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Topic: Coldcut

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	Coldcut at opensource encyclopedia (Site not responding. Last check: 2007-11-07)
		Coldcut's current live and DJ sets rely on video as much as much as records, taking the concept of multimedia performance into largely uncharted territory.
		Conceptually, Coldcut owes as much to the ideas of beat writer and cut-up theorist William S. Burroughs, 1970s art/industrial group Throbbing Gristle, and the religious writings of J.R. Bob Dobbs as much as to Hip Hop originators like Grandmaster Flash or later innovators Double D and Steinski.
		One of the key aspects of the Ninja Tune ethos, Stealth, implies that their following of DJs and listeners are "agents" in a Burroughsian sense, propagating the D.I.Y. ethic of play as an essentially subversive act by replaying and manipulating media under the radar of mainstream culture.
	www.wiki.tatet.com /Coldcut.html (414 words)

	Trip hop - Wikipedia, the free encyclopedia
		Trip hop (also known as the Bristol sound or Bristol acid rap) is a term coined by British dance magazine Mixmag, to describe a musical trend in the mid-1990s; trip hop is downtempo electronic music that grew out of England's hip hop and house scenes.
		Sometimes characterized by a reliance on breakbeats and a sample-heavy sound pioneered by Coldcut's remix of Eric B. and Rakim's "Paid in Full", trip hop gained notice via popular artists such as Portishead, Massive Attack, Thievery Corporation, Tricky, and rock-influenced sound groups such as Ruby, California's DJ Shadow, and the UK's Howie B.
		Londoners Morcheeba and Glideascope are also often associated with this sound.
	en.wikipedia.org /wiki/Trip_hop (1103 words)

	Disquiet: Page-spotter, a bibliography in progress (Site not responding. Last check: 2007-11-07)
		Toward the end of the report, they write, "Techno as a mass pop-culture music genre hasn't peaked yet, it's only just begun its pitch." As in sales pitch.
		Author Pepperell is member of HEX, the British multimedia posse associated with Coldcut and Ninja Tune Records.
		Dozens of essays compiled by the editor of the Jimi Hendrix Companion, including work by David (Ocean of Sound) Toop and the New York Times' Neil Strauss, plus material whose sources range from Caribbean news services to the halls of American academia.
	www.disquiet.com /page-spotter.html (4327 words)

	MPR: Programs: The Rhythm Lab
		Coldcut - "True school (sway mix ft Roots Manuva)" (Ninja tune)
		Coldcut - "Stop This Crazy Thing" (Tommy Boy)
		Coldcut and Hexstatic - "Timber (DK Recut)" (Ninja Tune)
	minnesota.publicradio.org /radio/programs/rhythm_lab (2620 words)

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