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Topic: Claude Gauvreau


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In the News (Tue 22 Dec 09)

  
  Gauvreau, Claude   (Site not responding. Last check: 2007-10-22)
Gauvreau, the son of Major Lucien Gauvreau and Julienne Saint-Mars, was raised by his mother, who belonged to a liberal minded family.
His brother, Pierre GAUVREAU, who was an actor with the Montreal Repertory Theatre of Mario Duliani, a dancer with Gerald Crevier's company and a student at the École des Beaux-Arts, had become a disciple of the painter Paul-Émile BORDUAS in 1941.
Claude joined them in 1942: his main contribution was as a writer, first (by 1944) as a playwright and poet and then (by 1945) as a critic.
thecanadianencyclopedia.com /index.cfm?PgNm=TCE&Params=A1ARTA0003188   (297 words)

  
 Gauvreau, Pierre   (Site not responding. Last check: 2007-10-22)
Like them, Gauvreau and his poet brother (Claude GAUVREAU) became interested in the surrealist idea of automatism as a way of releasing creativity.
Gauvreau remained associated with this circle, and became part of the group known as the AUTOMATISTES, who with others produced the 1948 manifesto REFUS GLOBAL.
By the mid-1950s, Gauvreau was using looser, more gestural imagery in his work, and was also working for the new medium of TV as a writer, director and producer.
thecanadianencyclopedia.com /index.cfm?PgNm=TCE&Params=A1ARTA0003189   (182 words)

  
 Claude Gauvreau -- Facts, Info, and Encyclopedia article   (Site not responding. Last check: 2007-10-22)
Claude Gauvreau -- Facts, Info, and Encyclopedia article
He did classical studies at the Collège Sainte-Marie, and graduated with a B.A in (The rational investigation of questions about existence and knowledge and ethics) Philosophy from (Click link for more info and facts about Université de Montréal) Université de Montréal.
The art of Claude Gauvreau was revolutionary for its time.
www.absoluteastronomy.com /encyclopedia/c/cl/claude_gauvreau.htm   (442 words)

  
 ArtsAlive.ca - Théâtre français : Seeing French Theatre in Canada
Claude Gauvreau often referred to himself as a revolutionary poet, a distinction confirmed by the unique place he holds on the Quebec literary landscape.
Gauvreau has been labelled a “damned poet” – an image often found in his theatre – because of the strong resistance to his innovative work expressed by a certain segment of the public combined with a life plagued by bouts of depression interspersed with periods of psychiatric confinement.
Gauvreau took his own life in 1971, leaving behind a considerable body of work encompassing poetry, radio, and drama, which is still being discovered today.
www.artsalive.ca /en/thf/voir/auteurs.html   (2664 words)

  
 << Journals Division of UNIVERSITY OF TORONTO PRESS >>   (Site not responding. Last check: 2007-10-22)
Although the temptation for the feminist critic may be to ignore this ultimately misogynist rendering of her life, it is impossible to ignore the fact that Gauvreau's work is a 'roman à clef,' and that it fills in a number of gaps in the chronology of Guilbault's life and career as available from other sources.
Gauvreau's description of the agonizing evenings when he would walk with her to the theatre and she would tremble before the ten stairs she had to mount before entering the studio read like an extract from a manual on women and depression:
For the underlying cause of the female character's depression, the obsessive reality which Gauvreau portrays her as unable to forget or overcome, is an unwanted abortion which takes place at the height of her career and before her marriage, and her subsequent guilt and inability to conceive another child.
www.utpjournals.com /jour.ihtml?lp=product/utq/634/634_smart.htm   (3188 words)

  
 U B U W E B :: Steve McCaffery "Sound Poetry - A Survey"
Gauvreau, working in the 40s, made structural modifications to French Surrealist ideas, especially the diminishment of pictorial image in favour of what he terms 'rhythmic images'.
Gauvreau's work, which bears comparison to Artaud and the Dadaists, is theoretically hermetic - a non-semantic language of pure sound which, however, never dominates in any one text.
Gauvreau's influence, however, has never extended outside Quebec (his work, for instance, was a seminal influence of Raoul Duguay) and Anglophone sound poetry does not surface until the early sixties in the work of bpNichol and Bill Bissett.
www.ubu.com /papers/mccaffery.html   (4219 words)

