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Topic: Clarence John Laughlin


  
  Masters of Photography: Clarence John Laughlin
Laughlin was born in to a middle class family in Lake Charles, Louisiana.
Laughlin was an introverted child with few friends and a close relationship with his father, who cultivated and encouraged his lifelong love of literature.
Laughlin was devastated when his father died 1918, and his grief was compounded by a Priest's false promise that God would save his ailing parent if he prayed hard enough.
www.masters-of-photography.com /L/laughlin/laughlin_articles1.html   (488 words)

  
  Clarence John Laughlin - Wikipedia, the free encyclopedia
Laughlin was born in to a middle class family in Lake Charles, Louisiana.
Laughlin was an introverted child with few friends and a close relationship with his father, who cultivated and encouraged his lifelong love of literature.
Laughlin was devastated when his father died 1918, and his grief was compounded by a Priest's false promise that God would save his ailing parent if he prayed hard enough.
en.wikipedia.org /wiki/Clarence_John_Laughlin   (528 words)

  
 A.J. Meek -Photographer
Clarence John Laughlin wanted to be a writer but worked in a bank, began his artistic career as a painter but is best known for his photography.
Laughlin’s compositions with disparate elements and his use of double exposures and darkroom techniques imbued his photographs with an otherness that earned him the title of father of American surrealism.
Laughlin, who died in 1985, was a bright light who would bear no pale description.
www.ajmeek.com /book_clarence_john_laughlin_reviews.htm   (1838 words)

  
 Morris Museum of Art: Exhibitions   (Site not responding. Last check: 2007-10-03)
The enigmatic photographer Clarence John Laughlin (1905-1985), labeled a surrealist, romantic, modernist, postmodernist, and/or fantasist by successive commentators, is indeed famously difficult to categorize.
Laughlin lived and worked in New Orleans most of his life, earning a modest living as a freelance architectural photographer and lecturer.
Laughlin's personal library of 30,000 volumes of varied topics attests to the wide range of literary influence underpinning his photography.
www.themorris.org /exhibitions/past/laughlin_main.html   (439 words)

  
 Milton Resnick - John Laughlin
Milton Resnick - John Laughlin 1017860160 1017871200 New York USA Robert Miller Gallery http://www.robertmillergallery.com rmg@robertmillergallery.com 1017860160.jpg 1020549599 o Robert Miller Gallery Milton Resnick - John Laughlin The Robert Miller Gallery is pleased to present an exhibition of paintings from the 1950s and 1960s by Milton Resnick.
Photographer, writer, architectural historian, bibliophile, poet of the imagination, Clarence John Laughlin was born in Lake Charles, Louisiana and spent most of his life in and around New Orleans.
Laughlin became best known for his collection of photographs and essays, "Ghosts Along the Mississippi." The book, published in 1948, centered on Louisiana manor houses evolving from the plantation culture which flourished along the Mississippi River before the Civil War.
www.undo.net /artinpress/1017871200.1017860160.html   (682 words)

  
 The Jargon Society | Musings
Clarence John Laughlin was born in Lake Charles, Louisiana, in 1905 and later lived on a plantation near New Iberia.
Laughlin’s photographs—even the ones I consider the worst, with the veiled figures and the snake oil—are part of congeries—a world in which he must be allowed his head and his reach.
Clarence gets on the local bus named Desire and goes across town to see the latest double bill of grade-Z horror films, hoping against hope for the fifteen seconds of visual magic that only he will recognize for what it is. What lengths he goes to.
jargonbooks.com /cjlaughlin.html   (3381 words)

  
 CLARENCE JOHN LAUGHLIN   (Site not responding. Last check: 2007-10-03)
Born near the city of Lake Charles, Louisiana on August 10th 1905, Clarence John Laughlin is now known as one of the masters of surrealist photography.
Laughlin states that he started off as a writer rather than a photographer, as he loved books, and it’s very evident that the vast amount of written works that he’s read has greatly influenced his photography.
Laughlin’s photographs are often described as gothic, haunting or elegiac and he is often considered a surrealist photographer.
members.shaw.ca /moefuzzy/essay   (330 words)

