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Topic: Conservatoire de Paris

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	Conservatoire - LoveToKnow 1911
		The name Conservatoire is generally used not only of the French institutions to which it properly applies, but also of the Italian Conservatorio and the German Conservatorium, and even sometimes of English schools of music.
		The celebrated conservatoire of Paris owes its origin to the Ecole Royale de Chant et de Declamation, founded by Baron de Breteuil in 1784, for the purpose of training singers for the opera.
		Suspended during the stormy period of the Revolution, its place was taken by the Conservatoire de Musique, established in 1795 on the basis of a school for gratuitous instruction in military music, founded by the mayor of Paris in 17 9 2.
	www.1911encyclopedia.org /Conservatoire (657 words)

	Cello Playing in 19th Century France, Belgium and Holland
		ARNAUD DANCLA, born January 1, 1820, at Bagneres-de- Bigorre, was likewise Norblin's pupil at the Paris Conservatoire.
		Platel made him his assistant in the Conservatoire, and at the same time he was placed in the opera orchestra, to which he belonged for three years, During this period, however, he did not succeed in gaining from his fellow countrymen the appreciation which he soon after gained in Paris.
		Grutzmacher, in Dresden; Joseph Servais, in Brussels; and Leon Jacquard, in Paris.
	www.cello.org /heaven/wasiel/19fbh.htm (6924 words)

	Présentation de Daniel Deffayet
		Un autre grand saxophoniste français (parmi les premiers élèves de la classe de Marcel Mule) qui a contribué à l'enrichissement du répertoire classique ainsi qu'à l'enseignement du saxophone au Conservatoire Supérieur de Paris.
		De 1966 jusqu' à sa mort en 1988, Herbert von Karajan l'a appelé pour être son saxophoniste accrédité pour les enregistrements importants et pour jouer des solos avec l'orchestre de Berlin Philharmonic.
		Il est resté sur une période de 20 ans, puis il a été nommé professeur honorifique du conservatoire de Paris.
	members.tripod.com /saxowebquebec/deffayet.html (544 words)

	paris - monuments - conservatoire des arts et metiers (Site not responding. Last check: 2007-11-05)
		A good place to begin is the Conservatoire des Arts et Metiers on Boulevard de Sabastopol.
		Behind the Pantheon is St. Etienne de Mont, Pascal's church.
		Across the Seine is the Palais de la Decouverte which has exhibits on the history of mathematics.
	www.monument-paris.com /conservatoire-des-arts.htm (495 words)

	Simon Platt Design
		The concept for this organ was developed at an early stage of the design of the new building for the Conservatoire Superieure in Paris.
		The known factors were the size and approximate composition of the organ, very classical, the height of the room (nearly 10 metres) and the floor plan, a small square (approx.
		The finish is natural oak, with gilding to articulate the horizontal and vertical joints and the pipe shades and a combination of gilding and red paint to emphasise the "fins".
	www.ideart.com /spd/uk/o7.htm (178 words)

	The Paris Conservatoire Concours Oboe Solos: The Gillet Years (1882-1919)
		Paris became famous as an important center of brilliant wind instrument execution, and this undoubtedly established the woodwind quintet as we know it; Anton Reicha’s twenty-four quintets were inspired by a group of Paris-based woodwind virtuosi which included the oboist Gustave Vogt.
		Jacques Schneitzhœffer (1754-1829) is listed as Professeur de 1er classe of flute and oboe at the 1793 Institut.4 He apparently taught in various capacities at the Conservatoire after 1800 until the year of his death, and he was in the Opéra orchestra from 1789 to 1820.5 Pierre Delcambre preceded Schneitzhœffer as Professeur de 2e classe.
		Marie-Félicie-Clémence de Reiset, the Comtesse de Grandval, was born in Saint-Rémy-des-Monts (Sarthe) on January 21, 1830.
	idrs.colorado.edu /publications/journal/jnl24/paris.html (3428 words)

	Glorious, Overwhelming Berlioz
		The Conservatoire de Paris has been celebrating its 200th anniversary over the past two months with a series of concerts, exhibitions and publications, culminating Monday in a monumental Berlioz concert in the Zénith in the Parc de la Villette.
		That this is a bicentenary refers to the foundation of the Conservatoire on Aug. 3, 1795, by the National Convention.
		The combined orchestras of the conservatoires of Paris and Lyon were augmented by students of 31 music schools in other countries.
	www.iht.com /articles/1996/02/14/ber.t.php (497 words)

