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Topic: Close-up (film)


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In the News (Sun 27 Dec 09)

  
 Close-up - Wikipedia, the free encyclopedia
In film, a close-up is a shot that is closely zoomed in on a person or object.
Close-ups are generally short cutaways from a more distant shot to show detail, such as a character's emotions, or some intricate activity by their hands.
Television shows that do not use close-ups are often described as creating an immediate feeling of emotional distance from the characters.
en.wikipedia.org /wiki/Close-up   (270 words)

  
 Guardian Unlimited Film Close Up Inside the dream factory
Yet the film so reflected Spielberg's intensity for the subject that it nearly stunned his critics; seemingly over night, he was reborn: Oscar winner, public Jew, a film-maker who could, for the most part, balance his competing passions for rigorous storytelling and moral uplift.
The film is being produced by Universal - Spielberg is just 'a neighbourly advisor', as he puts it - and Universal has been in upheaval since its chairman, Casey Silver, was fired a week earlier.
The Godfather, after all, is a film with a violence that never wanes; it crescendos with Michael Corleone ordering the murder of his own brother-in-law and leaves the audience with the uneasy feeling that evil leads simply to more evil.
film.guardian.co.uk /The_Oscars_1999/Story/0,4135,36555,00.html   (6945 words)

  
 Close-Up Photography Basics
The term ‘film’ refers to either the negative or slide in the camera when the photograph is taken.
When the size of a subject’s image captured on film is equivalent to the subject’s actual size, the magnification rate is 1:1, or life size.
Film speed also becomes more important as you strive to balance the aperture and shutter speed settings.
www.tcinternet.net /users/nmolson/closeupphotography.htm   (1379 words)

  
 Close up - The Heritage Film
This preoccupation with display not only led to the films being dismissed as ‘film as conspicuous consumption’ (8) - as if visual pleasure were inherently suspect - but was held to neutralise or override (that is, to have more effect than) other (particularly ironic, progressive or critical) elements in the texts.
In an argument embryonically in evidence in Craig and most fully developed by Higson, the films’ particular mode of display of the properties of the bourgeois past (described by Richard Dyer as a ‘museum aesthetic’) (7) was held to stitch the spectator into a rapt, uncritical, consumerist relationship with the lavish visual feast on screen.
What I do want to suggest, however, is that the monolithic dismissals of heritage films as overridingly ‘conservative’ produced in the early 1990s were achieved and were only achievable by silencing questions around the gendering and sexuality of the films, their appeal and their consumption.
www.shu.ac.uk /services/lc/closeup/monk.htm   (2440 words)

  
 Close Up
Close Up (Nema-ye Nazdik) - a film by Abbas Kiarostami
Close-Up is one of the best films of the last decade: intricate, funny, moving, provocative, humane.
Close Up poses questions about why directors direct.
www.mongrelmedia.com /films/CloseUp.html   (192 words)

  
 Guardian Unlimited Film Close Up Heather Graham
In the film she makes another striking entrance, sliding down a pole in the middle of a party and starting to jive wildly.
She served her apprenticeship as the girlfriend and upped her teen-cool stakes by a wink-wink role in Scream 2.
Her climb up the Hollywood ladder culminated in her role in last summer's flaccid blockbuster-that-wasn't, Lost in Space.
film.guardian.co.uk /Column/0,4541,55949,00.html   (513 words)

  
 JimDoty.com - Closeup Photography
Simple one element, close-up, diopter filters, often marked +1, +2, +3, +10, are an inexpensive expensive way to get close.
This table shows that the magnification on film is the reciprocal of the subject height as measured in inches.
If a stamp is one inch on film and one inch in real life, it is 1X magnification or "life size" on film.
www.jimdoty.com /Tips/Closeup/closeup.html   (2187 words)

