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Topic: Colour photography

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	Photography - LoveToKnow 1911
		Even in the twilight the colour of the moist muriate of silver, spread upon paper, slowly changed from white to faint violet; though under similar circumstances no intermediate alteration was produced upon the nitrate.
		It is essential to note the colour of the surface-formed iodide at its several stages, the varying colours being due to interference colours caused by the different thicknesses of the minutely thin film of iodide.
		squares of these coloured glasses, together with a white glass of the same area, be placed in a row and cemented on white glass, we have a colour-screen which we can make available for finding the kind of light-filter to be employed.
	www.1911encyclopedia.org /Photography (17385 words)

	Ted's Photographics - The Science of Photography - Colour Reproduction
		Light is the source of colour, this was first demonstrated by Isaac Newton in 1666 at the age of 23.
		Newton thus proved that colour is in the light and that white light is a mixture of all the colours in the visible spectrum.
		However although "colour couplers", the mechanism for producing the required coloured dyes during film development, were invented in 1912 it took until the 1930’s before a practical solution to the complex technical problems were overcome.
	www.ted.photographer.org.uk /photoscience_colour.htm (845 words)

	About astronomical photography (Site not responding. Last check: 2007-10-26)
		Photography of the sky is not all science however, and the special photographic techniques and skills developed by astronomical photographers can be used to create colour pictures of distant objects beyond our limited human vision.
		Everyday colour photographs have traditionally made using subtractive colour process, where the white light shining on to a print, negative or transparency is selectively absorbed (subtracted) by coloured dyes or pigments.
		One only has to glance at a colour image of a galaxy, such as Messier 83 to appreciate how easy it is to distinguish the blue stars of the spiral arms from the pink star-forming regions and the extent of the dark yellow-brown dust lanes from which they spring.
	www.aao.gov.au /images/general/photography.html (4120 words)

	Colour + Concept: International Colour Photography
		Colour + Concept has been mounted to coincide with the National Gallery of Australia’s 20th birthday celebrations and presents the work of 20 photographers who explore abstract or conceptual themes in their work and who might be described as ‘colourists’ for the passion they have for colour work.
		Until the 60s, colour was complicated and expensive to develop and print and also reproduce in magazines or books. The finest colour processes were largely the province of the top commercial photographers and were primarily employed in advertising and fashion.
		The view in popular culture that colour represented fantasy was affirmed in 1939 in the pioneering colour film The Wizard of Oz, in which Dorothy and her faithful pet, Toto, escaped the monochrome reality of Kansas and literally burst into the hyper-real Technicolor dream world of Oz.
	www.nga.gov.au /Colour/index.cfm (2215 words)

	Al Saleh - Colour Photography Course
		A yellow filter absorbs UV and is useful in reducing haze, particularly in aerial or mountain photography.
		The red filter is also used for infrared photography with fl and white infrared film, and with color film for underwater photography to restore red lightwaves absorbed by water.
		Although its haze-accentuating characteristic may be useful in landscape photography by increasing the sense of depth, the sky appears quite pale, almost white, when a blue filter is used for landscapes.
	www3.telus.net /teasandherbs/photo/bwfilters.htm (2315 words)

	Brother Europe Advanced Operation, Printers/Scanners: Light Colour and Vision (Site not responding. Last check: 2007-10-26)
		Qualitatively, hue is whether a colour is red, orange, yellow, green etc. Although we may think of a pastel colour such as pink as being different from red, in fact the two have the same hue, it is just that the red in pink is diluted with white.
		Colour reproduction systems can have any number of primary colours from two upwards but, because of the response of the human eye, three is the minimum number that gives acceptable results.
		These primary colours may be from sources that emit light at the appropriate wavelengths, such as TV phosphors or lasers, or they may be derived from white light by filtering, since white light is available from a variety of sources.
	www.brother.com /eu-printer/lcv/light1.html (5940 words)