	Berlioz in Paris Conservatoire
		It was in the library of the Conservatoire that the young Berlioz, soon after his arrival in Paris in November 1821, started to study and copy the scores of Gluck and Spontini, then from 1828 onwards those of Beethoven as well.
		It was in the concert hall of the Conservatoire that he gave his first orchestral concerts, on 26 May 1828 and 1 November 1829; the concert in 1828 included the first performances of his Waverley and Francs-Juges overtures.
		The hall of the Conservatoire, famous in its time for its acoustic, unlike that of the overlarge Opéra (it was known as the Stradivarius of concert halls), is small in size and had in Berlioz’s time a seating capacity of only about 1000.
	www.hberlioz.com /Paris/BPConservatoire.html (989 words)

	Daniel Agésilas, director of choreographic studies at the Paris Conservatory of Music and Dance
		"Contrary to the Paris Opéra School, where the pupils are formed for the company, the 150 students of the Paris Conservatoire, aged from twelve to twenty, are trained for different companies and are consequently very adaptable.
		The Conservatoire of Paris was actually created in 1795, becoming an Institute of Music a few years later.
		Many of the teachers are the same as at the Paris Opéra and currently include people like Wilfride Piollet, Claude de Vulpian, Cyril Atanassof and Jocelyn Bosser, as well as the modern choreographer Joseph Russillo, but in addition, guest teachers including Monique Loudières and Laurent Hilaire have been invited.
	www.culturekiosque.com /dance/inter/daniel_agesilas.html (885 words)

	criticaldance.com: Paris Conservatoire's exchange with Hong Kong Academy
		The Paris Conservatoire, France's top music and dance academy, was originally founded in 1795 as a music school, and classical ballet classes only commenced in 1925 for women and 1947 for men.
		In 1990 it moved to new premises in the "Cite de la Musique," a vast complex devoted to the arts in the east side of Paris.
		Students in the first two years do dance training in the Conservatoire in the morning, followed by academic studies in a nearby secondary school in the afternoon; while the third and fourth year students do academic studies first and then dance studies later in the day.
	www.criticaldance.com /features/2001/parisconservatoire.html (730 words)

	Summer Study Abroad Paris
		Paris, one of the oldest and most fascinating cities in the world, has fired the imagination of artists, writers, and students for centuries.
		Paris, the City of Light, one of the oldest and most fascinating cities in the world, is the ideal place to become immersed in the French Revolution and Napoleonic era.
		Paris is an ideal environment to learn these subjects and the course will combine readings with direct involvement to give a rich understanding of World history.
	www.valdosta.edu /europeancouncil/students/paris/index.htm (2912 words)

	Berlioz à Paris Conservatoire F
		Peu de bâtiments à Paris évoquent autant de souvenirs berlioziens que le Conservatoire, fondé en 1784 sous le nom d’École royale de chant et de déclamation, puis fondé de nouveau en 1795 sous le nom de Conservatoire national de musique et de déclamation.
		C’est dans la bibliothèque du Conservatoire que le jeune Berlioz, peu après son arrivée à Paris en novembre 1821, commence à étudier et copier les partitions de Gluck et de Spontini, puis à partir de 1828 celles de Beethoven aussi.
		De gauche à droite (en regardant vers la scène) on reconnaît Meyerbeer, Halévy, Hérold, Donizetti, Spontini, Grétry, (Orphée), Boïeldieu, Méhul, Weber, Mendelssohn, Cherubini, et Rossini.
	www.hberlioz.com /Paris/BPConservatoireF.html (938 words)

	The Newest Monument in Paris: A World of Music
		The Cité de la Musique and its architectural and working pendant, the new Conservatoire de Paris, are part of, and stand at the entrance to, the vast Parc de la Villette, on the grounds of the former abattoir at the northeast edge of Paris.
		It is the work of the architect Christian de Portzamparc, as is its pendant, the conservatory, a nonidentical twin with its arrangement of four parallel rectangular units, with three performance spaces, including a small opera theater.
		At the Cité de la Musique, it was the experimental hall that was built, and a planned 2,700- seat traditional concert hall was dropped, at least for now.
	www.iht.com /articles/1995/01/17/fmusic.php (876 words)

