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| | TIME.com: Concertmaster -- Jan. 21, 1957 -- Page 1 |
 | | For the rest, the concertmaster's job is done out of the public view, preparing the violins for the effects the conductor wants, marking the bowings, in general setting the tone of the orchestra. |
 | | In the small 18th century ensembles, the other musicians often took their lead from the first violin, but growing orchestras, complex scores and the public's demand for a good show have made the conductor virtually irreplaceable. |
 | | Under Conductor Charles Munch, who used to be a concertmaster himself, Concertmaster Burgin's job moves along well-established grooves, but it was different under the late Serge Koussevitzky, whose famous, poetic perorations had to be translated into technical terms, e.g., how to make the violins sound like first love or the flutes like ice breaking. |
| www.time.com /time/magazine/article/0,9171,865688,00.html (659 words) |
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