	Steve Pearce Photography - Colour Temperature Article
		Colour temperature is measured in Kelvin and it is possible to buy colour temperature meters, however, these are fairly expensive and for the most part, not strictly necessary.
		By having an awareness of colour temperature, it is possible to pre-visualise how your image will be recorded on the medium you are using, and you can choose to either compensate, or use the light to creative effect.
		In digital cameras, the colour temperature effect is applied by software, therefore by saving the RAW data, this processing is not done in the camera.
	www.steve-pearce-photography.com /colourtemperature (1150 words)

	The Newest Marvel of Science
		But to reproduce the actual colours of Nature by any process at all similar to that employed in fl and white photography is physically impossible, and like the problem of perpetual, motion, might as well be once and for all abandoned as insoluble.
		By this theory the eye sees all colour by means of three distinct sets of organs, sensitive respectively to red, green, and blue light, or to the rays which produce the sensation of red, green, and blue.
		A pair of images of each colour, it may be explained in passing, is taken, so that in the viewing instrument - the Krõmskõp - the colour photographs may be observed with both eyes, and the picture consequently seen with the relief and perspective familiar to ordinary vision.
	homepage.ntlworld.com /forgottenfutures/krom/kromskop.htm (1232 words)

	Photography - The Colour Process (Site not responding. Last check: 2007-10-26)
		Here is a detailed description of how the colour process works, which may help you to understand why certain things are important in the process, while others can be safely left to deal with themselves.
		The dyes used are the complementary colours of the primary ones within the layers of the film...
		Colour Balance is restored, (or more accurately, made to look something like it should do) with filtration at the exposing stage of printing.
	www.users.globalnet.co.uk /~jchap/tvphoc1.htm (1335 words)

	International Photography - Exhibitions - John Hinde (Site not responding. Last check: 2007-10-26)
		With innovative use of colour and elaborate staging (the trademarks of a John Hinde postcard), it was the challenging job of two German (Elmar Ludwig and Edmund Nägele) and one British photographer (David Noble) to execute the photographs to Hinde's rigorous formula and standards.
		JOHN HINDE was an important pioneer of colour photography in Britain and, since the Irish Museum of Modern Art Dublin exhibition in 1993, is becoming recognised as a significant figure in the social history of photography.
		His career began in the early 40s in London as a photographer and photo-enthusiast, absorbed by the new technology of colour photography and among the first to be published in colour, in early colour magazines and in essays made for the illustrated books Of Cabbages and Kings, Citizens in War, and British Circus Life.
	www.irish-photography.com /exhibitions/hinde.html (609 words)

	Colour Photography (Site not responding. Last check: 2007-10-26)
		LCC: Colour Photography Improve your image-making and enhance your creativity through a better understanding of colour photography.
		You'll cover everything from the nature of light and the fundamentals of colour theory to the more practical issues of exposure and processing, as well as post-camera techniques.
		Matthew Hawkins is a freelance photographer and part-time lecturer on the LCC's Photography degree course.
	www.lcc.arts.ac.uk /shortcourses/sc_colour_photography.htm (235 words)

	Colour Photography Practice (Site not responding. Last check: 2007-10-26)
		LCC: Colour Photography Practice An excellent opportunity to hone your skills in colour photography through a mixture of group learning and projects.
		An excellent opportunity to hone your skills in colour photography through a mixture of group learning and projects.
		He has ten years' experience of delivering colour and colour printing workshops and has wide knowledge of the specialist areas within the wider photographic industry.
	www.lcc.arts.ac.uk /courses/photography/9840.htm (249 words)

	Colour Photography (Site not responding. Last check: 2007-10-26)
		The early colour photography processes of Charles Cros and Louis Ducos du Hauron were too complex to be exploited commercially.
		Finally, in 1891, Gabriel Lippmann, professor of physics at the Sorbonne, devised a method by wnich the natural colours of objects were reproduced by means of interference on a single plate; but it was complicated and the results unpredictable.
		Steichen gave it as his opinion that the colours as printed on photographic paper, however accurate in tone, could never equal in intensity and brilliance the colours of the autochrome plate.
	www.olinda.com /Art/colourphotography/colourintro.htm (616 words)

