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| | Amplifier Magazine: COLIN MELOY (LIVE) |
 | | With the crowd primed for participating, even Meloy's unreleased cuts drew audible reactions: "Baby Song," a lullaby about the approaching birth of his first child, resulted in resounding "awws," and "Shankhill Butchers," an eerie cautionary tale about minding your mother, wrought nervous laughter. |
 | | Perhaps in response to this outcry, Meloy refrained from playing much material off Picaresque, the album that launched the Decemberists into major-label territory and created the affliction he deemed "sellout-itis." By the end of the night, though, no one cared about what label his band was on. |
 | | When on the fourth and final song of the night's encore, "Bandit Queen," Meloy asked us to close our eyes, imagine a fire pit around which we were huddled with burros nuzzling our necks, it was clear the singer had turned the theatrical setting of Town Hall into an intimate one. |
| www.amplifiermagazine.com /reviews/live/colin_meloy_live.php (459 words) |
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