
	Where results make sense

Topic: Claude Garamond

Related Topics

Garamond

Typeface

Palatino

Giambattista Bodoni

Serif

William Caslon

Fraktur

Typography

Eric Gill

John Baskerville

Chinese tea culture

Scipio Aemilianus Africanus

African American

Industrial Revolution

History of Malaysia

	Typo.cz Kdo je kdo — Claude Garamond
		Claude Garamond byl první, kdo se specializoval na řezy písma a písmolijectví vůbec.
		Jako vydavatel Claude Garamond spoléhal na svou tvořivost a odborné znalosti z oboru.
		Garamond trval na čisté typografii, velkých okrajích stránky, kvalitní kompozici, ale i na kvalitě papíru a tisku, který byl vždy výrazný svým nádherným vázáním.
	www.typo.cz /_cetba/cetba-kdoje-garamond.html (246 words)

	Die 100 Besten Schriften
		Mit Tränen in den Augen sieht er seinen Lehrmeister und Drucker Antoine Augereau auf dem Scheiterhaufen verbrennen, zusammen mit seinen Büchern.
		Nach dem Tod Augereaus gründet Claude Garamond in der Rue des Carmes seine eigene Werkstatt.
		Die ITC Garamond ist eine professionell gestaltete Schrift welche (siehe Apple Reklame in den 90er Jahren) ihre Aufgaben recht gut erfüllt.
	www.100besteschriften.de /2_Garamond.html (1334 words)

	Claude Garamond - Font Designer of Garamond
		After Garamond’s death, Christoph Plantin from Antwerp, the Le Bé type foundry and the Frankfurt foundry Egenolff-Bermer acquire a large proportion of Garamond’s original punches and matrices.
		The typefaces Garamond produced between 1530 and 1545 are considered the typographical highlight of the 16th century.
		Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions.
	www.linotype.com /414/claudegaramond.html (371 words)

	Claude Garamond - Encyclopedia.com
		Claude Garamond, 1480-1561, Parisian designer and maker of printing types.
		Types designed by Garamond were used in the printeries of the Estienne family, Colines, Plantin, and Bodoni, and types used by the Elzevir family were based on his designs.
		With a distinctive Venetian feel and a nod to font forefather Claude Garamond (circa 1480-1561), Adobe Garamond was also designed by Robert Slimbach.
	www.encyclopedia.com /doc/1E1-Garamond.html (692 words)

	The Biography of Claude Garamond
		Claude Garamond was first to specialize in type design, punch cutting, and type-founding in Paris as a service to many famous publishers.
		Claude Garamond's contribution to typography was vast, a true renaissance man. Creating perfection in the type that he crafted his life will live on through his contribution to typography.
		Garamond's first roman font was created in 1530 here is a replica of that font.
	www.pointlessart.com /education/loyalist/typeTalk/garamond/biography.html (387 words)

	Portrait: Claude Garamond
		By the middle of the 16th century, a number of typefounders were in business for themselves.
		The greatest of them all was Claude Garamond.
		His oldstyle designs, based on the Aldine model, dominated the composing rooms of printers well into the 18th century.
	wally.rit.edu /cary/cc_db/16th_century/36.html (59 words)

	Claude Garamond Summary
		Garamond came to prominence in 1541, when three of his Greek typefaces were requested for a royally ordered book series by Robert Estienne.
		Garamond's name was originally spelled with a 't' at the end, but under the influence of standardized French spelling, the 'd' became customary and stuck.
		Claude Garamond's career and typefaces, of Robert Granjon's italic types which were combined with Garamond roman types, and a brief summary of subsequent revivals through Garamond Premier Pro.
	www.bookrags.com /Claude_Garamond (315 words)

	madcreate.com :: Writing for Garamond Project
		CLAUDE GARAMOND was an incredibly significant individual in the typography world.
		Claude Garamond was among the first to specialize in type design, punch-cutting and type founding in France as a service to distinguished publishers of the time.
		The Garamond typeface and variations of it have been a standard among printers and designers for centuries and even today, they are still among the day-to-day tools of professional designers, typographers and other artists.
	mywebpages.comcast.net /kdubya/create/writing_garamond.html (175 words)

