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Topic: Concertato

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	HOASM: Spiritual Concerto and Church Cantata
		Unlike the conservative motet the chorale concertato was written in a progressive style, clearly manifested in the use of the continuo.
		The various media of the chorale concertato, the many-voiced, the few-voiced, and the monodic, were no longer kept apart but were combined in large multipartite compositions in which solo, choral, and instrumental sections alternated.
		The chorale concertato per omnes versus, that is with a varied setting for each stanza, can actually be called a cantata although we find as yet only very sporadically the distinguishing feature of the late baroque cantata, namely a freely inserted poetic passage that interrupts the liturgical text by moralizing reflections.
	www.hoasm.org /VIF/VIFSpiritConcChCan.html (1932 words)

	Concertato - Wikipedia, the free encyclopedia
		Concertato (sometimes called "stile concertato") is a term in early Baroque music referring to either a genre or a style of music in which groups of instruments or voices share a melody, usually in alternation, and almost always over a basso continuo.
		Often, sacred music in the concertato style in the early 17th century was descended from the motet: the texts that a hundred years earlier would have been set for a cappella voices singing in smooth polyphony, would now be set for voices and instruments in a concertato style.
		The concertato style made possible the composition of extremely dramatic music, one of the characteristic innovations of the early Baroque.
	en.wikipedia.org /wiki/Concertato (363 words)

	Grandi Tenori.com \| Tenor Watch (Site not responding. Last check: 2007-10-21)
		concertato or pezzo concertato - in opera it is an ensemble long piece where, in 1700 and 1800 Italian opera, all the soloist and frequently the chorus reunited onstage to coincide with the action culminating moment and end the opera first part.
		In opera buffa and semi-serious, the concertato was obligatory as in Mozart's Nozze di Figaro, Rossini's Barbiere di Siviglia and Italiana in Algeri.
		Concertato is an ensemble long piece where all the soloist and frequently the chorus reunite onstage to coincide with the action culminating moment and end the opera first part.
	www.grandi-tenori.com /fragala/word/word.2002.09.htm (888 words)

	Ignazio Donati - Wikipedia, the free encyclopedia
		He was one of the pioneers of the style of the concertato motet.
		He wrote motets using the new concertato style pioneered by the composers of the Venetian School, though he was not associated with Venice himself.
		In addition to his concertato motets and other mixed instrumental-vocal music, he wrote some relatively conservative masses, which, however, are not in the polyphonic Palestrina style but find a middle-ground between the stile antico and the more modern harmonic practice.
	en.wikipedia.org /wiki/Ignazio_Donati (307 words)

	The Baroque Concerto
		This principle, know as the stile concertato, originated in the late 16th century and took on greater significance throughout the 17th century, culminating in the development of a new instrumental form - the concerto - that capitalized specifically on this important Baroque principle of composition.
		The use of musical forces in alternation has a very long history, but a group of late 16th and early 17th century Venetian composers in particular created some very dramatic works in which the antiphonal treatment, or the alternation of two or more performing forces, is the the central compositional element.
		The Cathedral of San Marco, in Venice was the leader of this style and its most famous composer were: Adrian Willaert (c1490-1562) considered the founder of Venetian school, his pupil, Andrea Gabrieli (1515-1586) and his pupil and nephew, Giovanni Gabrieli (1557-1612).
	www.aug.edu /~cshotwel/4350.Baroqueconcerto.htm (1543 words)

	Vocal Chamber Music (Site not responding. Last check: 2007-10-21)
		Difference from operas: use of sacred subjects, narrators, dramatic, narrative and meditative roles for the chorus, and the lack of staging or acting.
		His Concertato motets for one to five solo voices with organ were published in Kleine geistliche Konzerte (Little Sacred Concertos) during the Thirty Years'War.
		These were concertato motets influenced by Monteverdi, Grandi, and G. Gabrieli.
	www.wwnorton.com /concise/ch9_outline2.htm (760 words)

	THE BAROQUE PERIOD (1600-1750)
		This led to the development of concertato style, in which the playing of a soloist or small group of players was contrasted with that of the full ensemble.
		During the early Baroque, the mass tended to be a conservative musical form, similar in style to the Franco-Flemish mass of the sixteenth century.
		The motets of the Venetian school were written in concertato style, exploiting the colors of contrasting choral and instrumental forces.
	web.ku.edu /~cmed/private/hyltonbar.html (2042 words)

	[No title]
		Concertato is the string orchestra of the South Carolina Governor’s School for the Arts and Humanities.
		Repertoire is chosen from the string orchestra literature and is selected for musical and technical variety.
		Unusual for its lack of conductor, Concertato players rotate seating throughout each section, giving all participants experience in leadership positions.
	www.piccolospoleto.com /schedule/default.aspx?perfid=946 (82 words)

	Baroque-Early
		concertato madrigal, a madrigal for voices and instruments, with continuo, and usually alternating instrumental interludes, solo, duet or trio episodes and/or full chorus
		As monody, continuo, and concertato style began to be used in sacred text settings, a distinction between such use (stile moderno) and the conservative style represented by Palestrina (stile antico) was recognized.
		South German (Catholic) fully under Italian influence, used same styles of monody and concertato; North German (Lutheran) adapted techniques to chorale settings while continuing to use polyphony in some chorale motets and "biblical motets" not based on chorales.
	academic.wsc.edu /finearts/bonds_c/ch9lect.htm (4508 words)

