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Topic: Cinquillo


In the News (Sun 29 Nov 09)

  
  Cinquillo clave and the evolution of the manoteo in the bong
Cinquillo clave and the evolution of the manoteo in the bong
Cinquillo clave is not son clave and it is not rumba clave.
cinquillo clave and the martillo in one direction and the use of wooden
www.groupsrv.com /hobby/ntopic210633.html   (1696 words)

  
 Smithsonian Jazz - Jazz Appreciation Month, JAM, Support Smithsonian Jazz, Jazz Multimedia Database
Cinquillo — A Caribbean rhythm used in the music of Haiti, Cuba, the Dominican Republic, and Trinidad.
Its five-note pattern (thus the Spanish name cinquillo after cinco, or five) is the characteristic rhythm of the danzón.
The contradanza used the cinquillo rhythm and led to the very similar pan-Caribbean danza.
www.smithsonianjazz.org /latinjazz/latinjazz_glossary.asp   (2022 words)

  
 The Viva Zone - Musicians and Their Music
The piece accomplishes this by utilising the musical devices of improvisation, ostinato, polyrhythm and beat displacement (taking a rhythm and simply starting it one beat later in a similar manner as a round).
The Cinquillo rhythm is a traditional syncopated Cuban dance rhythm.
The conga, timbale and djembe parts are all derived from this rhythm and form a groove over which solos can be performed.
www.mva.org.au /vivazone/musicians/musician.asp?id=2   (525 words)

  
 3-habanera
The resultant rhythm owes its vitality to the "cinquillo," a rhythm element clearly of African origin.
The "cinquillo" can be found in the bata-rhythms of the Santeria cults, as well as in Haitian voodoo.
The cinquillo consists of a five note syncopated pattern.
www.lordtiger.com /3habanera.html   (1056 words)

  
 Mambo
The contradanza had arrived in Cuba in the 18th century, where it became known as danza and grew very popular.
The arrival of fl Haitians later that century changed the face of contradanza, adding a syncopation called cinquillo (which is also found in another contradanza-derivative, Argentine tango).
By the end of the 19th century, contradanza had grown lively and energetic, unlike its European counterpart, and was then known as danzon.
www.gogoglo.com /wiki/en/wikipedia/m/ma/mambo.html   (1091 words)

  
 www.catie.ac.cr :: Home   (Site not responding. Last check: 2007-10-11)
Para establecer una cobertura viva de maní forrajero o cinquillo, ésta se debe sembrar unos tres meses antes de trasplantar el tomate.
Se puede sembrar mediante estolones, o por medio de terrones o pedazos grandes de suelo en los que haya bastantes raíces o plantas de cinquillo o de maní forrajero, tal y como se ve en la ilustración número 7.
Las coberturas de cinquillo y de maní forrajero pueden permanecer durante todo el tiempo que dure el cultivo.
webbeta.catie.ac.cr /bancoconocimiento/A/AgriculturaCoberturasvivas5_4/AgriculturaCoberturasvivas5_4.asp?CodSeccion=244   (524 words)

  
 2006 Conference on Black Music Research
Focusing on rhythmic processes underlying both sound and movement, I share preliminary conclusions derived from comparisons of cinquillo in performances of the historically related popular musics and dance-step motives of French Antillean zouk, Haitian konpa, and Dominican merengue.
Digital sound analyses demonstrate how cinquillo timing varies in identifiable ways between live and recorded performances of local popular musics.
I argue that ethnographic research of local performance practices that incorporates digital sound and movement analytical methods can produce ever more subtle and accurate descriptions of how tradition bearers identify cultural similarities and differences between their own local dances and rhythms and those of their Caribbean neighbors.
www.cbmr.org /confer/06/abstract.php?a=27&c=2   (243 words)

  
 Contradanza
Les colons français et leurs esclaves se réfugient à Santiago de Cuba et amènent avec eux la culture du cafés, mais aussi des musique et des danses nouvelles : la contredanse, le menuet, la gaceste et la tumba francesa, et le rythme syncopé du « quintolet » ('cinquillo' en espagnol).
Le cinquillo apparaît dans les compositions de Manuel Saumell (1817-1870), compositeur de quelque 50 contradanzas.
Elle va évoluer de plus en plus vers la danza, une danse où le couple danse face à face et indépendamment les uns des autres.
www.all2know.com /fr/wikipedia/c/co/contradanza.html   (190 words)