	Garamond
		Some are based on the work of the great 16th-century French type designer Claude Garamond[?].
		Other typefaces such as American Garamond or Elegant Garamond are not, typically being based instead on the rather different typefaces of Jean Jannon[?].
		Italic typefaces called "Garamond" are almost never based on Garamond's own italics; usually they are derived from typefaces by Robert Granjon[?], a younger colleague of Garamond.
	www.ebroadcast.com.au /lookup/encyclopedia/ga/Garamond.html (126 words)

	Claude Garamond - Wikipedia, the free encyclopedia
		Garamond came to prominence in 1541, when three of his Greek typefaces were requested for a royally ordered book series by Robert Estienne.
		Garamond's name was originally spelled with a 't' at the end, but under the influence of standardized French spelling, the 'd' became customary and stuck.
		Claude Garamond's career and typefaces, of Robert Granjon's italic types which were combined with Garamond roman types, and a brief summary of subsequent revivals through Garamond Premier Pro.
	en.wikipedia.org /wiki/Claude_Garamond (216 words)

	Garamond Premier Pro
		Garamond, a French punchcutter, produced a refined array of book types in the mid-1500s which combine an unprecedented degree of balance and elegance, and stand as a pinnacle of beauty and practicality in typefounding.
		Claude Garamond and Robert Granjon were among the first punchcutters to produce a range of sizes of their roman and italic typefaces.
		Garamond Premier includes a series of weights in four distinct size ranges – caption, text, subhead, and display – that are modeled on specific types within Garamond and Granjon's oeuvre.
	www.adobe.com /type/browser/landing/garamond/garamond.html (694 words)

	Garamond - Wikipedia, the free encyclopedia
		Garamond came to prominence in the 1540s, first for a Greek typeface he was commissioned to create for the French king Francois I, to be used in a series of books by Robert Estienne.
		Garamond based much of the design of his lowercase on the handwriting of Angelo Vergecio, librarian to Francois I. The italics of most contemporary versions are based on the italics of Garamond’s assistant Robert Grandjon.
		Garamond’s letterforms convey a sense of fluidity and consistency.
	en.wikipedia.org /wiki/Garamond (304 words)

	the loud bassoon online zine - a brief history of garamond, with artistic license
		Claude was greatly influenced by the roman types that the Italians had used to produce classic literature.
		Claude lived a good, full life, and added much to the world, but a woeful day arrived in 1561 when the world mourned his death.
		Claude Garamond - the man, the myth, the legend - will live on in all of our hearts and his memory will endure until the last letter of the last word of the last book finally fades away.
	www.loudbassoon.com /language/garamond_history.html (926 words)

	LOST Magazine - Claude Garamond (Site not responding. Last check: )
		Garamond had long been regarded as one of the type designers par excellence of the century that followed Gutenberg's invention of movable type.
		Although Garamond's typefaces were very popular during his lifetime and much copied, as for many of the early type designers the work didn't bring him much financial reward.
		Garamond the typeface gradually dropped out of sight, to disappear for nearly two centuries.
	www.lostmag.com /issue6/garamond.php (1129 words)

	Veer: Products: Type: Garamond 3 Std
		The Linotype version of Garamond from 1936 is based on the American Type Founders design by Morris Fuller Benton and Thomas Maitland Cleland, who based their work, in turn, on seventeenth-century copies of Claude Garamond’s types by Jean Jannon.
		Garamond 3 has been popular since its release in the 1930s as an all-purpose text face, working superbly for books and for display uses as well.
		Garamond 3 is a Trademark of Heidelberger Druckmaschinen AG exclusively licensed through Linotype Library GmbH, and may be registered in certain jurisdictions.
	www.veer.com /products/typedetail.aspx?image=ADT0003353 (172 words)

