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	clara/1.html
		Clara Rockmore was born "Clara Reisenberg" in Vilnius, Lithuania, in 1911.
		By this time, Clara was an accomplished young violinist but as it turned out, she eventually had to abandon the instrument because of chronic physical difficulties and she took up the theremin.
		Clara frequently astounded critics with her theremin artistry because, by the late 1930's, many people had heard the theremin (played by thereminists other than Clara Rockmore) and had come to rather negative conclusions about what was possible on the instrument.
	www.peterpringle.com /clara.html (561 words)

	Clara Rockmore - Wikipedia, the free encyclopedia
		Clara Rockmore (born Clara Reisenberg, Vilnius, Lithuania, March 9, 1911; d.
		Rockmore had a number of gifts that enabled her to play the Theremin so expertly.
		Rockmore knew how to evoke the music she wanted from the Theremin, and could do so in a way that was beautiful to watch as well as to hear.
	en.wikipedia.org /wiki/Clara_Rockmore (321 words)

	The Session: Shop - Product info
		This is due to Rockmore's mastery of "aerial fingering," explained in the enclosed booklet, a fiendishly difficult technique in which she rapidly moved her left hand into the volume control antenna to silence the instrument for the brief moment while she moved her right hand to the next note.
		Rockmore's performance is a pure joy and a testament to the versatility of the instrument.
		Clara Rockmore was, up until her death in 1998, the foremost theremin virtuosa living at that time.
	www.thesession.org /shop/display.php/B0000006U6 (589 words)

	Remix gives Respect to Clara Rockmore, world's finest theremin player \| Clara Rockmore electrified electronic music, ...
		It's astonishing how many erudite musical figures have never even heard of Rockmore, whose brief fame during the 1930s and 1940s was eclipsed as her instrument began its relegation to the soundtrack booth.
		Born in Vilnius, Lithuania in 1911, Clara Reisenberg was also born for the concert hall, and as a 5-year-old violinist, she was admitted as an exceptional student to the Imperial Conservatory of Music in St. Petersburg.
		And the fall of the iron curtain brought the reunion of Rockmore and Theremin, as captured in Martin's documentary.
	remixmag.com /artists/remix_clara_rockmore (1067 words)

	Clara Rockmore (Site not responding. Last check: 2007-10-10)
		Rockmore was born in Russia, and showed great musical talent as a child.
		When Leon Theremin met Rockmore, he realized that she could make people realize that his design could be used as a real musical instrument.
		Rockmore went on to show audiences that the theremin was capable of being used to play the classics.
	www.synthtopia.com /artists/ClaraRockmore.html (257 words)

	[No title]
		Clara Rockmore, a professional violinist from the age of 9, became aware of the musical potential of Theremin's invention.
		Clara subsequently embarked on a performance career that encompassed well over a hundred concerts, including appearances with major symphony orchestras, and set the definitive standard for theremin performance technique.
		Clara and her sister Nadia (a well-known concert pianist in her own right) embarked on an extensive tour of Europe.
	www.ibiblio.org /id/theremin/theremin.txt (1604 words)

	The theremin at the start of the 21st century; Thereminists, the first generation.
		For violinist Clara Reisenberg, at 5 years old, once the youngest student ever accepted at the conservatory of St. Petersburg, the theremin proved a new challenge, after she was not allowed to play the violin anymore due to problems with her right arm.
		Rockmore, and probably is the most virtuoso theremin piece during the reign of the first generation of thereminists.
		Students of Leon Theremin and Clara Rockmore as well as musicians who had to do it on their own, like J. Forester Whiteley (UK), who was active as a guest music lecturer and used the theremin in his many presentations throughout England, as an example of a new way of making sound.
	home.planet.nl /~frenzy/scriptie/eng/en16.html (1467 words)

	New Music throughtout the ages
		Clara Rockmore became the premiere artiste of the electronic music medium by mastering the Theremin, an instrument standing about three and a half feet high, eighteen inches wide, and a foot deep.
		Leon Theremin and Clara Rockmore, native of Russia, arrived in the United States in 1927 after lengthy and successful tours of Europe--Theremin with his new invention, and Clara Rockmore with her violin.
		Clara Rockmore was a true child prodigy, with absolute pitch and an uncanny sense of music.
	www.coog.com /newmusic.htm (2015 words)

	International Piano Archives at Maryland, UM Libraries (Site not responding. Last check: 2007-10-10)
		Clara Rockmore was the leading Theremin virtuoso of the 20th Century, as well as the younger sister of Nadia Reisenberg.
		Born in Russia, Rockmore started her career as a prodigy violinist, then met the Russian physicist and inventor, Leon Theremin in New York in 1927.
		The RCA Theremin, as it became known, was officially launched in 1929 and Rockmore began making frequent concert appearances with the intriguing instrument.
	www.lib.umd.edu /PAL/IPAM/IPAMrockmore.html (127 words)

