| |
| | International Clarinet Association - ClarinetFest Archives |
 | | In addition to the choice of instrument (basset clarinet or normal range clarinet), a full consideration of performance practice would include the choice of notes and octave for some passages, degree of tempo flexibility, articulation, unwritten ornamentation and improvisation, performance of the fermati, performance of trills and written ornaments, and solo playing of tutti passages. |
 | | Wolfgang Amadeus Mozart, Concerto for Clarinet and Orchestra, KV 622, Edition for Clarinet and Piano by Henri Kling, revised and edited by the Trio di Clarone (Sabine Meyer, Wolfgang Meyer, and Reiner Wehle). |
 | | The basset clarinet version provides a good deal of low register passagework, but in most of the clarinet version no attempt was made to capture more of the low range notes. |
| www.clarinet.org /fests/1998/Koons.asp (5283 words) |
|