  
 Mambo Mania
Its hold grew with the arrival of the planters and their slaves who fled from Haiti after it became independent.
The Haitian fls added a particularly spicy syncopation to it called the cinquillo, which is also found in the tango, itself derived from the contradanza.
Gradually other fl elements found their way into the contradanza, some titles of which--such as "Tu madre es conga" ("Your mother is Congo"), which was played in 1856 in Santiago de Cuba at an aristocratic ball in honour of General Concha, and "La negrita"--reflect this blending.
www.pacosvillage.com /articles/archives/May2003/mania.htm   (947 words)

  
 Cinquillo: Información actualizada: 2005   (Site not responding. Last check: 2007-10-11)
Juegos Cinquillo: Pues que vamos a decir de este juego de carta clasico, si te apetece echar una partidita pues ya sabes., juego Mesa, jugar Cinquillo, juegos de Mesa...
Un cinquillo de negras equivale a cuatro negras (o sea una redonda), un...
he reports that the cinquillo is related to the same rhythm in Haitian voodoo...
www.seleccioncasinos2005.com /casinos-3/cinquillo.html   (610 words)

  
 PulseWave Percussion - Speaking Of Rhythm: Vol.6   (Site not responding. Last check: 2007-10-11)
This pattern of five strokes is common throughout the African Diaspora.
It has been called cinquillo (pronounced "sing key oh ") which means quintuplet.
The conga part to Highlife is based on cinquillo.
www.sonic.net /~kima/lesson_notes/SOR6.html   (103 words)

  
 El Cinquillo - Archivos Diversos en dooyoo.es
Si existe algún juego de cartas que admite a jugadores de todas las edades, ese es el cinquillo.
Creo que no soy el único que me he iniciado en los juegos de mesa, concretamente en los juegos de cartas, con el cinquillo.
Me encanta el juego del Cinquillo porque es el que me resulta más fácil de recordar siempre que juego con una baraja española.
www.dooyoo.es /archivos-diversos/el-cinquillo   (237 words)

  
 GRANMA INTERNACIONAL DIGITAL, CUBA ESPAÑOL   (Site not responding. Last check: 2007-10-11)
Il bolero cubano è un’evoluzione afro - ispanica con una miscela di punteggiature che hanno assimilato le chitarre e i tradizionali cinquillos sul ritmo.
Pepe Sanchez concepiva una canzone che comprende due periodi musicali in sedicesimi, separati da passaggi strumentali eseguiti con le corde acute della chitarra che si chiamano “passacalle”.
Il cinquillo in queste canzoni perde la sua tradizionale egemonia e diviene più spontaneo e universale.
www.granma.cu /italiano/2003/junio/lun9/boleros.html   (620 words)

  
 TIMBAL icons from havana to new york and beyond Latin Beat Magazine - Find Articles
The role of the timbal as the charanga's lead percussion instrument was exceptionally delicate and beautiful.
At any given time, the timbal had to be in tune with the cinquillo pattern of every danzón.
Keep in mind that the original Cuban timbaleros played an indispensable rhythmic role --the interactive dynamics of the paila's baqueteo technique and the güiro's cinquillo pattern is what gives the danzón genre its essential Cuban flavor.
www.findarticles.com /p/articles/mi_m0FXV/is_9_11/ai_80902496   (665 words)

  
 Yemaya Salsa - History of Yemaya Page Two
In the late 1700's, French planters fleeing Haiti during a slave revolt sought refuge on the eastern end of Cuba.
They brought their couples dance 'Contredanse' which had been spiced up with 'Cinquillo' by the Afro-Haitians.
During this century, some Africans were gaining their freedom; they created dance halls and places of worship.
www.yemayasalsa.com /history2.htm   (559 words)

  
 Salsa & Merengue Society – A History of Salsa: Turning Westward
One of its most prominent features was the inclusion of a syncopated rhythmic pattern of five beats called the “cinquillo”.
The cinquillo would play a major role in Latin music to come.
The second wave of fresh immigrants arrived in the 1850s from the now Republic of Haiti, contributing to the birth of the Cuban Son.
www.salsa-merengue.co.uk /revealit/histsal/part2.html   (965 words)

