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Topic: Color reversal film

	Basics of Photography - Chapter 9
		Color negative film and display film: the enlargement of a color negative film onto a display film produces a color transparency (suitable for large-format advertising displays or colored overhead sheets).
		Color reversal film (slide film): the result is a color slide.
		Color reversal film and color reversal paper: the result is a color print from a color slide (color reversal paper, incidentally, is also suitable as copying material for B/W slides).
	www.unict.it /dipchi/05Didattica/Corsionline/Coloranti/14_Fotografia/agfa/basic09.html (161 words)

	Cross processing - Wikipedia, the free encyclopedia
		If these bleached films are then re-exposed to light and re-processed in their original colour chemistry, subtle, relatively low contrast, pastel effects are obtained.
		Color cross processed photographs are often characterized by unnatural colors and high contrast.
		The results of cross processing differ from case to case, as the results are determined by many factors such as the make and type of the film used, the amount of light exposed onto the film and the chemical used to develop the film.
	en.wikipedia.org /wiki/Cross_processing (312 words)

	The reversal process for color emulsions
		The color of the dye produced is complementary to the color sensitivity of the emulsion layer.
		All substantive reversal films (those which contain couplers in the emulsion) are processed in essentially the same way: there are small variations between the individual processes but the main sequence is the same for all films.
		Because color reversal films have three layers of emulsion instead of just one, they take a lot longer to dry than fl and white films, but do not be tempted to try to speed up the drying by using excessive heat; the film is very delicate and you can easily damage it.
	www.city-net.com /~fodder/hand/colorrev.html (3528 words)

	United States Patent: 5,867,170
		Color couplers contained within the three emulsion layers react with the color developer to produce the yellow component in one layer, the magenta component in another layer, and the cyan component in the third layer.
		A film knowingly underexposed by one f-stop (ie., exposed as if it were a faster film) can be rescued by increasing the time in the first development stage, e.g., from six to ten minutes (often referred to as "pushing one f-stop"); two f-stops underexposure requires developing an additional minute and a half ("pushing two f-stops").
		Likewise, the color tones in the digital negative image can be lightened or darkened by software manipulation to produce the same type of contrast differences as produced in film processing by pushing the development in E-6 film processing of the positive image and pulling the development in the C-41 film processing of the negative image.
	science.kennesaw.edu /4575/USPatent5,867,170.htm (3453 words)

	Film Emporium
		EASTMAN EKTACHROME Film (Tungsten) 7240 is a high-speed color reversal camera film intended for use in tungsten light and in daylight with an appropriate filter.
		The film's primary application is color news photography, but you can also use it for nighttime sporting events, for industrial photography with existing light, and for high-speed photography both by daylight and by artificial light.
		When processed as a reversal film, you can use the resulting positive for projection or for duplication; processed as a negative material by conventional methods, the film will yield satisfactory results, although with some loss in speed and an increase in granularity.
	www.filmemporium.com /new/site/kodak.htm (2143 words)

	Freewater Productions Guide to Choosing Film Stock (Site not responding. Last check: 2007-10-18)
		For 16mm: Reversal film is like slide film for a still camera--when it gets processed, you have a positive that can be projected.
		If you are finishing to film, it is advisable to use negative film so that several prints can be made from the negative without making a dupe negative or internegative (which is costly).
		Color reversal film tends to have high color saturation and somewhat less latitude (it can't capture as wide a range from dark to light), BandW reversal film is granier than negative, etc. See the Kodak catalog for descriptions.
	www.duke.edu /web/freewater/stock.html (846 words)

	Edward C. Nemergut Photography
		Color reversal film (slide film) is the preferred film of most photographers who photograph anything other than portraits.
		Color balance is easier using slide film as the slide itself serves as a guide to color.
		The film is high contrast, extremely saturated (indeed some distracters refer to it as "Disneychrome") and, with an RMS of 9 one of the finest grain films available.
	photo.nemergut.com /equipment/film/film.html (2764 words)

