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| | The Classical Free-Reed, Inc, The Classical Concertina |
 | | The concertina was, from the earliest years, considered a concert instrument, while the accordion was considered a folk instrument. |
 | | Other nineteenth-century composers of concertina music were Sir George Alexander Macfarren, J. Barnett, Julius Benedict and Edward Silas, who wrote an adagio for eight concertinas, trios, a quartet and a quintet for combination of concertina, strings and pianoforte, and many other works for concertina and pianoforte, including two sonatas. |
 | | After several decades of "the golden age" of the concertina, the tastes of society began to change and the instrument gradually became unfashionable to classical audiences, in no small part due to the scorn inflicted upon it by influential critics such as Henry Chorley and Hector Berlioz. |
| www.ksanti.net /free-reed/history/concertina.html (844 words) |
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