	San Francisco Bach Choir: Johann Hermann Schein
		Gabrieli was so impressed with the young Schütz that he bequeathed him his signet ring as a sign that he considered him his truest disciple.
		Schütz thoroughly internalized the Venetian polychoral concertato style, which is the predominant style of his works, particularly the three books of the
		However, his works include all styles, ancient and modern-subtleties of Venetian concertato for few voices, dramatic Florentine monody, the imagery and emotions of concertato madrigals, the seriousness of the German motet, the simplicity of German secular song, and so forth.
	www.sfbach.org /repertoire/scheinj.html (176 words)

	Literature and Styles in Music I (Site not responding. Last check: 2007-10-21)
		Concertato style derives from polychoral works of Venetian school and Italian madrigalists where contrasting bodies of sound are opposed as an integral part of the formal structure of a piece
		In the early Baroque concertato style, the contrasting bodies are generally vocal and instrumental
		Development of concertato style seen in Monteverdi's madrigal books nos.
	www.uwgb.edu /ogradyt/ls1/voccham.htm (405 words)

	about.the.sax.concerto.html (Site not responding. Last check: 2007-10-21)
		The traditional concerto's two primary agents of contrast are the soloist and the orchestra.
		The interaction of these two forces (concertato principal) has historically represented the primary means of building and shaping a concerto.
		During the past century the concertato principal has formed the basis of considerable exploration in design.
	www.towson.edu /~bill/about.the.sax.concerto.html (780 words)

	Journal of Seventeenth-Century Music \| Vol. 6 No. 1 \| Oregan: Asprilio Pacelli, Ludovico da Viadana and the Origins of ...
		As a result, the Roman contribution has been overlooked and an impression created that the sacred concertato style was largely a secular development which was afterwards adopted, somewhat reluctantly, for sacred music by a rather conservative Rome.
		John Hill has now shown the importance of the Rome-Naples axis for the development of the secular concertato style and, while we still lack much information on Neapolitan developments in sacred music, it would appear that Rome at least was also crucial for the evolution of the sacred concerto.
		In both its small-scale and large-scale forms, the Roman concertato style originated in the music written for informal devotional use in Rome during the 1560s and 1570s, and was nurtured in the ornamented performance by solo singers of selected voice parts from polyphonic compositions in the 1580s and 1590s.
	sscm-jscm.press.uiuc.edu /jscm/v6/no1/Oregan.html (7031 words)

	ISAE and Selah Hymn Concertato Series
		A new choral CD "These new concertatos offer fresh opportunities to enhance a congregation's singing (and a choir's appreciation) of 11 familiar hymns.
		All are striking arrangements of these familiar hymn tunes, and once you use any of these concertatos, your choir and congregation will want to do them every year.
		This hymn concertato series is sponsored by the Institute for the Study of American Evangelicals (ISAE) at Wheaton College, Wheaton, IL 60187, through a grant from The Lilly Endowment.
	www.selahpub.com /Choral/ChoralTitles/ISAESeries.html (850 words)

	Literature and Styles in Music I
		application of Baroque "concertato" principle (deriving from Venetian polychoral style) to large, diverse ensembles
		Emilio de Cavalieri's Representation of the Soul and the Body ("La Rappresentatione di Anima e di Corpo") (1600), composed for "devotional service," was probably staged and often considered first oratorio (although sometimes de
		Concertato motets for up to 6 voices with continuo
	www.uwgb.edu /ogradyt/ls1/ebchurch.htm (435 words)

	Lutz Kirchhof - Biography
		Kirchhof founded his own consort in 1976, with which he made numerous appearances in concert, on radio, and on television.
		In 1995 he created Liuto Concertato, a new ensemble featuring voice, transverse flute, viola da gamba and lute.
		In addition, Kirchhof has recorded three volumes of the lute works of Sylvius Leopold Weiss, also for VIVARTE (S2K 48391 and SK 57964).
	www.sonyclassical.com /artists/kirchhof/bio.html (258 words)

	Chapter 9: Outline 3 (Site not responding. Last check: 2007-10-21)
		Lutheran composers continued to compose chorale motets but also composed in monodic, concertato, and grand concerto techniques
		Latin motets in a Roman contrapuntal style with some madrigalistic word painting, published as the Cantiones sacrae (1625)
		Concertato motets for one to five solo voices with organ, published in Kleine geistliche Konzerte (Little Sacred Concertos) during the Thirty Years' War
	www.wwnorton.com /grout/chapter_9_outline3.htm (1112 words)

	241-225 Give Thanks to God, the Father - Jacobus Kloppers
		"This concertato features a strong Lutheran chorale melody (DU MEINE SEELE SINGE) used for a versification of Ephesians 1:3-14 by James Quinn, S.J. Trumpet part and congregational page included." Cross Accent, January 1996
		A concertato setting of James Quinn's paraphrase of Ephesians 1 using the 17th century tune DU MEINE SEELE SINGE.
		Congregational part is included to photocopy in worship program.
	www.selahpub.com /Choral/ChoralTitles/241-225-GiveThanks.html (131 words)

	Cavalli: Vespro della beata Virgine (Site not responding. Last check: 2007-10-21)
		Psalmus Dixit dominus à 8 voci concertato con ripieni and istrumenti
		Psalmus Lauda Jerusalem à 8 voci concertato con ripieni and istrumenti
		Magnificat Magnificat à 8 voci concertato can ripieni and istrumenti
	www.medieval.org /emfaq/cds/hmu5219.htm (170 words)

	Michael Flatley - Lord of the Dance (Concertato on) - Sheet Music Book
		Michael Flatley - Lord of the Dance (Concertato on) - Sheet Music Book
		Michael Flatley: Lord of the Dance (Concertato on)
		Hopson's delightful arrangement of the Sydney Carter favorite is de stined to become a classic all its own!
	www.musicnotes.com /sheetmusic/book.asp?ppn=BKWBGCMR9704 (99 words)

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