	Conservatoire Italien de Paris
		De 1830 date l'initiation au romantisme français du jeune Liszt, qui s'était fixé à Paris quelques années comme professeur et virtuose.
		Il fait pêle-mêle d'insatiables lectures, tout ce qui fermente dans le Paris de 1830 vient à la fois le troubler et l'enrichir : il rêve d'être, par la musique, l'égal, le frère de ces grands poètes du romantisme, une sorte d'apôtre.
		L'idée de mettre en musique une pièce aussi controversée que La Dame aux camélias d'A. Dumas fils était, pour l'époque, audacieuse : la protagoniste, Marguerite Gautier, a réellement existé, bien que son nom ait été changé prudemment en Violetta Valery.
	www.conservatoire-italien.net /sabriepropper.html (1568 words)

	Marcel Dupré (1886-1971)
		A partir de 1895, son père lui enseigne les premiers rudiments d'harmonie et de contrepoint.
		Il prend des cours avec Guilmant (orgue), puis entre en 1902 dans sa classe et celles de Vierne (orgue), Widor (fugue), Diémer (piano) au Conservatoire de Paris.
		De 1954 à 1956, il succède à Claude Delvincourt à la direction du Conservatoire de Paris.
	www.musicologie.org /Biographies/d/dupre_marcel.html (1179 words)

	H-France Review (Site not responding. Last check: 2007-11-05)
		This book concerns the orchestra of the Société des concerts du Conservatoire in Paris, one of the most prominent philharmonic societies, from its inception in 1828 until 1967, when it was dissolved and reincorporated as the Orchestre de Paris/Société des concerts du Conservatoire.
		The book’s stated purpose is “to get the facts of the Société des concerts du Conservatoire set out--unlike the archive itself--in some trackable order” (p.22) and the author chose the chronicle approach as the best means to achieve this end.
		The book’s significance in the literature on the Société des concerts du Conservatoire lies primarily in its bringing to light the rich archival resources pertaining to the activities of the Société.
	www.h-france.net /reviews/pekacz2.html (1736 words)

	La Maitrise de Paris - Patrick Marco, Director (Site not responding. Last check: 2007-11-05)
		Marco was officially enrolled in the Ecole Nationale de Musique at the age of ten.
		Marco was appointed Choral Conductor of La Maitrise de Paris (the Paris Children's Choir) by the French Minister of Cultural Affairs in 1980.
		He is often invited to serve as musical director of various ensembles, including his recent residency at the Opera Comique de Paris as Choral Director for the 1998-1999 season.
	upstageleft.net /maitrise/marcofr.html (657 words)

	Michèle AUCLAIR: BRUCH, TCHAIKOVSKY, KREISLER on Remington, Masterseal, Masque, Palace Records
		She was a honorary professor of the Paris Conservatoire, a frequent guest at the faculty of the Toho Gakuen School of Music in Tokyo, and often a jury member of mayor competitions.
		Born in Paris, the daughter of a noted painter, she started study of the violin at the age of six.
		She was enrolled in the National Conservatoire of Paris and won first prize upon graduation as well as first prize at the International Music Festival in Geneva.
	www.soundfountain.org /rem/remaucl.html (1795 words)

	Conservatoire national supérieur de musique et de danse de Paris - Wikipédia
		Le Conservatoire national supérieur de musique et de danse de Paris (CNSMDP) est un établissement public à caractère administratif, qui trouve son origine dans le Conservatoire de musique fondé le 3 août 1795 (16 thermidor an III) par la Convention.
		En 1946, les activités d'art dramatique du Conservatoires de Musique et de Déclamation font l'objet d'une structure indépendante : le Conservatoire national supérieur d'art dramatique.
		La tutelle de l'État sur le CNSMDP est exercée par la Direction de la musique, de la danse, du théâtre et des spectacles, sous-direction de la formation professionnelle et des entreprises culturelles, au ministère de la culture et de la communication.
	fr.wikipedia.org /wiki/Conservatoire_de_Paris (780 words)