  
 Profes.net   (Site not responding. Last check: 2007-10-11)
Un grupo de profesoras de Lengua y Literatura de ESO y Bachiller crea una baraja de cartas con versos para que jugar al mus o al cinquillo se convierta en… pura poesía.
Una vez que se elige el juego (mus, cinquillo, brisca, póquer…) se reparten los naipes a cada jugador, que los ordena por familias.
Comienza entonces el juego de acuerdo con las normas tradicionales y habituales de los entretenimientos de mesa: si se trata del cinquillo, empieza el jugador que tenga el cinco acordado y se continúa completando las familias poniendo sobre la mesa las cartas en orden de manera que gana el jugador que quede antes sin ninguna.
www.profes.net /newweb/len/archivo2.asp?id_contenido=45453   (846 words)

  
 Danzón - Danzón dance - Danzón Music
Just like the habanera, the danzón also derives from the contradanza and the danza criolla (creole dance) and is written in a 2x4 bar, following a Dominican rhythm, the cinquillo.
The cinquillo is actually a group of five notes that are adjusted to the musical value of only four notes.
The danzón is slower with more cadence than the contradanza, the couple with their arms around each other, in permanent contact, practically without moving from the spot, with a similar posture to that in the tango but with the peculiarity that both keep eye contact.
www.salsa-in-cuba.com /eng/dance_danzon.html   (266 words)

  
 [No title]
Portable Application Description, or PAD for short, is a data set that is used by shareware authors to disseminate information to anyone interested in their software products.
You will be able to select the level and character of the players, games limits, rest, minimal bets and other variables.
You can play knowing the cards of the other players and to decide what cards they must play, or choose what cards are distributed to each player.
www.lcbsoft.com /pad/LcCar31E.xml   (1135 words)

  
 Music 25 - Materials   (Site not responding. Last check: 2007-10-11)
Eventually, the timbales evolved from the tympani, and later, a single conga drum was added to complete the orchestra.
CINQUILLO – a five-note pattern featured in the Cuban danzón (Cuba’s national dance) during the paseo or promenade section.
CLAVE – a five-note pattern as well as the instrument used to play it (called claves); the clave is the most important element in all of Cuban music and is the heartbeat of Salsa.
fog.ccsf.cc.ca.us /~rmauleon/materials09.htm   (1307 words)

  
 iB::Topic::Slap raddoppiato   (Site not responding. Last check: 2007-10-11)
Sulla rete, alla voce Cinquillo cubano, ho trovato diverse definizioni.
Per quello che ricordo, si chiama "cinquillo cubano" la seguente successione di 5 note: 1 semiminima, 2 crome, pausa di 1/8, 2 crome, pausa di 1/8 (contando il tempo in 4/4).
il cinquillo che dice yalla puoi pensarlo come il ¨five stroke roll ¨ o come appogiatura di 4 note su 1 etc...
www.congaplace.com /cgi-bin/board/ita/ikonboard.cgi?s=248472b930980217e8d7d56e059fba5b;act=ST;f=17;t=2;st=10   (1091 words)

  
 Rubén Blades in Concert in Miami - A SalsaPower concert review
In his native Spanish, translating into English as he spoke, he explained that this performance was strictly to promote his new album "Mundo," (World), a mixture of Afro-Cuban, Celtic, and Middle Eastern music.
Editus, a Costa Rican classical/experimental trio opened with a "cinquillo," a tango style melody with a violin lead.
Unfortunately this was their only number, followed by Boca Livre, a discordant scatting Brazilian jazz ensemble, and an Afro-Cuban bagpipe medley, (the piper, Eric Rigler, had recorded for the films Perdition and Braveheart), that was neither Afro-Cuban nor Celtic.
www.salsapower.com /concerts/ruben_blades_mundo.htm   (382 words)

  
 Salsa & Merengue Society – A History of Salsa: Cuba
The use of the African-derived cinquillo pattern, indicative of creolisation, was being found throughout the Caribbean basin.
It began with the early interactions between colonists and natives, and it continues now after nearly five centuries.
he Caribbean cinquillo found its way into the danza and the habanera (cubana) via the contradanza criolla in the nineteenth century.
www.salsa-merengue.co.uk /revealit/histsal/part4.html   (1136 words)

  
 MamboCity UK Salsa / Mambo Website   (Site not responding. Last check: 2007-10-11)
In the 18th century the contradanza reached Cuba where it was known as danza and became the national dance.
In the 19th century, with the arrival of planters and their slaves who fled from Haiti after it became independent, a particularly spicy syncopation called the cinquillo was added to the danza (tango derived from the contradanza also has this cinquillo).
Through this time, the Native African Folk Rumba which is essentially a sex pantomime danced extremely fast with exaggerated hip movements, was merged into the contradanza to form Son and by the end of the 19th century the formality of the contradanza was replaced by freer, more spontaneous dancing.
www.mambocity.co.uk /Mambo_p2.htm   (922 words)