  
 Clarence John Laughlin
Clarence John Laughlin didn't like galleries very much, because he profoundly distrusted those who ran them; for the most part he believed they were idiots and lacked imagination.
Clarence was first a poet, and when he began photographing he attached a poetic "description" to each one of his photographs, which he felt was an inseparable part of the photograph...
Speaking about his work, Clarence wrote: "There is a 3rd basic way to use the camera - a way that I term "The Transcendance of the object" - a way that is not directly dependent on abstraction (which is only an intellectual game); whereas, this is not.
homepage.mac.com /photomorphose/cjlaughlin.html   (928 words)

  
 Clarence John Laughlin photographs, Clarence John Laughlin photography
Clarence John Laughlin was born near Lake Charles, LA in 1905.
Laughlin felt that his photographs were incomplete if he failed to give them an appropriate title and caption; the captions sometimes ran to several type-written pages.
During the Great Depression, Laughlin taught himself the fundamentals of the medium using simple cameras and home-made enlarging equipment.
www.agallery.com /Pages/photographers/laughlin.html   (259 words)

  
 Authors: Clarence John Laughlin   (Site not responding. Last check: 2007-10-03)
Dubbed "Edgar Allan Poe with a camera," Laughlin and his haunting images capture -- like nothing before or since -- the weathered elegance and dreamy decadence of Louisiana's buildings, streets, and cemeteries.
After experimenting with photography in the early 1930s, Laughlin devoted himself to the medium in 1935 and had his first showing a year later.
Over the course of his lengthy career, Laughlin produced more than 17,000 negatives and a large collection of writings on the art of photography.
www.twbookmark.com /authors/32/527   (134 words)

  
 Clarence John Laughlin ( - ) Artwork Images, Exhibitions, Reviews
John Flamenco (Master of the Pilatos of the Lazaro Museum), The Crucifixion, 15th century
John Flamenco (Master of the Pilatos of the Lazaro Museum), Descent from the Cross, 15th century
John Flamenco (Master of the Pilatos of the Lazaro Museum), Christ Carrying the Cross, 15th century
wwar.com /masters/l/laughlin-clarence_john.html   (1217 words)

  
 Haunter of Ruins: Photographs of Clarence John Laughlin   (Site not responding. Last check: 2007-10-03)
Everything," wrote Clarence John Laughlin, an extraordinary photographer whose mysterious and enigmatic images have placed him in the realm of great American artists.
A retrospective of his images entitled Haunter of Ruins: The Photography of Clarence John Laughlin will be on view at the Historic New Orleans Collection from October 7, 1997 through March 21, 1998.
Clarence John Laughlin (1905-1985), a self-taught artist, lived and worked in New Orleans most of his life, earning a modest living as a freelance architectural photographer and lecturer.
www.hnoc.org /haunter.htm   (272 words)

  
 Coastal Antiques and Art
"Land of Myth and Memory: Clarence John Laughlin and Photographers of the South," curated by Thomas W. Southall, and "Faces and Places: Picturing the Self in Self-Taught Art," curated by Lynne Spriggs, are both organized by the High Museum of Art and will feature rarely exhibited works from the museum's permanent collection.
In the lower galleries, "Land of Myth and Memory: Clarence John Laughlin and Photographers of the South" will showcase the High's holdings of Clarence John Laughlin and related photographers of the South, including Ralph Eugene Meatyard, Sally Mann, and William Christenberry.
Laughlin's photographs from the 1940s through the 1960s established a distinct version of Southern Surrealism that can be linked to the artistic and literary tradition that views the Southern landscape and culture as wrapped in mystery, memories and loss.
www.coastalantiques.com /archives/february2003/ANTnewatthehigh.html   (387 words)