  
 Genders OnLine Journal - Close Encounters on Screen: Gender and the Loss of the Field
By deploying an enlarged microid field of tunnelled terrain suggestive of the features of the human female reproductive tract, Aliens engenders the field of operations and projects that suggestive engenderment back onto the psycho-ideological operation of the film's close-ups.
In this convention, we might also understand overly close shots as an effect of relative scale; for example, an overly close sequence might involve too many close ups, medium close-ups, or medium shots when the implied field of action is a large battlefield or even a baseball game.
Taken mainly in the car, the close-ups are unnaturally close, so close as to make the open road seem like a closed closet.
www.genders.org /g29/g29_roof.html   (7177 words)

  
 Abbas Kiarostami
The film then proceeds with the trial, as the participants recount Sabzian's deception and the events that lead up to his arrest.
Close-up opens to a shot of a newspaper reporter (Hossein Farazmand) fetching two police officers on a taxi to go to a house on Golzar Street.
The film credits appear, and immediately, a pattern emerges: all of the characters are portrayed by themselves, and the story is based of events that actually transpired.
www.filmref.com /directors/dirpages/kiarostami.html   (1921 words)

  
 MovieMartyr.com - Close-up
The greatest irony of the film is that the star-struck family’s initial outrage at being tricked into thinking they would star in a Makhmalbaf film resulted in an unforeseeable series of events that culminated in the creation of a Kiarostami film that co-stars both them and Makhmalbaf.
Makhmalbaf expressed in his films that, when questioned by a stranger on the bus about a copy of the screenplay to Makhmalbaf’s The Cyclist, he claimed to be its author.
By the film’s end, every scene feels like a loaded proposition, daring us to feel anything, since we’re obviously not capable of simultaneously understanding all of the angles with which we could examine this case.
www.moviemartyr.com /1990/closeup.htm   (679 words)

  
 Welcome to Close-Upfilm.com- Updated Weekly!
Close-Up Film, in association with 20th Century Fox, have Transporter 2 goodies to be won.
With the William Eggleston Season at the ICA, Close-Up Film takes a look at the influence on film by the photographer in Darkness Visible.
Director Stephen Woolley talks to Close-Up Film about Stoned, the life - and death - story of the founder of the Rolling Stones, Brian Jones
www.close-upfilm.com   (304 words)

  
 KODAK: Close-up Photography with 35 mm Cameras: Tech Pub AB-20
For indoor close-ups, you can also use photolamps to illuminate your subjects.
To determine a value for "d" measure the distance from the film plane to the front of the lens in millimetres.
The advantage is that the larger film size (120 or 4 x 5-inch film) requires less magnification than 35 mm film to make an enlargement of equal size.
www.kodak.com /global/en/consumer/products/techInfo/ab20/ab20.shtml   (3333 words)

  
 Long-shot Close-up
In fact, the only true close-up of the film is of a photograph Wen-ching is touching up: a family portrait (B 12:07-13:52).
Medium close-ups of single characters are close enough to make facial expressions legible, but by keeping the camera away from the action, long-shots emphasize the context among characters.
As in most of his other films, it's difficult to decide who the primary character is. We suggest this is, to some degree, a characteristic not only of the New Cinema, but of Asian cinema in general.
cinemaspace.berkeley.edu /papers/cityofsadness/slscu.html   (401 words)

  
 Untitled Document
Close Up in Black: African American Film Posters was organized by the Smithsonian Institution Traveling Exhibition Service in collaboration with the Academy of Motion Picture Arts and Sciences and the Smithsonian's Anacostia Museum and Center for African American History and Culture.
CLOSE UP CINEMA: Miami Shorts and Murder in Harlem (USA, Oscar Micheaux, 1935, BandW, 16mm, 102 min.) A night watchman finds the body of a murderer woman and is accused of the crime.
CLOSE UP CINEMA SCREENING: Miami Shorts and Cotton Comes to Harlem (USA, Ossie Davis, 1970, color, 16mm, 97 min.) Two detectives fight crime in Harlem, all the while poking fun at both black and white stereotypes.
www.wolfsonian.fiu.edu /visitus/calendar/june_2003.html   (1093 words)

