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Topic: Cipriano de Rore

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Cypriano de Rore

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Marc Antonio Ingegneri

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Venetian School

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Renaissance music

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	AMARCORDES - Rore
		De Rore was one of the most important composers of the middle decades of the 16th century.
		De Rore also explored the expanded rhythmic possibilities afforded by the use of C mensuration leading to smaller rhythmic values that ‘flened’ the page (‘note nere’ or ‘madrigali cromatici,’ as later editions of the book were called).
		De Rore’s masses, which he seems to have composed primarily if not exclusively on commission from or in honour of individual patrons, reflect clear shifts in his style, or compositional agenda, during the brief decades of his compositional activity.
	www.amarcordes.ch /compositeurs/rore.htm (4876 words)

	Cypriano de Rore - Wikipedia, the free encyclopedia
		Cypriano de Rore or Cipriano de Rore ( 1515 or 1516 â“ 11 to 20 September 1565) was a Flemish composer and teacher.
		Rore may have accompanied her, receiving some education in Italy; alternatively, he may have received his early musical education at Antwerp.
		Giaches de Wert was one of his pupils there, as was Luzzasco Luzzaschi, the leading member of what was to be one of the most avant-garde musical establishments in late Renaissance Italy.
	en.wikipedia.org /wiki/Cypriano_de_Rore (679 words)

	- Classical Music Dictionary - Free MP3
		The Flemish composer Cipriano de Rore, active, like many of his compatriots, in Italy, is of importance in the contemporary synthesis of Flemish counterpoint and Italian gifts of melody.
		Cipriano de Rore is principally known for his Italian madrigals, published in several collections during his life-time and immediately after his death.
		Cipriano de Rore wrote a similar amount of sacred vocal music, settings of the Mass and the Magnificat and motets.
	www.karadar.it /Dictionary/rore.html (162 words)

	Cypriano de Rore
		When Ercole died in 1559, de Rore offered his services to his successor Alfonso, but the new duke refused and appointed Francesco della Viola instead.
		From 1560 until 1563, de Rore worked for Margaret of Parma in Brussels and for her husband Ottavio Farnese in Parma.
		The most influential of the early madrigalists, De Rore wrote over 120 madrigalss, as well as around 80 sacred motets, 3 masses, a Passion, psalms, secular motets and chansons.
	www.brainyencyclopedia.com /encyclopedia/c/cy/cypriano_de_rore.html (216 words)

	Recent Dissertations
		Rore used the device twice more: in his First Book of motets printed in 1545, and in his First Book of four-voice madrigals printed in Ferrara by Giovanni de Buglhat and Antonio Hucher in 1550.
		Rore's music is given a certain prominence in late sixteenth- and early seventeenth-century literature as a new departure in musical practice, the works most often cited in this context coming from the two books of modally ordered madrigals.
		In so doing, this thesis comes to an understanding of the extent to which the linking of Rore's music with a new departure is a result of the propagandist approach of sixteenth-century theorists, rather than of any tangible quality of his music, and of Rore's position in the musical rhetoric of the time.
	www.rhul.ac.uk /Music/Research/diss_lloyd.html (442 words)

	Science Fair Projects - Cypriano de Rore
		Cypriano de Rore or Cipriano de Rore ( 1515 or 1516 – September 1565) was a Flemish composer and teacher.
		When Ercole died in 1559, de Rore offered his services to his successor Alfonso, but the new duke refused and appointed Francesco dalla Viola instead.
		The most influential of the early madrigalists, De Rore wrote over 120 madrigals, as well as around 80 sacred motets, 3 masses, a Passion, psalms, secular motets and chansons.
	www.all-science-fair-projects.com /science_fair_projects_encyclopedia/Cipriano_de_Rore (562 words)

	Rore Prog notes (Site not responding. Last check: 2007-10-14)
		Ironically Rore was now employed at the court of Parma where he would have met at least two of the singers who were later to sing in the Ferrara ensemble.
		Rore’s output was largely of madrigals, and it is within this genre that he was most experimental.
		In common with its model, Rore includes two bass parts which provide a rich and dark texture, but Rore adds a second soprano part to Josquin’s one, thus providing a greater balance of sonority and some ingenious reworking of Josquin’s music.
	www.brightonconsort.org.uk /concerts/prog_notes/rore.htm (490 words)

	Cipriano de Rore - Biography - AOL Music
		In Italy by the 1540s associated with Willaert in Venice A prolific composer of madrigals and motets, Rore's work was admired by Monteverdi.
		His style was relatively conventional but he demonstrated characteristics of seriousness in his madrigals and an ability to blend the idea of separate and distinct voicings with lyricism and tone painting.
		Holding many positions throughout his life, Rore was the master of the chapel (choir master) at Ferarese Court by 1547.
	music.aol.com /artist/cipriano-de-rore/174458/biography (195 words)