  
 The birth of the Afro-Cuban sound
A descendant of the guitar and the Egyptian oud, it developed under the influence of melodic and rhythmic concepts that originated in Africa and Haiti as well as Spain.
As early as 1870, on a farm near Santiago, treseros were playing changui, a dance music that had a five-beat rhythmic pattern called cinquillo, and used such Cuban instruments as maracas, marimbula, bongo and the guiro.
Son was played in 2/4 and 4/4 time, and it had a three-two clave," Helio Orovio says, sitting on the terrace of his rooftop apartment in Havana, tapping out the pattern on a wooden table: pa-PA pause -- PA-pa-pa. "In Oriente, it was the music of mulattoes.
www.press-enterprise.com /newsarchive/1999/08/29/935897167.html   (1887 words)

  
 Nimbus Records, World Music, NI 5502, Rotterdam Conservatory Orquestra Típica, Contradanzas & Danzones - Title ...   (Site not responding. Last check: 2007-10-11)
After the French Revolution, in the turmoil accompanying the birth of the first independent Caribbean republic, Haiti, many thousand French settlers, with their families and domestic slaves, fled to Cuba.
The contradanza cubana that evolved had a binary structure pulsed to the Afro-Caribbean rhythm known as the cinquillo, and the habañera.
In the second half of the nineteenth century the contradanza developed into the more elaborate danzón, danced by couples, and by the end of the contury musicians were incorporating the estribillo section of the son as a coda to the danzónes.
www.wyastone.co.uk /nrl/world/5502a.html   (164 words)

  
 CUBAMUSIC.COM
During this stage, including the first decades of the 20 th Century, this genre had its own physiognomy, mainly because of the cinquillo, thus emerging a rhythm that easily merged both the Hispanic and African elements.
The piano, with more expressive possibilities than the guitar, while maintaining the cinquillo as a rhythmic figure in the left hand, allowed the introduction of melodic turns of another kind that finally prevailed over the rigid rhythm of the cinquillo until it finally disappeared.
Likewise, the musicalization of verses also contributed with its disappearance, since it was better to have more freedom without any strong linkage to a rhythmic base.
www.cubamusic.biz /about_cuban_music/genres/boleros/index.shtml   (964 words)

  
 Home
Until the end of his life he was unable to read a note of music, and yet, through his genius, he created an enormous musical oeuvre that is considered immortal.
Sindo was famous for, among other things, being the best exponent of the oriental Bolero for which he invented the peculiar style of scratching the guitar chords at the end of musical phrases and created its rhythmical base with the so-called “cinquillo cubano”.
He sang to the Cuban landscape, to Cuban women, to the most important facts of Cuban history.
www.arts.ualberta.ca /~mustring/cuba/ProgramNotes.htm   (755 words)

  
 Cinquillo - Juego de cartas en modo texto - Purples Studios
Cinquillo - Juego de cartas en modo texto - Purples Studios
Cinquillo - Juego de cartas en modo texto
En concreto he hecho el juego del "CINQUILLO" pero como no controlo los modulos del blitz pues lo he hecho en modo texto.
purplesstudios.blogcindario.com /2005/09/00001-cinquillo-juego-de-cartas-en-modo-texto.html   (339 words)

  
 Cinquillo: Todas las informaciones en Cinquillo de Enciclopedia-Gratuita.com
Cinquillo: Todas las informaciones en Cinquillo de Enciclopedia-Gratuita.com
Un cinquillo de negras equivale a cuatro negras (o sea una redonda), un cinquillo de corcheas equivale a cuatro corcheas (o sea una blanca), un cinquillo de semicorcheas equivale a cuatro semicorcheas (o sea una negra).
A veces se lo denomina erróneamente quintillo (como diminutivo de quinto), como sucede con el seisillo (que la RAE acepta también como sextillo, diminutivo de sexto).
www.enciclopedia-gratuita.com /c/ci/cinquillo.html   (134 words)

  
 The Universal Spectator
[19] He began using the African rhythms prevalent on the island in his compositions and has the distinction of being the first composer to use the cinquillo cubano rhythm in concert music.
All of the sections used native rhythms—principally, the cinquillo cubano.
The cinquillo cubano appeared in Cuban popular music from Oriente province around 1802.
universalspectator.org /journal/original/gottschalk.html   (4176 words)

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