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| | Midnight Eye review: Samurai Commando: Mission 1549 ('Sengoku Jieitai 1549', 2005, Masaaki TEZUKA) |
 | | Usually such a film sums up everything the studio is about, or rather how it would like to see itself, resulting in some sprawling would-be epic that is the textbook example of producer's cinema. |
 | | The Sonny Chiba-starring film, with its godawful synth-driven title ballad, was one of those typical products of the era when the fl sheep of the Kadokawa family, Haruki - who would later spend time in the pen for cocaine smuggling - filled the vacuum of the post-studio era with one inane, high-concept moneyspinner after another. |
 | | As heroes are wont to do in films like these, Kashima is more than a little reluctant, still carrying the emotional burden of the accidental death of a colleague, an event for which he blames himself and which led to his departure from the military. |
| www.midnighteye.com /reviews/samuraicommando.shtml (585 words) |
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