  
 Nema-ye Nazdik (1990)
The film is a joy made up of mostly real footage of the trial and interviews with all involved, and also re-enactments of real events by the actual people involved.
The film comes across as a portrait of a film-lover, as Hossain Sabzian defends his reasons for his impersonation in court with Kiarostami as the judge (literally) and the audience as jury, praying for a light sentence for Sabzian.
Sabzian comes across as a screen legend, his innocence draws us to identify with him, a sweet man with a passion for films and family.
www.imdb.com /title/tt0100234   (321 words)

  
 The Sub Club
Fortunately, slide duplicating films can be purchased which are balanced for either daylight or tungsten illumination.
As the lens is moved away from the film, the light passing through the lens is dispersed over a wider area and less of the light illuminates the film.
With view camera equipment this is determined by measuring the distance from the film plane to the lens board and then subtracting from this distance the flange focal length of the lens being used.
www.subclub.org /field/expose4f.htm   (5999 words)

  
 village voice > film > Venom & Eternity by J. Hoberman
Isou treats the film material with the utmost contempt, inserting black leader, scratching the emulsion, running footage upside down or in reverse.
"Films of the Situationist International" (April 28 through May 1) opens with situationist leader Guy Debord's film adaptation of Society of the Spectacle and a 1994 portrait of the artist-provocateur; it includes a reconstructed Debord film-event and a pair of Asian genre films "détourned" by his disciples.
But the strongest film (qua film) in the series isn't, strictly speaking, a situationist work at all.
www.villagevoice.com /film/0517,hoberman3,63418,20.html   (274 words)

  
 A Glossary of Photographic Terms: C
Kodak's patented flip-up flash mechanism that creates distance between the flash and the lens to reduce red-eye; flash is located on the end of hinged lever that covers the lens when closed, and flips up to switch on the camera and deploy the flash.
Color films are made to be exposed by light of a certain color quality such as daylight or tungsten.
A picture taken with the subject close to the camera-usually less than two or three feet away, but it can be as close as a few inches.
www.kodak.com /global/en/consumer/glossary/termsC.shtml   (670 words)

  
 Close Up in Black: African American Film Posters - Exhibition - Academy Foundation - AMPAS
Through a dynamic installation of 90 vintage and contemporary film posters from the Edward Mapp Collection at the Academy’s Margaret Herrick Library, “Close Up in Black” chronicles the journey of African American actors, directors, writers and graphic artists who brought their talents to the medium of movies.
Close Up in Black: African American Film Posters will be at the Smithsonian’s International Gallery at the Ripley Center through July 28, 2005.
Close Up in Black” was organized by the Smithsonian Institution Traveling Exhibition Service, in collaboration with the Academy of Motion Picture Arts and Sciences and the Smithsonian’s Anacostia Museum and Center for African American History and Culture.
www.oscars.org /events/cuib   (343 words)

  
 Katharina Sieverding: Close Up
By concentrating on a selection of her most significant serial photographic installations, two films, and a group of monumental single photographs and archival material, it deepens the viewers’ insight into the extreme political and social climate of the late 1960's and 1970's.
Katharina Sieverding: Close Up Katharina Sieverding: Close Up October 24, 2004 to February 21, 2005
In the 30-minute film Life-Death (1969) - which was shown for the first time at Documenta V in 1972 - film acts as a device for Sieverding’s self-reflection, illustrating the desire for life and death, and maintaining a balance between the two.
www.ps1.org /exhibits/exhibit.php?iExhibitID=8   (1511 words)

  
 DVDBeaver - Close-Up Review by Gary W. Tooze
The courtroom activity was filmed "live" by Kiarostami with one camera filming close-ups on Sabzian.
The film is shown in an aspect ratio of 1.33:1.
For the rest of the film the real individuals of the story repeat their experiences to portray themselves in front of the camera.
www.dvdbeaver.com /film/Reviews/close-up.htm   (791 words)

  
 Close-Up
The film, with its lack of resolution or reasons for the decision of the protagonist to attempt suicide, invited the same kind of interaction from the audience as Through the Olive Trees.
Stressing a natural approach to his material and building his film on endless repetition, Kiarostami succeeded in making a film from a child's point of view that refused to adopt the condescending, cutesy tone of most films made about children, and he earned kudos for his work.
Kiarostami's next major project was more of a lighthearted affair: he produced the script for Jafar Panahi's The White Balloon (1995), a children's film told from the point of view of a young girl searching a marketplace to buy a goldfish in time for New Year's Eve.
www.eworldrecords.com /closeup1.html   (487 words)