	Joshua Hakin Photography (Site not responding. Last check: 2007-10-26)
		It is my intention to be at the forefront of this ‘wave’ with two long-term objectives: First toshow the public that colour photography is a doorway to the unimaginable beauty of nature, with its often overlooked delicate shades of emotion and tone.
		Second, I want to educate others on the importance of looking at photography as a true art form to help increase public awareness of the amount of work and creativity that is infused into each image a photographer creates.
		Photography must be raised from its current position as utilitarian, and understood as a poignant expression of the artists creative vision.
	www.hakinphoto.com /artist.html (308 words)

	A History of Photography, by Robert Leggat: COLOUR, Photography in
		Though the invention of photography had an immediate impact on the whole art world, the early photographs were in monochrome.
		The results were somewhat disappointing to Maxwell and his collaborator Thomas Sutton, but nevertheless they deserve the credit for laying the foundations of trichromate colour photography.
		One of his suggestions had been that instead of mixing colour lights, one could combine dyed images; film could be coated with three very thin layers of emulsion, each sensitive to the primary colours; once processed as positives, the transparency could then be viewed as a full colour photograph.
	www.rleggat.com /photohistory/history/colour.htm (496 words)

	Kent wedding photographer, wedding photographer, kent photographer, Style photography, wedding, weddings, portrait, ...
		Recent trends in UK photography have seen a complete turnaround in the style of wedding photography, gone are a lot of the rigid poses in favour of a more relaxed approach which captures the spirit and atmosphere of the day, with formal shots limited to a selection of group portraits of family and friends.
		Wedding Photography is an important part of your days events, but is not the reason for the day, and must be kept in perspective.
		Reportage fl and white or colour photography will also be included in your coverage throughout the day together with detail and sequence shots.
	members.aol.com /portraitsc (750 words)

	Color photography - Wikipedia, the free encyclopedia
		Other systems of color photography included that invented by Sergei Mikhailovich Prokudin-Gorskii, which involved three separate monochrome exposures ('separation negatives') of a still scene through red, green, and blue filters.
		The first modern ('integrated tri-pack') color film, Kodachrome, was introduced in 1935 based on three colored emulsions.
		Coe, Brian, Colour Photography: the first hundred years 1840-1940, Ash and Grant, 1978.
	en.wikipedia.org /wiki/Color_photography (633 words)

	Blind Colour
		On projects such as this, the shooting is done on the bases of a trade of services (modeling for photography) which is worked out between the model and myself before the shoot (a signed model release along with a photo ID is required for all shoots).
		Since these are my personal photography projects they have nothing to do with the commercial or fashion industry, there is no height requirement for working with me.
		Photography for me is a journey to find refuge and explore creative freedom.
	www.musecube.com /ozon/about.htm (212 words)

	Adelaide Booksellers: Photography (Site not responding. Last check: 2007-10-26)
		Colour and Black & white photographs and fl and white illustrations.
		Colour and fl & white illustrations and photographs.
		From the Khyber Pass to Lord's, from youngsters joyfully swinging bats on the beaches of the sub-continent to Test matches at the MCG and Mumbai.
	www.adelaidebooksellers.com.au /webcurrentlist/photography_2.htm (771 words)

	Cameras Exhibition: Miss Acland (Site not responding. Last check: 2007-10-26)
		Miss Acland took up photography in 1892, developing an interest in colour photography at the turn of the century when it was still in its infancy.
		She owned a Watson half-plate field camera (Item 5), but the camera she used for most of her colour work was probably the 'Una' quarter-plate field camera made in 1904 by James A. Sinclair of the Haymarket, London (Item 148).
		The earliest surviving colour photographs taken by Miss Acland use the three-colour separation technique, in the form marketed in England from 1900 by Sanger Shepherd and Co. (Items 104 and 105).
	www.mhs.ox.ac.uk /cameras/acland.htm (340 words)