	Le Journal du CNSMDP - n° 22 (Janvier 1997) (Site not responding. Last check: 2007-11-05)
		De la même manière que nous organisons des formations pour les étudiants de l'Ecole du Patrimoine, de l'Ecole de Louvre ou pour des luthiers, il serait souhaitable de le faire, au moins sous forme d'initiations, pour les étudiants des conservatoires que l'on sait relativement insensibles aux questions de facture instrumentale.
		Contrairement à beaucoup de musiciens actuels, avant d'être violon solo de l'orchestre de l'Opéra de Paris, il avait vécu dans le ventre de l'orchestre et avait pu, tout à loisir, en sonder les reins et les coeurs...
		De ce fait, nous incitons les étudiants à la polyvalence, à s'initier à des instruments ou à des disciplines complémentaires.
	mediatheque.ircam.fr /HOTES/CNSMDP/journal-22.html (7287 words)

	Chicago Symphony Orchestra - Jean Martinon
		Jean Martinon studied violin at the Paris Conservatory.
		Martinon spent two years in a German camp, where he wrote many compositions, such as Stalag 9 (or Musique d'exil) and Absolve Domine for men's chorus and orchestra (without violins) in memory of French musicians killed in the war.
		Upon his release, Martinon conducted the Concerts du Conservatoire de Paris, when he was appointed conductor of the Bordeaux Symphony.
	www.cso.org /main.taf?p=7,3,1,4,7 (235 words)

	Paris MYSTERIEUX : Parc de la Villette : Cite de la Musique Musee
		La Porte de la Villette était autrefois la capitale des abattoirs et de la boucherie parisienne.
		Le fameux Conservatoire Supérieur a quitté la rue de Madrid qu'il occupait depuis le XIXème siècle pour s'installer dans des locaux design, flamblant neufs, signés par Franck Hammoutène en 1990.
		Il est possible d'en écouter plusieurs grâce à des casques qui vous proposent un véritable itinéraire sonore à l'intérieur de l'établissement.
	www.parisbestlodge.com /frcitedelamusique.html (230 words)

	a
		When I played in the Orchestre symphonique du Conservatoire de Paris, it was as good as almost any professional orchestra in France -- with the exceptions perhaps of the National and the Orchestre de Paris.
		Conductor rehearsing at the Paris Opera: "I would especially like to commend the third bassoon --because, of all the musicians in the orchestra, he is the only one who has been present at all the rehearsals.
		On the positive side, the museum employs many graduates of the Paris Conservatoire, each with a Premier Prix, to demonstrate the instruments in its collection.
	www2.inow.com /~starr/Photos/orchestre.htm (825 words)

	Fiche répertoire : the conservatoire (Site not responding. Last check: 2007-11-05)
		Bournonville knew these ballet classes from his own youth in the 1820es where he studied at the Conservatoire with the renowned Auguste Vestris as one of his teachers.
		Creating the ballet of The Conservatoire -or a Marriage by Advertisement (Konservatoriet eller Et Avisfrieri) for the Royal Danish Ballet in 1849, Bournonville assembled his youth memories in a cheerful and harmless vaudeville ballet.
		And this is really the key to the ballet The Conservatoire, the respect for the essential movements of the classical ballet - combined with the musical ease and the inherent grace.
	www.ballet-de-marseille.com /uk/reper/conservatoire.htm (724 words)

	Welcome to the Howard Gotlieb Archival Research Center
		The Conservatoire is a free school of music established by the Convention Nationale of August 3, 1795.
		In addition, there are records of sixty-three concerts sponsored by the Conservatoire from 1825 to 1892, including Liszt’s Beethoven memorial concert.
		The Conservatoire maintained provincial conservatories in Marseilles, Dijon and Lille, and these records are included.
	www.bu.edu /archives/holdings/historical/paris.html (212 words)

	Cité de la Musique - Paris - France (Site not responding. Last check: 2007-11-05)
		La Cité de la Musique a pour mission d'être un lieu d'enseignement et d'apprentissage, de pratique et d'écoute.
		Par son centre de recherche et de documentation entièrement informatisé, par son laboratoire technique de restauration, le musée est d'ores et déjà l'interlocuteur privilégié de grandes institutions, de professionnels, de chercheurs, d'amateurs, en France comme à l'étranger.
		Si le musée a pour vocation première de développer une collection d'instruments de musique de référence, de la conserver, de la présenter et de l'enrichir, il se doit d'être aussi le ferment d'une approche différente de la musique.
	www.paris-tourism.com /paris/fr/patrimoine_loisirs/musees/213.html (498 words)

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