	Katalog: Carpe Diem 16258 "La Golferamma"
		Diese "Emanzipation" vollzieht sich zunächst auf dem Gebiet des Spielens und Praktizierens von Musik (daher unser Entschluss, polyphone Musik zu interpretieren) und kommt erst später in der Komposition zur Geltung.
		Zunächst in den Diensten des Königs von Polen, Sigismund III, arbeitet er ab 1608 in Mailand.
		In der Interpretation des Generalbasses gibt es von dessen Anfängen in Italien an zwei Richtungen.
	www.carpediem-records.com /de/golferamma/g_programm.htm (1984 words)

	HOASM: Cipriano de Rore (Site not responding. Last check: 2007-10-14)
		In 1547 he became director of music to Duke Ercole II of Ferrara.
		While he was away visiting Antwerp in 1559 his patron died and since the next duke did not retain his services, Rore took up a similar court post at Parma in 1560.
		Rore's surviving output consists of three Masses, 65 motets, one Passion, eight psalms and Magnificats, 125 madrigals and a few chansons.
	www.hoasm.org /IVN/Rore.html (188 words)

	AllRefer.com - Cipriano de Rore (Music: History, Composers, And Performers, Biography) - Encyclopedia
		Cipriano de Rore[sEprEA´nO dA rO´ru] Pronunciation Key, c.1516–65, Flemish composer.
		Much of his mature life was spent in Italy, where his some 120 madrigals, for four and five voices, were admired and are of crucial importance in the history of the genre.
		Other works by Rore include three books of motets and a setting of the St. John Passion.
	reference.allrefer.com /encyclopedia/R/Rore-Cip.html (197 words)

	Petrarch at 700
		Lyric poetry is originally supposed to have been composed in order to accompany the lyre, and the poet has often been conceived as a kind of singer.
		The anonymous composer(s?) of the Penn manuscript and Cipriano da Rore were by no means alone in finding Petrarch's lyrics appropriate for musical setting.
		Musica di Cipriano Rore sopra le stanza del Petrarcha: in laude della Madonna e cinque madrigali di due parte l'uno non piu veduti ne stampati, con alcuni madrigali di M. Adriano.
	www.library.upenn.edu /exhibits/rbm/petrarch/petrarch_music.html (278 words)

	Cyprien de RORE (Site not responding. Last check: 2007-10-14)
		A la mort d'Hercule II de Ferrare le 3 oct. 1559, Cyprien de Rore proposa ses services à son successeur Alphonse II, qui les refusa.
		De 1560 à; 1563, il fut attaché à la cour de Marguerite de Parme à Bruxelles, puis à celle de son époux Octave Farnèse à Parme.
		En raison des mauvaises conditions rencontrées à Venise, et en dépit du prestige du poste, Cyprien de Rore retourna à Parme le 1er sept. 1564, et y mourut en septembre de l'année suivante.
	www.musique-renaissance.com /Rore.htm (720 words)

	Joti Rockwell
		Cipriano de Rore, another student of Willaert, strays from the conventional practice of Zarlino and
		Rore's style exhibits an increasing emphasis on the semantics of text and his treatment of
		Rore's use of chromaticism is fairly consistent with Zarlino's guidelines; his use of rhythm is not.
	www.haverford.edu /musc/multimedia/renaissance/Rockwell/Petrarc1.html (2452 words)

	BBC - Classical Review - de Rore: Missa Praeter rerum serium, Huelgas Ensemble
		Cipriano was the great 16th century Flemish composer Cipriano de Rore, who spent more-or-less his entire career working in Italy.
		You might expect his collaborator and publisher Gardano to have nothing but praise for Rore only a year after his death in 1565; but even the great Monteverdi admired him, and praised by name two of the madrigals that appear on this new cd.
		Even if we're unlikely ever to see cds of Rore stacked high and sold cheap in our local non-specialist record shops, I suspect this is an important, and necessary, recording.
	www.bbc.co.uk /music/classical/reviews/rore_huelgas.shtml (618 words)

	Katalog: Carpe Diem 16258 "La Golferamma"
		Around 1600, religious music in its turn is indebted to secular music for affetti (emotions) and rhetorical or ornamental figures, which it transposes into a sacred context.
		The great composer of vocal and instrumental music Giovanni Gabrieli, nephew of Andrea Gabrieli, spent four years at the chapel of the Munich court with Orlande de Lassus.
		He was named second organist in 1584 and first organist in 1586 at Saint Mark's Cathedral in Venice, where he succeeded his uncle.
	www.carpediemrecords.com /en/golferamma/g_programm.htm (1891 words)

	Monteconero
		His most brilliant pupil, Cipriano de Rore, succeeded him in Venice; dramatic interpretation of texts and expression of emotion are his essential characteristics.
		Giaches de Wert carried the dramatic power of music further, often incorporating madrigalian techniques and chromaticism into his sacred compositions.
		Our plan is to leave the final choice of music, which will almost certainly include the Missa Praeter rerum seriem by Cipriano de Rore, with motets and madrigals, until we have an idea of the vocal forces at our disposal, probably in the early months of 2005.
	www.lacock.org /html/body_monteconero.htm (854 words)