  
 The secret life of old New Orleans | csmonitor.com
When Laughlin took the photographs, many glorious antebellum and Victorian homes were falling to abandonment or the wrecking ball.
Laughlin's passion for this heritage is evident in the evocative titles and text he wrote to accompany the photographs.
Destroyed by fire, all that remains is a roofless slab with fluted columns reaching to the sky, vines sprouting from the cast-iron capitals.
www.csmonitor.com /2006/0217/p11s01-alar.html   (1024 words)

  
 Philadelphia Museum of Art - Exhibitions : Special Exhibitions   (Site not responding. Last check: 2007-10-03)
Like French photographer Eugène Atget, who is inseparable from his vast and loving portrait of the city of Paris, Clarence John Laughlin is closely identified with his photographs of New Orleans.
Laughlin was interested in capturing the city’s architectural heritage and worked as a photographer for the U.S. Engineer Corps from 1936 to 1941 to document mausoleums, antebellum mansions, and other distinctive buildings.
Laughlin used architecture as a point of departure for his own poetic explorations of human psychology.
www.philamuseum.org /exhibitions/special/102.html   (249 words)

  
 Geometry & Art : Volume
In Clarence John Laughlin's photograph, The Dynamics of Cylinders: Cylinders and Cube (Grain Elevator) the columns of a grain elevator are shown from a dramatic angle that invites us to see everyday buildings in new ways.
In the painting House in Provence, Paul Cézanne, a French artist from the late 1800s used volumetric forms to reveal the underlying structure of a country landscape.
Clarence John Laughlin's photograph shows a grain elevator from a dramatic angle that invites us to see objects in new ways.
www.ima-art.org /education/IMA_education/volume.asp?levelid=1   (321 words)

  
 Manuel Álvarez Bravo - Wikipedia, the free encyclopedia
His work often suggests dreams or fantasies, and he frequently photographed inanimate objects in ways that gave them humanistic qualities.
His work bears some similarity to the work of Clarence John Laughlin, an American photographer who was working in New Orleans at around the same time.
They both loved literature, and made references to the mythologies of their time visually and in the titles of their images.
en.wikipedia.org /wiki/Manuel_Alvarez_Bravo   (342 words)

  
 Museum Exhibits Laughlin’s New Orleans Photos - 12/13/2005 - Interior Design - CA6289940
Laughlin’s New Orleans photographs are the anchor of a new exhibit at the Philadelphia Museum of Art, “The Secret Life of Buildings: Photographs by Clarence John Laughlin,” on view from December 17–April 30, 2006.
“Laughlin used architecture as a point of departure for his own poetic explorations of human psychology,” says Katherine Ware, photography curator for the museum.
Born in Lake Charles, Louisiana, the self-taught Laughlin is best-known for his elegiac volume Ghosts Along the Mississippi, published in 1948, which recorded dilapidated manor houses of the antebellum South.
www.interiordesign.net /id_newsarticle/CA6289940.html   (330 words)

  
 Haunters Of Ruins   (Site not responding. Last check: 2007-10-03)
Jonathan Williams, Albert Belisle Davis, and John Wood.
Edited by John H. Lawrence and Patricia Brady.
Laughlin was a self-taught artist who lived and
www.hnoc.org /haunters.htm   (88 words)

  
 UofL - Clarence John Laughlin (1905-1985) "Camera As Third Eye" photography exhibition
Clarence John Laughlin (1905-1985) "Camera As Third Eye" photography exhibition
Photographer Clarence John Laughlin produced his "Camera As Third Eye" exhibition in 1946.
First shown that year at the Philadelphia Museum of Art, these photographs are some of the finest examples of the surrealistic vision of this New Orleans artist.
special.library.louisville.edu /display-collection.asp?ID=639   (72 words)

  
 AbeBooks: Suchergebnisse - Clarence Laughlin und Ghost
Bonanza rteprint of John laughlin's noted book on Old Louisiana Houses.
Glued to blank ffep is a small NY Times death notice, dated 1985 for Laughlin.
Clarence John Laughlin -- Reprint Edition N/A Printing -- VERY GOOD/NONE -- copy of Ghosts Along the Mississippi: An Essay in the Poetic Interpretation of Lousiana's Plantation Architecture.
www.abebooks.de /search/sortby/3/an/Clarence+Laughlin+/tn/+Ghost   (1436 words)