  
 Festival de théâtre des amériques
With eleven actors, a team of designers and a 20-voice choir, Lorraine Pintal is turning Louis- H. Lafontaine Hospital into a theatre stage in order to examine the various facets of Asile de la pureté, a play written in 1953 by poet Claude Gauvreau.
A poet, playwright and polemicist, Claude Gauvreau left behind an extensive legacy that occupies a prominent place in Quebec literature.
By presenting for three evenings a staged reading of the play in a non-theatrical space, the director and her team are expanding the possibilities of intervention.
www.fta.qc.ca /03/en/asile.html   (420 words)

  
 JACQUES CRÊTE AND THE ATELIER DE RECHERCHE THÉÂTRALE L'ESKABEL: À REBOURS ON THE
First of all, it echoed the Quebec avant-garde experiments of the 1950s characterized by the "Automatiste" movement, a form of Surrealism which cultivated the anti-rational process of "écriture automatique" by calling up the "pulsion créatrice," the creative spark, the pure impulse of spontaneous kinetic creative energy.
(Gauvreau 20-37) In addition, the Eskabel reflected the already-mentioned ritual-theatre movement of the 1960s, which sought to renew theatrical convention through non-secular traditions.
The contact with Gauvreau had a profound influence on Crête, who came to understand that theatre was a creative process that could somehow alter the lives of the participants.
www.lib.unb.ca /Texts/TRIC/bin/get4.cgi?directory=vol19_1/ruprecht/&filename=ruprecht.html   (7364 words)

  
 author, Gord Dimitrieff, Paul Émile Borduas and the Refus Global   (Site not responding. Last check: 2007-10-22)
The manifesto was comprised of three texts by Borduas (Refus global, En regard du surréalisme actual, and Commentaires sur les mots courants), as well as additional texts by Claude Gauvreau, Françoise Sullivan, Bruno Cormier, and Fernand Leduc.
Paul-émile Borduas had sought to adapt the techniques of writing to his painting, and soon this concept came full circle, as a new generation of poets began to adapt the introspective concepts of nonfigurative painting to their writing.
This movement in poetry is represented by Claude Gauvreau, who was also a contributor to Refus global, Gilles Hénault, Paul-Marie Lapointe, and Roland Giguère.
www.hartford-hwp.com /archives/44/045.html   (2581 words)

  
 Volume 1 Number 1   (Site not responding. Last check: 2007-10-22)
Joe Rosenblatt of Canada is the author of The LSD Leacock, Winter of The Luna Moth, The Voyage of the Modd, Bumblebee Dithyramb, and Greenbaum (a collection of drawings).
Claude Gauvreau was born into the closed world that was Quebec.
Borduas, Riopelle, Gauvreau, and the others, were all powerful personalities, but he was the lone writer, and his was a key role.
www.atkinson.yorku.ca /~exilebooks/volind1.html   (2258 words)

  
 Untitled Document   (Site not responding. Last check: 2007-10-22)
One evening in the spring of 1949, at the start of Paterson's second year at the museum school, he and his girlfriend attended a lecture given by Claude Gauvreau at a leftist cultural club.
Gauvreau was a brilliant French-Canadian poet and thinker who had become one of the earliest and most ardent champions of the group of avant-garde Quebec artists known as the Automatistes.
The only daughter of John Sullivan, a French-speaking lawyer and former Conservative MP, she had taken dance lessons at the age of nine, then studied painting at Montreal's Ecole des Beaux-Arts when she was only sixteen years old.
rongrahamcanada.com /article/ewenago.html   (9922 words)

  
 Site Contents at the free Online Encyclopedia.   (Site not responding. Last check: 2007-10-22)
You are here: Online Encyclopedia > Site Map pg 2 > Claude E. Shannon through Co
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www.onlineencyclopedia.org /index_74.html   (109 words)

  
 Opera History: Zurich 1916 - 1998 - Creative Team's BIOS
In 1992 Butterfield's Jappements ý la lune, a song cycle on poetry by Claude Gauvreau for mezzo-soprano and ensemble, was selected to represent Canada at the ISCM's World Music Days in Warsaw.
A compact disc of the piece was released on CBC Records in July, 1997.
StÈphane was executive producer for the plays Un Air de famille and Talk Radio, both produced by Sortie 22 Inc. A member of Le Groupement Forestier du ThËâtre, he designed the lights for Matroni et Moi and Oreille, Tigre et Bruit, both written and directed by Alexis Matin.
www.banffcentre.ca /Theatre/history/opera/production_1998A/bios_creative.asp   (1483 words)