	Film Recommendations (Site not responding. Last check: 2007-10-18)
		Commonly referred to as color print film, this is the most commonly used, cheapest to purchase and process, and the most convenient.
		For years, the universally accepted standard color reversal film was Kodachrome, most commonly 64 speed for action shots and 25 speed for roster photos.
		Given Kodak's reluctance to improve its color slide technology, the sitiuation was ripe for a competitor-led revolt, which came from Fuji in the late 1980s.
	www.goatlick.com /chasing/film.htm (951 words)

	Color Films , Slide Films and B/W Films both 35mm and 120mm . Best Indian Prices. jjmehta .com (Site not responding. Last check: 2007-10-18)
		Kodak ELITE Chrome Film is the most versatile film family for capturing a variety of images under different lighting conditions.
		These films are low cost and also appeal to the amateur and hobbyist who wants to try a hand at high quality slide film emulsion.
		Kodak has engaged in path of differentiation, of aspects of the slide color films and having separate names for each variety, providing the professional with enough arsenal and control over the hue and saturation of the film.
	www.jjmehta.com /products/films01.html (712 words)

	International Supplies--FUJICHROME Professional Color Slide Film (Site not responding. Last check: 2007-10-18)
		In addition to providing the worldís highest level of color saturation and color fidelity, this film boasts a speed rating of ISO 100 and an RMS* granularity of 8, which is equivalent to that of PROVIA 100F.
		The result is a film that is ideally suited for a wide range of subjects which demand highly saturated colors and high image quality, from nature and landscape photography to commercial, product and interior photography.
		duplicates of color transparencies that are accurate and faithful to the original in color and tone, even in second- and third- generation duplications.
	www.internationalsupplies.com /fujipcsfilm.htm (549 words)

	Subtractive Color (Site not responding. Last check: 2007-10-18)
		Color films, in other words, could be handled exactly the same way that fl and white films could.
		Subtractive color processes came to the forefront late in the pre-three color Technicolor period, though some had their roots going back to the turn of the century.
		The film was then chemically treated to create a blue/green image on one side and a red/orange image on the other.
	www.widescreenmuseum.com /oldcolor/subtract.htm (423 words)

	Nikonians JRP FAQs - What film
		Color negative film, for prints, is the most frequently used as it allows us to easily share copies with friends and relatives; also, it is very forgiving of errors in exposure, although it makes one a hostage of the printer technicians at the lab, their inconsistent training level and varying mood.
		By eliminating the distraction of color, it forces us to really see a subject, compose and expose for the detail we want, whether in the highlights or in the shadows.
		So here it is, a mix of my the most agreed upon as best films by many Nikonians, both professionals and outstanding amateurs, and my own personal choices, arranged by type and speed for 35 mm.
	www.nikonians.org /html/resources/jrp_faq/jrp_faq_what_film/faq_what_film_to_use.html (560 words)

	Film Depot: Professional and Amateur Films -- FUJI Film (Site not responding. Last check: 2007-10-18)
		Processing time is equal to Neopan 400, allowing both films to be processed at the same time.
		A daylight type film designed specifically for portrait and wedding photography using daylight or electronic flash.
		A new generation of daylight-type color reversal film offering the finest grain of any color reversal emulsion now available.
	www.filmdepot.com /htm/fuji.htm (186 words)

	photographic @ge - Kodak Ektachrome Infrared Film Review
		Unlike other 35 mm films, this film does not contain a light piping dye, so visible light may pipe into the roll via the leader or even through the light trap.
		If the color of the dye in a particular layer bears no relationship to the color of the light to which the layer is sensitive, the relationship is not complementary and the resulting colors are false.
		Since all three layers of this film are sensitive to blue radiation, you will need to use a yellow filter to eliminate the excessive blue light.
	www.photographicage.com /content/issues/volume_01/issue_08/review_txt_1.htm (1042 words)