  
 ARTINFO :: News   (Site not responding. Last check: 2007-10-03)
The works by Laughlin (1905-1985) survey the landscape of the city more than a half-century ago, when many antique mansions, though still standing long before Hurricanes Katrina and Rita hit, nonetheless were left in a state of disrepair.
The exhibition includes ghostly images like Laughlin’s 1953 Spectre in a Dead Room, depicting a burned-out interior, and the 1947 The Elevation of the Dead, a photo of a vault in New Orleans' St. Louis Cemetery.
The title of the exhibition comes from Laughlin's assertion: "All buildings, all cities that have been greatly lived in, that have been greatly dreamed on, and that extend far through time - have this secret life."
www.artinfo.com /News/Article.aspx?a=11857   (263 words)

  
 AmericanHeritage.com / The RIVER HOUSES
Here the imagination and the poetry take over: a great puffing steamboat discharging its passengers at the landing, and the equally great house, softly lighted, its tall columns luminous in the moonlight, to be seen through the cathedral-like tunnel of trees—this is the stuff that legends are made of.
Clarence J. Laughlin, a writer-photographer who lives in New Orleans, has had his Louisiana plantation material exhibited in over sixty museums and university art galleries throughout the U. S.; some of it has been shown abroad by the State Department.
He is the author of Ghosts along the Mississippi, published by Charles Scribner’s Sons in 1951.
www.americanheritage.com /articles/magazine/ah/1956/4/1956_4_54.shtml   (1042 words)

  
 Clarence John Laughlin Books - Signed, used, new, out-of-print
Absorbing history of the rise and fall of Louisiana plantation architecture, showing how native tastes and building materials resulted in a style found nowhere else in the world.
by Clarence John Laughlin, John H. Lawrence, Andrei Codrescu
Called "Edgar Allan Poe with a camera", Clarence John Laughlin (1905-1984) reveals New Orleans at its most brooding and mysterious in 69 never-before-published images.
www.alibris.com /search/books/author/Clarence_John_Laughlin   (199 words)

  
 Profotos - Clarence John Laughlin   (Site not responding. Last check: 2007-10-03)
Biography: Born in Lake Charles, Louisiana in 1905, Laughlin moved to New Orleans at an early age and spent most of his life photographing the area, creating works steeped in the atmosphere of a decaying Southern civilization.
Early in his career, Laughlin worked for the US Army Corps of Engineers, shooting photos of the construction work on the Mississippi River levees between New Orleans and Vicksburg.
After World War II ended, Laughlin earned a living primarily by photographing contemporary architecture for architects and architectural magazines.
www.profotos.com /education/referencedesk/masters/masters/clarencejohnlaughlin/clarencejohnlaughlin.shtml   (197 words)

  
 Weston and Laughlin (1982) Edward Weston and Clarence John Laughlin: [exhibition catalog] : an introduction to the ...   (Site not responding. Last check: 2007-10-03)
Weston and Laughlin (1982) Edward Weston and Clarence John Laughlin: [exhibition catalog] : an introduction to the third world of photography
Edward Weston and Clarence John Laughlin: [exhibition catalog] : an introduction to the third world of photography
To view the the latter's ratings, click on Chapters/Papers/Articles in the STATISTICS box, select a publication from the list that appears, and then click on either Quality or Interest in that publication's STATISTICS box.
www.getcited.org /?PUB=102232190&showStat=Ratings   (111 words)

  
 Epinions.com - Comments on 'Surreal Images of Old New Orleans Haunter of Ruins The Photographs of Clarence John ...
Surreal Images of Old New Orleans Haunter of Ruins The Photographs of Clarence John Laughlin
Comments on Surreal Images of Old New Orleans Haunter of Ruins The Photographs of Clarence John Laughlin" (8 total)
This sounds like it has all the makings of an outstanding collection, very evocatively described and explained as usual, Howard.
www.epinions.com /content_35055898244/show_~allcom   (430 words)

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