  
 Close-up Photography
However, today's films are much improved over films of even ten years ago and 100 speed films are also very sharp and fine-grained.
The majority of orchid photography at this web site was done on slide film using professional studio strobes, either a Dynalite Uni400 with a soft box or an old 400w/s Thomas power pack with one or two flash heads and a custom reflector.
If shooting slide film, be sure to "bracket" exposures, i.e., shoot at normal exposure, 1 stop under exposed, and 1 stop over exposed.
www.orchidworks.com /ozone/fototips   (871 words)

  
 Guardian Unlimited Film
All I can legitimately say is that, if you saw these 100 films, you would know roughly what the cinema is capable of, and why it is the most exciting art of the century.
Ultimately my list of films of the century sought to cover most of the great directors and most of the cinema's many genres.
Check out our extensive range of Star Wars articles, reviews and news bulletins, plus exclusive picture galleries, a scene-by-scene account of the new film and links to SW sites across the web.
film.guardian.co.uk /Close_Up   (215 words)

  
 extreme close-up
The film is an exploration of the human spirit for survival and even to enjoy life in the face of a natural disaster.
A middle-aged film director (the director Abbas Kiarostami's alter ego) travels with his young son Puya to the earthquake-hit village of Koker in Iran where he hopes to find the young Ahmadpour brothers, the lead actors of his earlier film Where is the Friend's House?
Through the reflections of old man Ruhi (another amateur actor from the earlier film) and Puya, Kiarostami reveals a life-affirming rationalization for why life must go on.
extremecloseup.blogspot.com   (292 words)

  
 Close Up Editors
In 1927, he established Close Up in collaboration with Bryher and H.D. He also began to produce films that experimented with new techniques.
The editors of Close Up also acted in Kenneth Macpherson's film productions.
Blakeston was a regular contributor to Close Up and when Macpherson started to lose interest in the magazine, he began to work as second assistant editor.
davidson.edu /academic/english/Little_Magazines/close_up/editors.html   (342 words)

  
 American Cinematographer: ASC Close-Up
I was subsequently hired to shoot a group of films in Florida.
Both are tremendous monochrome films and Russian agitprop pictures, and each is a groundbreaking film of the period.
Seeing a film anew and being very gratified that I had a part in making it is when I appreciate it most.
www.theasc.com /magazine/april05/closeup/page1.html   (942 words)

  
 08/08/02 TWN-Film Close-Up
It’s clear where the film and the characters are going, so that takes away a lot of work that you might have to do yourself.
You work on a film, doing all these takes, but then, when you see the finished product in continuity, you can still get swept away.
Q: Despite the enormous tension in this film, this sounds like a pretty relaxed set.
www.twnonline.org /Archive_TWN/Before/Afilm_close_up.htm   (667 words)

  
 AboutFilm.Com - Close-Up (1990)
Close-Up shows how movies can affect our everyday lives.
Kiarostami obtains permission from the court to film the trial (Sabzian is being tried for fraud) and records the testimony of the Ahankhah's yougest son Merhdad and Hossain Sabzian.
All the actors in the film play themselves, and all the scenes are recreations of actual events, except for a few that unfold "live." It's difficult to distinguish between what's real from what's written.
www.aboutfilm.com /movies/c/close-up.htm   (808 words)

  
 The promise of Iranian cinema Close-up, directed by Abbas Kiarostami (1990)
He called Close-up “the filmed version of a real story,” and continued: “Film is the story of the distance between an ideal self and a real one.
Kiarostami (born 1940) was inspired to make the film when he came across a news item about a young man, Hossein Sabzian, who passed himself off to an upper middle class family in Teheran as the well-known film director, Mohsen Makhmalbaf.
Kiarostami’s film is an extraordinary mix of documentary and fiction.
www.wsws.org /articles/2002/feb2002/kiar-f12.shtml   (1453 words)

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