	HOASM: The Cinquecento outside Venice and Rome
		The excellent Spanish composer and theorist, Diego Ortiz, summoned by the Duke of Alba, served as maestro of the Viceroyal Chapel, 1555 to 1570.
		Here, too, Paolo Isnardi, musician to the Duke and maestro di cappella at the Cathedral, composed Masses, motets, Lamentations, etc. Both Rore and, as his successor, Alfonso Della Viola, held the post of maestro di capella to Duke Ercole II of Ferrara.
		At Mantua, Wert proved himself a worthy incumbent of the post of maestro di cappella of Santa Barbara by writing sacred music of high excellence.
	www.hoasm.org /IVO/IVOCinquecento.html (864 words)

	Rore Motets (Site not responding. Last check: 2007-10-14)
		Music historians have honored composer Cipriano de Rore (1516-1565) for one major achievement: he was the first composer of motets to make the music as important as the words.
		before Rore, texts often went in opposite directions from the vocal lines, which usually emphasized show over substance.
		Noteworthy is Rore's polyphonic "Laudem dicite Deo Nostro," featuring interesting imitations between brass and voices.
	classicalcdreview.com /rore.html (132 words)

	Cipriano de Rore, Compare Book Prices & Find Cheap New, Used Books
		Di Cipriano Rore i madrigali a cinque uoci, nuouamente ristampati, et con ogni diligentia corretti con la gionta.
		Di Cipriano Rore il Primo Libro de Madrigali Cromatici a Cinque Voci Nouamente...
		Di Cipriano de Rore il Primo Libro di Madrigali Cromatici a Cinque Voci Nouamente...
	www.bookfinder4u.co.uk /book_search/Cipriano_de_Rore.html (202 words)

	Cypriano de Rore
		Rore may have accompanied her, receiving some education in Italy; alternatively, he may have received his early musical education at
		, de Rore offered his services to his successor Alfonso, but the new duke refused and appointed
		The most influential of the early madrigalists, De Rore wrote over 120
	www.mp3.fm /Cypriano_de_Rore.htm (271 words)

	Rore, Cipriano de
		Cipriano de Rore was a Flemish composer who traveled widely and worked in several capacities at St. Mark's Basilica in Venice.
		Many sources cite Mechlin as the birth place of Rore.
		Current research, however, has established his birthplace as Ronse (Renaix), a town in Flanders right on the linguistic boundary between the French- and Flemish-speaking areas.
	www.stevenestrella.com /composers/composerfiles/rore1565.html (192 words)

	A Venetian Christmas [Music CD] (Site not responding. Last check: 2007-10-14)
		If what they heard was anything like the performances on this cd, you can understand the reaction of a 16th century Venetian historian: "the musical settings stupefied and amazed the members of the congregationandwho confessed to having heard no finer music in many parts of the world."
		The mass setting by Cipriano de Rore is fine enough, but he must have been describing the polychoral pieces by Giovanni Gabrieli, which always have the ability to knock your socks off in the right acoustic.
		The Gabrieli Consort fields a formidable force of falsettists, no sopranos for this music, and McCreesh also has available up to eight cornetts and five sackbutts to set the stones of Brinkburn Priory ringing with a gloriously clear, refreshing sound.
	store.discerningreader.com /vechmcd.html (348 words)

	Zephyrus Recordings (Site not responding. Last check: 2007-10-14)
		A dozen sublimely beautiful motets by Giovanni Perluigi da Palestrina, Josquin des Prez, Tomas Luis da Victoria, Cipriano de Rore, Cristobal Morales, Jacobus Clemens non Papa, Orlande de Lassus, Giaches de Wert, Johannes Ockeghem, and Andrea Gabrieli.
		Cipriano de Rore: Quem vidistis, pastores I (411K)
		Cipriano de Rore: Quem vidistis, pastores II (411K)
	avenue.org /zephyrus/recordings.html (380 words)

	Classics Today.com - Your Online Guide to Classical Music
		As we usually experience with a perfectly matched ensemble of viols, the mixed voices of Paul Van Nevel's Huelgas-Ensemble roll out Cipriano de Rore's eight-part chanson Mon petit cueur like a plush, richly colored, deep-textured sonic carpet, one with no seams or flaws.
		This skillfully woven musical cloth offers the ear one sumptuous harmonic delight after another, as would a prized tapestry present similarly dazzling delights to the eye.
		Rore's manner relies primarily on subtle and skillfully structured effects that grow from long melodic lines and underlying, rolling waves of harmony.
	www.classicstoday.com /review.asp?ReviewNum=6295 (452 words)

	Castle Classics Rore, Cipriano de (Flemish 1515-1565)
		C de Rore: Missa Praeter rerum seriem - Huelgas Ensemble; Paul van Nevel, conductor
		Like Willaert, Cipriano de Rore was one of the great Flemish composers who spent their entire career in Italy. Although better known for his madrigals,; he also wrote this Mass based on the Christmas motet by Josquin Desprez Praeter rerum seriem (Beyond all human understanding, the Virgin Mary conceived the Son of Man).
		C de Rore: Missa Praeter rerum seriem - Tallis Scholars; Peter Phillips, director
	shop.castleclassics.co.uk /acatalog/Rore__Cipriano_de.html (216 words)

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