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| | I Confess: Intro (Site not responding. Last check: 2007-10-22) |
 | | This is classic Hitchcock, an idea he used several times to great success, and in I Confess it comes with a twist: the man already knows the identity of the true killer, yet he is bound by his religious beliefs not to say anything to anyone about it. |
 | | Hitchcock includes several of his touches, and his fingerprint can be seen on the suspense within the film: he doesn't create suspense by keeping secrets; instead, he does so by telling the audience everything right at the beginning. |
 | | All elements, love, the truth, and that alll important connection, which were at work in Notorious (and extremely powerfully at that) are simply absent in I Confess (along with humor, a staple in Hitch's more successful films). |
| www.tdfilm.com /filmography/I%20Confess/iconfess-intro.html (489 words) |
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