	RadiolaGuy.com : RCA Theremin (Site not responding. Last check: 2007-10-10)
		Leon met and collaborated with a young lady (also from Russia), Clara Rockmore a child prodigy who was an accomplished violinist at a very young age.
		Clara Rockmore was just the person to achieve this.
		To hear the Theremin the way it was meant to be played, you must hear the album by Clara Rockmore: "The Art of the Theremin", it has been released on compact disk on the "Delos" label.
	www.radiolaguy.com /Theremin.htm (460 words)

	"Electric Muse" - Theremins in Maryland USA 2001 (Site not responding. Last check: 2007-10-10)
		Rockmore's sister, Nadia Reisenberg, was an accomplished pianist, and frequent accompanist to Ms.
		Also included was footage of Clara's 18th birthday party for which Leon Theremin had invented a device that spun a cake on a motorized platform and lit its electric candles when she approached it, as well as scenes from Mr.
		Clara Rockmore (nee Reisenberg, Russian, husband Robert Rockmore, an American lawyer) was the youngest of 3 musically gifted daughters, who began her music life at the age of 4 playing violin.
	www.electricmuse.com /bham_maryld.htm (3304 words)

	Insider audio, September 1998 (Site not responding. Last check: 2007-10-10)
		Clara Rockmore, who died in May at the age of 88, was the first musical virtuosa of the electronic age.
		Rockmore, who was born in Russia, had been a child prodigy on the violin but developed hand problems that forced her to stop playing.
		Rockmore was not politically active, but she did count among her circle of friends many of New York's cultural and intellectual elite.
	www.paul-lehrman.com /insider/1998/09insider.html (3033 words)

	Techno Guide: Clara Rockmore (Site not responding. Last check: 2007-10-10)
		Born in Lithuania (Russia) 1911, Clara Rockmore is part of the history of electronic music for being the most virtuos Theremin player.
		Clara Rockmore met LEON THEREMIN in 1927 and started learning to play The Theremin after a physical problem that obligated her to quit the violin.
		Clara Rockmore played works on the Theremin by numerous composers, including Stravinsky, Tchaikovsky, Rachmaninoff, Ravel, De Falla, Saint Saëns, and Glazunov.
	www.intuitivemusic.com /tguideclararockmore.html (151 words)

	Default index.htm
		From infancy, Clara Rockmore was not only brilliantly talented but, as you can readily see from her photos, quite captivating as well.
		Clara Rockmore said of herself and her sister Nadia, “We were like one soul, one body and one set of ears.” In the link that follows, you will find photos that are seen here for the first time.
		It was Clara Rockmore's wish that this material be freely given to all those who are interested in the instrument to which she gave her life.
	www.peterpringle.com /pg1.html (881 words)

	Theremin World
		Steve J. Sherman is Clara Rockmore's great-nephew and Nadia Reisenberg's grandson (his father Bob Sherman is Nadia's younger son), and a photographer in the musical performing arts (www.stevejsherman.com).
		Clara was a very proud and dignified person, who cherished love, integrity, honesty, decency, trust and loyalty.
		Clara was petite, and beautiful, and had many admirers.
	www.thereminworld.com (1640 words)

	Theremin Vox - In Clara's Words
		Clara Rockmore gave this interview to Robert Moog on November 1, 1977 on the occasion of the publication of the record The Art of the Theremin.
		Moog cleared up the genesis of the interview in a message to Reid Welch and the Levnet forum on October 6, 1997: “‘In Clara's Words’ was an ‘interview’ that I conducted with Clara for the purpose of presenting her views of the theremin to the general public.
		Rockmore: One should not learn to play the theremin as his first instrument.
	www.thereminvox.com /article/articleview/21/1/22 (981 words)

	www.myspace.com/mrsrockmore
		Clara Rockmore (born Clara Reisenberg, Vilnius, Lithuania, March 9, 1911; d.
		Rockmore had a number of gifts that enabled her to play the Theremin so well.
		Rockmore knew how to evoke the music she wanted from the Theremin, and could do so in a way that was considered beautiful to watch as well as to hear.
	www.myspace.com /mrsrockmore (489 words)

	Clara Rockmore's Lost Theremin Album - Bridge Touch! Don't Touch! Music for Theremin - Wergo (Site not responding. Last check: 2007-10-10)
		Clara Rockmore, who lived until 1998, was for decades the world's leading exponent of the theremin - the first real electronic instrument of the 20th century.
		She was called "The Queen of the Theremin." The note booklet has some great photos of her and her sister Nadia as children in Russia in 1918; also a photo of her and Leon Theremin - the non-touchable instrument's inventor - in l930, and finally a photo of the two of them in l991.
		In the 1930s Rockmore's rather primitive early RCA theremin was repaired and modified by Theremin himself, who expanded its range from three to five octaves, made it easier to control, and lowered the instrument's profile so that her hands moving thru the air would be more visible to the audience.
	www.audaud.com /article.php?ArticleID=2340 (739 words)