	EPSON Color Guide (Site not responding. Last check: 2007-10-18)
		Color film (reversal color film) has a layer of photosensitive chemicals that react to the RGB wavelengths of light.
		When negative film is used, it is impossible to view the natural image without first making a color print.
		In general, exposure of negative color film can be greater than that of reversal color film; exposure of the reversal color film has to be conservative.
	www.dcs.napier.ac.uk /~mm/COL_G/CG_HTML/05/050605.HTM (147 words)

	Color Reversal Film Processing
		Color transparency film forms dyes according to a
		After fogging, the film is developed in a color
		The film is then placed in a prebleach.
	www.tpub.com /content/photography/14209/css/14209_269.htm (413 words)

	Fujichrome Slide Films (Site not responding. Last check: 2007-10-18)
		Fuji Sensia, 100ASA (135/36), is a high-quality and versatile daylight film.
		It is a economical and high quality slide film for any type of photographer whether a amateur or professional.
		Further since suitability for photomechanical reproduction and color print production has been fully taken into consideration, this film is optimized for use as originals in high-quality photomechanical printing as well as large-sized poster and normal print production.
	www.jjmehta.com /products/slide_films01.html (563 words)

	www.onsuper8.org \| Super 8 colour reversal film stock
		Colour reversal films can be projected as well as telecined without the need to invert images for subsequent editing.
		Kahl Film costs are inclusive of developing which is valid for 1 year from purchase date.
		Grain and sharpness are reported to be on par with Kodachrome 40 film, the stock requires specialist processing, which is included in Spectra price.
	homepage.mac.com /onsuper8/s8crfilm.html (713 words)

	Color Reversal Film
		increased inherent contrast and color saturation of the
		Color negative film is often an excellent choice for
		film has three emulsion layers that are sensitive to blue,
	www.tpub.com /content/photography/14208/css/14208_111.htm (183 words)

	Valley Litho Supply Kodak Professional Color Reversal Film (Site not responding. Last check: 2007-10-18)
		Professional color reversal film for exposure with daylight, electronic flash, or blue flashbulbs. Store at 55 F or lower. Process E6 by user or independent perocessing laboratories.
		High speed professional color reversal film, intended primarily for use under dim daylight conditions or when faster shutter speeds and smaller apertures are required. Store at 55 F or lower. Process E6 by user or independent laboratories.
		High speed color reversal film with the lowest contrast, rich accurate colors and the fine image structure associated with lower speed films. This film delivers outstnading push processing performance under the most demanding of lighting and exposure conditions. Process E6 by user or independent processing laboratories.
	www.valleylitho.com /acatalog/Kodak_Professional_Color_Reversal_Film.html (524 words)

	SaveYourMovies - Super 8mm Film (Site not responding. Last check: 2007-10-18)
		The new 8mm film, called Super 8mm, was supplied in 50 ft. 8mm cassettes which were very similar to the Agfa and Meopta Regular 8mm cassettes introduced years before.
		Double Super 8mm gave far better results because the film passed through the precision film gate of the camera instead of that of a mass produced plastic magazine.
		In an effort to keep the Super 8mm format alive, Kodak introduced a new color reversal film to its Super 8 portfolio in August 2005.
	www.saveyourmovies.com /Super8mmFilm.htm (292 words)

	Pro film Specials - Helix Camera & Video
		FUJICHROME Velvia 100 Professional [RVP 100] is a daylight-type high-image-quality color reversal film with an ISO speed rating of 100.
		In addition to the world’s highest level of color saturation, this film boasts an RMS granularity of 8, making it suitable for scenery, nature photography and other subjects that demand precisely modulated, vibrant color reproduction and high image quality.
		Color image storage permanence (anti-fading characteristics) equal to that of RVP 100F as a result of new couplers.
	www.helixphoto.com /Film/Fujiprotransfilm.html (541 words)

	Hand Processing Color Reversal Film
		My brother and I were into making war films with the neighborhood kids and documentaries about the animals on the Wisconsin farm we were living on.
		This is done by removing the film from the cartridge in total darkness into a bucket with at least 1/2 Gal.
		After the film has been processed the hard part is to hang up 50 or more feet of film around your bathroom or wherever to air dry and later to get the knots out as you roll it up on a reel.
	www.city-net.com /~fodder/hand/westerlund.html (662 words)

