The book is essential reading for anyone who wishes to acquire an in-depth understanding of Taiwanese cinema, or more broadly, transnational Chinese-language cinema." – Sheldon H. Lu, University of California at Davis --This text refers to the Hardcover edition.
www.amazon.com /exec/obidos/tg/detail/-/9622097162?v=glance   (697 words)

  
 Celebration of Taiwan Cinema - Film Festival at Northwestern University   (Site not responding. Last check: 2007-11-01)
In celebration of a gift of 16mm prints from the Taipei Economic and Cultural Office in Chicago, Block Cinema at Northwestern University is presenting an exhibition of New Taiwanese Cinema.
Films from Taiwan of this period which began in the 1980s are described by many film critics and historians as representative of the most interesting national cinema in the world today.
The film festival is sponsored by the Taipei Economic and Cultural Office in Chicago and the Center for Global Culture and Communication, Northwestern University.
www.roc-taiwan.org /chicago/event/20040105/2004010501.html   (314 words)

  
 Barco wins first Digital Cinema project in Taiwan
Barco in partnership with Linfair Engineering has won the order to supply digital cinema projectors to the Ambassador Theatres Company in Taiwan.
It firmly establishes Barco in the Taiwan market as the partner of choice for Digital Cinema solutions.
Barco claims a digital cinema market share of more than 85 percent in mainland China and Hong Kong.
www.digitalcinemareport.com /news/barcodigitaltaiwan.html   (177 words)

  
 Technology - A First for Taiwan
The movie Wolf was Taiwan's first commercial release of a full-length feature available on digital format.
This is the first time we have [had] the chance to make a digital cinema master for a real digital release in theatres.
We look forward to a digital era of the cinema industry in Taiwan," says Tony Hu, managing director of TMPC.
www.digitalcinemareport.com /firsttaiwan.html   (235 words)

  
 subway cinema | double vision (taiwan, 2002)
You've got Tony Leung Kar-fai (THE LOVER) playing a disgraced cop, and David Morse (THE GREEN MILE, PROOF OF LIFE) playing one of those cookie cutter FBI serial killer profiler guys who's sent to Taiwan to help investigate that country's first serial killer case, but this time it's all different.
The director is Chen Kuo-fu, one of Taiwan's great art film auteurs whose THE PERSONALS recently received critical acclaim in the US.
And David Morse's Great White Specialist mostly flounders around, stuck in the miasmal hell-swamp of Taiwan's scorching summer and in the relentless pull of Tony's depression.
www.subwaycinema.com /frames/archives/nyaff03/vision.htm   (273 words)

  
 Penpals from Taiwan : penfriends for kids, teachers & Students of the World
I comes from Taiwan, I am looking for penpals around the world.
If you'd like to learn about chinese or know about Taiwan even something else, just send a mail to me. (my MSN is the same as my e-mail :D)
I am 18 years old and I'm looking for a friend that is a boy and that is 16 to 25 years old!
www.studentsoftheworld.info /penpals/penpal_ads.php?Pays_Choisi=TAI   (482 words)

  
 Taiwan   (Site not responding. Last check: 2007-11-01)
Born in Mainland China and moved to Taiwan in 1948.
Hou entered the National Taiwan Academy of Arts to study film-making and graduated in 1972.
By his third film, Green Green Grass of Home (1981), he had helped to define a whole new cinema consciousness in Taiwan.
www.usc.edu /isd/archives/asianfilm/taiwan/hou.html   (138 words)

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