	Browse by Artist: ROCKMORE, CLARA
		Intimately involved with Leon Theremin in the development of the instrument, Clara Rockmore's career as a Thereminist had her performing with major orchestras and with her sister, the legendary pianist, Nadia Reisenberg.
		The theremin, which sounds vaguely like an excited female soprano, is one of the earliest electronic instruments, in which the player uses the motion of her hands to play distinct notes.
		Rockmore is extraordinary in this first commercial recording of her work.
	www.forcedexposure.com /artists/rockmore.clara.html (270 words)

	MySpace.com - Clara Rockmore - Vilnius, LT - Electronica / Classical - www.myspace.com/mrsrockmore
		Clara Rockmore (born Clara Reisenberg, Vilnius, Lithuania, March 9, 1911; d.
		Rockmore had a number of gifts that enabled her to play the Theremin so well.
		Rockmore knew how to evoke the music she wanted from the Theremin, and could do so in a way that was considered beautiful to watch as well as to hear.
	profile.myspace.com /index.cfm?fuseaction=user.viewprofile&friendid=93701507 (822 words)

	Theremin.info - Electronic Sounds from the Ether
		The greatest exponent of the theremin, Clara Rockmore was more than just a performer.
		It was her comments and suggestions that encouraged Leon Theremin to further perfect his instrument.
		The Clara Rockmore Method for Theremin is freely available from David Miller (in his own edition) as a PDF file.
	www.theremin.info /info-59-Clara_Rockmore.html (340 words)

	Nadia Reisenberg - Clara Rockmore Foundation
		I’m Clara’s nephew, and founder of a tax-exempt foundation to enhance her legacy and that of her renowned sister (i.e.
		As a result, other projects, such as the release of Clara’s live performances over WQXR and at Merkin Hall (some of which were excerpted in Steve Martin’s film), plus all sorts of interviews, are necessarily on hold.
		These include a rather glamorous press photo of Clara from the very early 1940s, prepared for her cross-country tours with Paul Robeson, and original flyers from her 1938 Town Hall recital with Nadia Reisenberg.
	theremin.ca /foundation/nadia_clara_foundation.htm (378 words)

	University Archives - Festival Hall
		Accompanying him on his tour was Clara Rockmore who played an all-electric musical instrument called the Theremin.
		The lady, Miss Clara Rockmore, began running up and down the scale by simply wiggling her fingers without touching anything on the antennas or box.
		Sharing audience applause and a rousing curiosity and speculation was Clara Rockmore with her theremin, all-electric musical instrument.
	www.ndsu.nodak.edu /buildings/festivalhall/didyouknow3.shtml (482 words)

	Medialunchbox - Music : Music from the Ether: Original Works for Theremin (Site not responding. Last check: 2007-10-10)
		Unlike Clara Rockmore's "The Art of the Theramin", this is an album written exclusively for the theramin instrument.
		While Rockmore's recordings show skill and ability, I cannot imagine anyone saying "yes, the Theremin is the ideal instrument" for the music on Rockmore's album.
		Clara Rockmore's music sounds deadly dull next to these pieces.
	www.medialunchbox.com /ItemId/B00000J8RP (426 words)

	Art of The Theremin: Rachmaninoff, Glazounov (DE 1014)
		Clara Rockmore, a pioneer of the theremin, apparently came out of retirement to make this recording.
		The theremin, which sounds vaguely like an excited female soprano, is one of the earlier electronic instruments in which the player uses the motion of her hands to play distinct notes.
		Rockmore is extraordinary in this first commercial recording of her work.
	www.delosmus.com /de10/de1014.html (307 words)

	Hypnotique:Into the Ether: The Music of the Theremin - playlists and music (Site not responding. Last check: 2007-10-10)
		Robert and Clara Rockmore are on a Russian vacation for Robert to finally acquaint himself with his wife's roots.
		Clara hasn't heard from Lev Sergevich Termen for over 20 years and is touched at a surprise reunion.
		Unbelievably, there is little more than one hour of music recorded by Clara Rockmore available in the world and many of her greatest moments were never confirmed to tape.
	www.hypnotique.net /theremin/into_the_ether_playlists.htm (1886 words)

	[No title] (Site not responding. Last check: 2007-10-10)
		She and Clara (then a violin student of the great Leopold Auer) had toured together as youngsters in Russia, and their musical instincts were so finely attuned to each other's that it seemed as though phrases were being shaped by a single mind and heart.
		When Robert Moog decided to tape Clara Rockmore playing the theremin in a number of short works, many of them "encore" pieces originally for a violin or voice, the accompanist question never came up for a second.
		Of course Mother would be "at the piano" (another phrase she despised) for Clara; and with what extraordinary sensi- tivity did she carry out her assignment as an assisting artist.
	www.smoe.org /lists/trajectory/v01.n024 (471 words)

	~\| A History of the Theremin \|~
		Clara Rockmore (1911-1998) was without a doubt the most brilliant thereminist ever.
		She took the instrument to greater heights than any other person, and it was in large part at her behest that Professor Theremin made a number of significant improvements to the theremin.
		Rockmore elevated the theremin into the realm of serious music, pushing it beyond being merely a novelty or curiosity by turning it into a legitimate new musical instrument.
	www.137.com /history (2677 words)

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