	Grandes maestros. Claude Garamond
		Claude Garamond nació en París en el año 1490.
		Claude Garamond fue el primero que se especializó en el diseño, grabado y fundición de tipos como servicio a otros impresores asistido por su pupilo Jacques Sabon.
		Después de una década en la cual los tipos de Garamond alcanzan un gran éxito, el rey Francisco I de Francia le pide la creación de un tipo griego que más tarde se conocería como Grecs du Roi y que fue creado a partir de los dibujos de Angelos Vergetios.
	www.unostiposduros.com /paginas/maes3.html (615 words)

	TypeIndex.org - The International Type Index
		Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter.
		The Linotype version of Garamond from 1936 is based on the American Type Founders design by Morris Fuller Benton and Thomas Maitland Cleland, who based their work, in turn, on seventeenth-century copies of Claude Garamond’s types by Jean Jannon.
		Garamond 3 has been popular since its release in the 1930s as an all-purpose text face, working superbly for books and for display uses as well.
	typeindex.org /font.php?id_font=1037 (545 words)

	mus in pice - viralata.net (Site not responding. Last check: )
		Claude Garamond's legacy is rather complex and one which I had been meaning to figure out for myself for a while.
		It begins with Garamond's death in 1561 when his estate was sold and dispersed throughout Europe, to Antwerp, Holland, with Christophe Plantin, to Frankfurt, Germany, with André Wechel and Jacques Sabon, the latter a student of Garamond's, and to Italy with Guillaume Le Bé.
		From the first branch, that of Claude Garamond's students, comes a different set of types considered truer to the master's original design including Monotype's 1913 “Plantin” by F.H. Pierpont—which served as the inspiration for Times New Roman; Stempel's 1925 “Stempel Garamond”; Linotype's 1928 “Granjon” by George Jones; Ludlow Typograph Company's 1930 “Garamond” by R.
	www.viralata.net /blog (1551 words)

	\| Garamond \| Typophile
		What most of the Garamonds have in common is that they are more-or-less accurate revivals either of type cut by Claude Garamond in the late fifteenth century, or of type cut by Jean Jannon in the mid-16th century.
		In the early twentieth century the producers of matrices for machine setting were keen to revive or recut historical typefaces, and several versions of typefaces named for Garamond, and supposedly based on his typefaces, were produced: by ATF in 1918, by Lanston Monotype (drawn by Frederic Goudy) in 1921, and by English Monotype in 1922.
		Because of the profusion of garamond-like typefaces and the early confusion around its naming, it is common to see a typeface referred to as a garamond, the way we might categorize a typeface as a flletter or a script.
	www.typophile.com /wiki/Garamond (450 words)

	Xabel
		Sin embargo Claude Garamond de 35 años vive un momento muy triste, porque su maestro Antoine Augereau fue quemado en la hoguera, junto con sus libros.
		Su aprendiz, Claude Garamond, se convertió en su creador de nuevos tipos.
		Claude Garamond murió 1561 y gran parte de su repertorio de tipos se lleva la imprenta Royale.
	www.xabel.com (2732 words)

	CAP Online Feature: The history of typefaces, Part One, by Jean-Francois Porchez
		In Lyons, Robert Granjon sur-passed Claude Garamond with the notion of the italic and cut, between 1543 and 1590, close to 100 founts including roman, italic, Hebrew, arabesque and fleuron characters.
		At Claude Garamond’s death (1561), his types and matrices were broken up, many of which were acquired, notably, by Christophe Plantin, an Antwerp printer.
		A part of the Garamond foundry was purchased by the printer Egenolff of Geneva: Sabon (Jan Tschichold, 1964) was inspired by a specimen from this printer (Jacques Sabon was the head of the studio).
	www.jyanet.com /cap/2001/1020fe0.shtml (1517 words)

	\| Simoncini Garamond \| Typophile
		Simoncini Garamond is, as perhaps you know, based on the work of Jean Jannon rather than Claude Garamond.
		Claude Garamond himself has a great reputation, and is well-served by Adobe Garamond Premier Pro.
		I agree that Simoncini Garamond has an ugly a, but Storm Jannon’s is much better, and his is apparently the most accurate revival.
	typophile.com /node/20299 (731 words)

