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| | Coda Magazine Interview |
 | | From one band, from one album, from one note to the next, you're never sure where he will be heading, except for the fact that he'll surprise you (and probably himself) with every move... |
 | | A tribute album to the music of Gene Ammons with a tenor-guitar-drums ensemble brought him relatively wide recognition in 1996 (The Sun Died, Soul Note). |
 | | Early on, he stuck with bass (Drew Gress) and drums (Phil Haynes) for an album covering standards (Setting the Standard, Cadence Records, 1988), and for the splendid Forms (Open Mind, 1990), where every track is a radically original deconstruction/re-invention of a classic musical form (blues, waltz, ballad, latin jazz, be-bop). |
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