	The ILEX Press Ltd :: Digital Photography :: Michael Freeman - The Digital Photography Expert: Colour (Site not responding. Last check: 2007-10-26)
		It is now not only possible but essential for all photographers to take charge of the colour in the images they create.
		The first is the subjective and cultural response to individual colours and colour combinations.
		Above all, the book is about enjoying colour in photography, through understanding the role it can play in the image, appreciating its nuances and dynamic effects, then capturing and reproducing it as accurately as possible.
	www.ilex-press.com /publishing/product.php?productid=16138&cat=248&page=1 (283 words)

	Colour Photography
		This practical course aims to improve your colour photography through a greater understanding of the factors affecting colour print.
		Photographers who have completed Introduction to Photography, who are interested in learning about the theory and techniques of successful Colour Photography.
		Through theoretical analysis of images and hands-on experience of technique, the aim is to develop a practical understanding of Colour photography and darkroom techniques.
	www.cf.ac.uk /learn/media/colour_photography.php (505 words)

	Street & Documentary Forum: Student needs help with colour street photography
		I am in my second year of college photography and I have done many projects on street photography but never in colour, only with tmax 3200 film, as I tend to shoot more night life.
		I need to know a brand of fast colour film to use that is versatile in indoors and outdoor situations that wouldn’t be too grainy and is available in England.
		I enjoy candid/street photography (to be honest I just dislike posed photos) and at the moment I'm using an Elan 7 and a 28-105 f/3.5-4.5.
	www.photo.net /bboard/q-and-a-fetch-msg?msg_id=007dd5 (1267 words)

	Michael Jennings on the surprisingly long history of colour photography \| Samizdata.net
		Michael Jennings has a fascinating posting up at his own blog about the introduction of colour photography, the point being that it was very gradual.
		However, designing a suitable process through which you can print that colour photograph clearly was initially a little tricky, and 19th century colour photographs could not be readily and accurately printed in the 19th century.
		So the question as to when colour photography was invented is up in the air.
	www.samizdata.net /blog/archives/005465.html (1455 words)

	CMCP/MCPC - Exhibitions: Taking on Colour: Technique in Colour Photography (Site not responding. Last check: 2007-10-26)
		Although colour photography has existed since the mid nineteenth century, only recently have museums begun to actively collect colour photographs.
		There was the justifiable fear that such photographs would fade and discolour; consequently, in terms of art photography, the fl and white print reigned supreme.
		These works, drawn from the collection of the Canadian Museum of Contemporary Photography, represent the different ways artists have used colour in their photography.
	cmcp.gallery.ca /english/exhibitions/2001/01-1.jsp (124 words)

	ff : courses : courses > colour photography
		Improve your colour photography through a greater understanding of the factors affecting the colour photograph.
		Course content includes basic colour theory, comparison of film types, lighting considerations and printing from your own colour negatives.
		This practical course will enable you to distinguish between print density and print colour, the correction of dominant colour hues and how chemical activity, temperature and localised printing can affect the final print.
	www.ffotogallery.org /ff-courses/col-photog.htm (109 words)

	Reflected Ultraviolet Photography - Colour
		There is no significant advantage to using colour film for pure reflected ultraviolet work because only the blue layer of the tri-colour pack will be exposed by the ultraviolet (the integral yellow filter effectively preventing exposure of the red and green layers).
		This is effectively a 'false colour' record with ultraviolet radiation exposing the blue layer and far red radiation exposing the red sensitive layer of the film.
		Hogan reports using Fuji RTP tungsten balanced colour slide film with a Schott UG1 ultraviolet transmission filter to photograph a number of plant species.
	msp.rmit.edu.au /Article_01/13.html (968 words)

	Bibliography (Site not responding. Last check: 2007-10-26)
		The techniques I have developed are a unified system of astronomical photography capable of revealing new information about the both the faintest and brightest of objects in the night sky.
		Colour Photography on the 3.9m AAT and 1.2m Schmidt Telescopes.
		The first, comprehensive technical account of three-colour photography in astronomy, including a review of the origins of colour photography and earlier work in astronomy with colour film.
	www.aao.gov.au /images/general/bibliography.html (2869 words)

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