	Speak Up › Claude Garamond Promotes His Old Style Typefaces
		For those of you not familiar with Claude's work, his Old Style typefaces are available in various sizes and weights: light, book, bold, and ultra (each with an italic).
		Garamond's work is classic and has stood the test of time and hundreds of iterations of the typeface Garamond (Garamond 3 being the most accepted I think).
		Claude asked for Jason, not for me. Given past circumstances when the interviewee and I have used the f word constantly.
	www.underconsideration.com /speakup/archives/001714.html (1682 words)

	Identifont - Claude Garamond
		A native of Paris, Garamond was an engraver and letter founder of high repute.
		Garamond was the first to produce a reworking of the earlier typefaces of Aldus Manutius, creating a face called Garamond.
		During most of the 20th century, most leading foundries around the world have redrawn their own versions of Garamond's typeface, and Garamond's roman is still regarded today as one of the classic typefaces.
	www.identifont.com /show?2VJ (150 words)

	Garamond Family
		Jannon followed the designs of Claude Garamond which had been cut in the previous century.
		Garamond's types were, in turn, based on those used by Aldus Manutius in 1495 and cut by Francesco Griffo.
		This version of Garamond was introduced in 1922 for hot metal typecasters.
	www.ascendercorp.com /msfonts/garamond_family.html (135 words)

	Garamond
		Based on the types of the French 16th century typecutter Claude Garamond, the Garamond typeface has been a standard among book designers and printers for four centuries.
		the italics are based on types by Robert Granjon, a contemporary of Garamond's.
		This type traces its development to the printers of the Italian Renaissance but its heritage extends to an earlier time : Roman inscriptional letterforms for the capital letters, the Caroline minuscules for the lowercase letters.
	abc.planet-typography.com /classic/garamond.html (75 words)

	Claude Garamond — Infoplease.com
		According to tradition he learned his art from Geofroy
		Types designed by Garamond were used in the printeries of the
		The Production of Flexible Attitudes in the Canadian Pulp and Paper Industry.
	www.infoplease.com /ce6/people/A0820169.html (233 words)

	Type, Typography and Fonts
		First, you can get your work reviewed and possibly published by sending a request to the editor including a little information on yourself and why you'd like to be seen in the Design and Publishing Center.
		Claude Garamond was a punch cutter fashioning type in France in the printing business.
		Through this enterprize, he is also attributed for being the first to develop italic Romanesque type faces, and then to establish the relationships between the postures of the type into type family relationships.
	www.graphic-design.com /Type/typography.html (1561 words)

	creativepro.com - dot-font: The Next Sabon
		He actually got to create a narrower italic for the display sizes, since the Monotype and Linotype versions were designed for setting text at 12 point and under; larger sizes would be set by hand, using the Stempel foundry type.
		(widely regarded as the most faithful revival of Garamond's types, at least until recently): a zero with the thickness at the top and bottom rather than the sides.
		The lowercase roman "a" and "s" are narrower in Sabon Next; Porchez felt strongly that the unusually wide "a" and "s" in Sabon were a mistake, occasioned by the limitations of the Monotype and Linotype systems.
	www.creativepro.com /story/feature/19000.html (1637 words)

	Claude Garamond : MyFonts
		French punchcutter, typefounder and printer from the first half of the sixteenth century, the best known of those who introduced Aldus’ roman into Paris, establishing the style familiar to us all.
		Garamond is an unsurpassed classical designer and craftsman.
		Berthold Garamond BQ, Adobe Garamond, Stempel Garamond, Typoart Garamond, LTC Garamont, Granjon, Sabon
	www.myfonts.com /person/garamond/claude (110 words)

	Open Directory - Arts:Graphic Design:Typography:Typographers:Masters (Site not responding. Last check: )
		Born in 1706 in Worcestershire, England, John Baskerville was a writing master, stonecutter, letter designer, typefounder and printer.
		Submissions must be for information specifically related to Claude Garamond.
		Claude Garamond was a Parisian designer and maker of printing types who lived from 1480-1561.
	dmoz.org /Arts/Graphic_Design/Typography/Typographers/Masters/desc.html (208 words)

Try your search on: Qwika (all wikis)