	Fuji Professional Film (Site not responding. Last check: 2007-10-18)
		A daylight-type film described as an "enhanced" contrast ISO 160 professional color negative film.
		An ISO 400 color reversal film offering exceptionally fine grain, sharpness, and superb color reproduction.
		An ideal film for stop-action photography and photojournalism.
	www.hirtech.com /FujiFilm.htm (162 words)

	Kodak Motion Picture Film Kodak Raw Stock Short Ends Recans
		KODAK VISION2 500T Color Negative Film 5218 / 7218 is the start of a new family of films for a new era of filmmaking.
		With proprietary new technology for superior image structure; more highlight and shadow detail; improved color and skintone reproduction; clean telecine transfers; and seamless special effects.
		KODAK VISION2 Film products offer the lowest grain available for clean, crisp images; improved neutral tone scale; and more flexibility in both film and digital postproduction.
	www.filmemporium.com /newweb/rawstock/kodak.htm (2268 words)

	Amazon.com: Kodak Ektachrome E200 Color Slide Film ISO 200, 120 Size, Transparency, (Made in USA for International ... (Site not responding. Last check: 2007-10-18)
		KODAK PROFESSIONAL EKTACHROME Film E200 is a daylight-balanced 200-speed color reversal film designed for KODAK Chemicals, Process E-6.
		The film offers moderate contrast, along with excellent color and image structure, making it the first high-speed color reversal film with the high-quality "look" of a lower speed film.
		It has the best grain structure of any daylight, color reversal film faster than EI 100 that is currently on the market.
	www.amazon.com /exec/obidos/tg/detail/-/B00009XVVD?v=glance (412 words)

	Ordering 8mm Film Stock
		The curve shape of this film is very linear contributing to the overall neutrality and flesh-to-neutral tone reproduction.
		TRI-X Reversal 7266 This is a high-speed fl-and-white Panchromatic film with an antihalation undercoat that makes it suitable for general interior photography with artificial light.
		This film is characterized by excellent tonal gradation and sharpness.
	www.8mmfilmstock.com /ordering.html (1016 words)

	Camera & Photo - 8 x 10
		With the finest grain (an RMS granularity value of 8) among ISO 100 color reversal films and an extremely high sharpness, it captures details with unprecedented clarity, while providing...
		Both films deliver extremely fine grain (rms 8), a lower D-min for whiter, brighter whites, and an improved tone scale.
		This remarkably versatile film may be exposed and developed to yield fl-and-white negatives displaying contrast levels from low to extremely high.In its low contrast mode (exposed at an index of 25 and processed in KODAK Technidol Liquid Developer), KODAK Technical Pan film offers continuous tone...
	www.stormlabs.com /Cameras/8_x_10/Browse/3346781/sort/2 (1111 words)

	Kodak E100VS 135-36 (20 Pack), 100 ASA (1851211) at ResellerRatings.com
		It's a daylight-balanced, color reversal film designed for KODAK Chemicals, Process E-6.
		And its brilliant colors are made possible by Kodak's...
		And its brilliant colors are made possible by Kodak's new, proprietary Color Amplifying Technology.
	shop.resellerratings.com /xPC-Kodak_Kodak_U_S_A_E100VS_135_36_Ektachrome_Professio_~PD-21753109~FD-448~kworg-~DMT-199~VK- (192 words)

	Large format photography Forum: Prints from EktachromeEPP100 color reversal film 8x10
		What process has to be gone thru to get color prints from Ektachrome EPP100 8x10 color reversal film.
		It's called "reversal" because the negative is reversed in the processing to form a positive.
		Reversal = transparency = 'chrome = slides. Ilfochrome is a lousy, and lossy material.
	www.photo.net /bboard/q-and-a-fetch-msg?msg_id=004kTM (171 words)

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