  
 Riding the Meridian: Carnivocal - a review by Alaric Sumner
It would not of course be possible to provide everything necessary to place 'contemporary sound poetry in Canada' in context on a CD, yet it would have been interesting to have had more historical examples and 'ethnic' Canadian examples.
Certainly, the definition of 'sound poetry' is predominantly one from an English heritage (even the Gauvreau is presented in the voice of an Englishman) - and other poetries in sound exist within the borders of Canada.
For a survey such as this, it would have been useful to provide this wider context, the informational arena, in which to place, appreciate and analyse the works presented.
www.heelstone.com /meridian/review.html   (1364 words)

  
 artnet.com: Resource Library: Refus global   (Site not responding. Last check: 2007-10-22)
It was written by the painter Paul-Emile Borduas and signed by 15 of his young followers, LES AUTOMATISTES, among whom Jean-Paul Riopelle, Pierre Gauvreau (b 1922) and Fernand Leduc were the most important.
The cover was designed by Riopelle and Pierre Gauvreau and some photographs of Automatiste works were included.
There are more than 45,000 articles in The Grove Dictionary of Art.
www.artnet.com /library/07/0711/T071107.ASP   (136 words)

  
 PIERRE MIGNOT   (Site not responding. Last check: 2007-10-22)
1970 L'homme nouveau [Yves André and Claude Péloquin] c; short/10m; cph: Réo Grégoire
Claude Gauvreau - Poète [Jean-Claude Labrecque] c; doc/57m; cph: Bernard Gosselin,
Denyse Benoît, comédienne [Luce Guilbeault] c; short/25m; cph: Séraphin Bouchard and Claude
www.beer1.freeler.nl /PaginasDoPh/mignot.htm   (813 words)

  
 Slam/Spoken Word - QuickTopic free message board hosting
Spoken word is laid-back literature, grooving to its own beat, shrugging off the immortality of print.
Rooted in aboriginal and fl culture and the beat poetry of the 1960s, the movement's Quebec evolution could be connected to poets like Claude Gauvreau, monologuists like Clemence DesRochers and Yvon Deschamps, or even folky chanteuse La Bolduc.
But its modern Quebec manifestations became visible about 10 years ago, Kimm estimates.
www.quicktopic.com /23/H/TrwEXHTX3WHND   (1240 words)

  
 INDEX 1 to 24   (Site not responding. Last check: 2007-10-22)
Contributors: Barry Callaghan; Claude Esteban; Gregory O’Donohue; Jacques Ferron; Derek Mahon; Thomas Kinsella; Ascher/Straus; David Donnell; Robert Zend; Robert Marteau; Marie-Clair Blais; Guillevic; Susan Musgrave; Victor-Lévy Beaulieu
Contributors: Susan Musgrave; Jacques Ferron; Claude Gauvreau; Jeni Couzyn; Phillippe Jacottet; Jaime Gil de Biedma; Dennis Silk; Eydi Caines-Floyd
Contributors: Yehia Hakki; Robert Marteau; Joe Rosenblatt; Claude Gauvreau; William Kurelek; Rochelle Owens; Jerzy Kosinski; Margaret Avison; Barry Callaghan; Edmund Wilson
www.atkinson.yorku.ca /~exilebooks/indexq2.html   (850 words)

  
 Articles - Modern art   (Site not responding. Last check: 2007-10-22)
Impressionism - Edgar Degas, Édouard Manet, Claude Monet
Soviet art - Alexander Deineka, Alexander Gerasimov, Ilya Kabakov, Dubossarski and Winogradow, Komar and Melomid, Collective Action Group
Les Automatistes - Claude Gauvreau, Jean-Paul Riopelle, Pierre Gauvreau, Fernand Leduc, Jean-Paul Mousseau, Marcelle Ferron
www.lastring.com /articles/Modern_art?mySession=18400d967d41a26bb8d667664a7e9270   (1084 words)

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