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	Cecilia Bartoli - Wikipedia, the free encyclopedia
		The Italian mezzo-soprano Cecilia Bartoli (born 4 June 1966) is a popular opera singer and recitalist.
		Bartoli later studied, appropriately enough, at the Conservatorio di Santa Cecilia.
		In contrast to most opera singers, Bartoli came to prominence in her early twenties, unusual in a profession where vocal maturity is typically not achieved until the thirties.
	en.wikipedia.org /wiki/Cecilia_Bartoli (499 words)

	MSN Encarta - Bartoli, Cecilia
		Bartoli, Cecilia, born in 1966, Italian mezzo-soprano, noted for her warm coloratura voice, lively characterizations, and down-home manner.
		Bartoli built her reputation by singing the Italian bel canto repertory, especially works by Gioacchino Rossini, and in operas by Austrian composer Wolfgang Amadeus Mozart, but by the early 2000s she had demonstrated a growing interest in baroque opera.
		Afterward she studied voice and trombone at the Conservatorio di Santa Cecilia in Rome.
	encarta.msn.com /encyclopedia_701610441/Bartoli_Cecilia.html (407 words)

	Music-Atlas: Cecilia Bartoli biography, pictures and facts
		Born in Rome, Cecilia Bartoli received her voice training at the Conservatorio di Santa Cecilia in the Italian capital, while at the same time being taught and coached by her parents, Silvana Bazzoni and Angelo Bartoli, both professional singers.
		Cecilia Bartoli’s performances in concert and in recital have been no less significant than her career on the operatic stage.
		Cecilia Bartoli’s discography comprises more than 10 complete opera recordings (her most recent releases include “Armida” by Haydn and “Rinaldo” by Handel), and numerous solo CDs.
	www.music-atlas.com /artists/cecilia_bartoli.htm (400 words)

	Anna Moffo - Wikipedia, the free encyclopedia
		Shortly thereafter, in 1955, she won the Young Artists Audition and a Fulbright scholarship to study at the Conservatorio di Santa Cecilia in Rome.
		She returned to the Met in the 1960-61 season to sing three new roles, Gilda in Rigoletto, Adina in Donizetti's L'Elisir d'Amore, and Liù in Turandot with Birgit Nilsson and Franco Corelli.
		Moffo divorced Lanfranchi in 1972 and married former RCA chairman Robert Sarnoff on November 14, 1974 (he died on February 22, 1997).
	en.wikipedia.org /wiki/Anna_Moffo (312 words)

	Philharmonic playbill
		Born in Rome, Cecilia Bartoli received her voice training at the Conservatorio di Santa Cecilia whilst at the same time being taught and coached by her parents, Silvana Bazzoni and Angelo Bartoli, both professional singers.
		Cecilia Bartoli’s discography comprises more than 10 complete opera recordings, from Mozart via Rossini to Handel and Haydn, and numerous solo discs.
		With her award winning “Vivaldi Album”, which was released in the autumn of 1999, the artist has enjoyed an astounding success and succeeded in awakening a new interest on an international level in the previously completely unknown operas of Antonio Vivaldi.
	www.philharmonia.spb.ru /persa/bartoli_cecilia.htm (427 words)

	Musical Times: In black and white: Pizzetti, Mussolini and Scipio Africanus (Site not responding. Last check: 2007-10-18)
		of the Conservatorio di Musica Santa Cecilia in Rome.
		Both artists were professors at the Accademia Nazionale di Santa Cecilia, the national institution for advanced musical studies and concert association with which the Conservatorio shares the 17th-century (ex)-Convento delle Orsoline, a city block in the fashionable Via del Corso, extending from Via dei Greci (Conservatorio) to Via Vittoria (Accademia).
		At the Accademia Nazionale di Santa Cecilia he had inherited the celebrated composition class of Ottorino Respighi, while at the Conservatorio his junior colleagues were none other than Goffredo Petrassi and Virgilio Mortari.
	www.findarticles.com /p/articles/mi_qa3870/is_200407/ai_n9420160 (1058 words)

	Aldo D'Amico (Site not responding. Last check: 2007-10-18)
		Aldo d'Amico graduated in voloncello at Conservatorio di Santa Cecilia in the class of Giuseppe Selmi.
		He post-graduated at Accademia Nazionale di Santa Cecilia with Enrico Mainardi and continued studying at Accademia Chigiana di Siena, Salzburg Mozarteum and Luzern Academy.
		Member of the most important italian orchestras (Accademia di Santa Cecilia, RAI di Roma, Virtuosi di Santa Cecilia, Solisti Aquilani, etc.), from 1988 to 1992 he was also member of the ensemble I Musici, performing in the main concert halls and festivals around the world.
	www.aidarte.org /english/damico.htm (192 words)

	Cecilia (Site not responding. Last check: 2007-10-18)
		Cecilia is a private, Catholic, college preparatory school for young women, grades nine through twelve, owned and administered by the Dominican Sisters...
		Cecilia Vennersten - ingång Cecilia Vennersten Cecilia Vennersten - ingång Cecilia Vennersten - ingång Cecilia Vennersten - ingång.
		Cecilia Angell is an opera soprano known for her lush voice and magnetic stage presence on operatic and concert stages worldwide.
	cecilia.naltin.com /page-4.html (177 words)

	Mezzo-Soprano Cecilia Bartoli, 10/19/05 (Site not responding. Last check: 2007-10-18)
		Cecilia Bartoli has used her worldwide fame and musical curiosity to bring to light rarelyheard operas, oratorio, and songs from centuries past.
		Bartoli received her voice training at the Conservatorio di Santa Cecilia while simultaneously being taught by her parents, Sylvana Bazzoni and Angelo Bartoli, both professional singers.
		In addition to her operatic success, Cecilia Bartoli has achieved great acclaim for her concert and recital performances, as well as the albums she has recorded.
	www.carnegiehall.org /article/press/press_release/99035.html (847 words)

	Warsaw Autumn 2003 - composers
		In 1939 he became a Professor of composition at the Conservatorio di Santa Cecilia.
		In the years 194750 he was an artistic director of the Accademia Filarmonica Romana; in 1951 he gave a course in composition at the Mozarteum in Salzburg and in 1956 at the Berkshire Music Festival in Tanglewood (usa).
		From 1960 to 1978 he was a chief of the composition department at the Accademia di Santa Cecilia.
	www.warsaw-autumn.art.pl /03/composers/c13.html (541 words)

	FRANCO ALFANO [EN]
		Franco Alfano was born at Posillipo, near Naples, on March 8 1875 and died at San Remo on October 27 1954.
		After studying the piano privately with Alessandro Longo, and harmony and composition with C. de Nardis and Paolo Serrao at the Conservatorio di San Pietro a Maiella in Naples, he moved in 1895 to Leipzig, where he completed his studies under Jadassohn.
		He was then superintendent of the Teatro Massimo, Palermo (1940-1942), subsequently becoming for a few months professor of operatic studies at the Conservatorio di Santa Cecilia in Rome.
	www.rodoni.ch /malipiero/alfanobioingl.html (748 words)

	Untitled Document
		Italian mezzo-soprano Cecilia Bartoli performs one of only three U.S. recitals scheduled this season on Monday, February 26, 2001 at 8 p.m.
		Cecilia Bartoli was born in Rome to musical parents (both were professional singers).
		She attended the Conservatorio di Santa Cecilia, and her obvious vocal talents immediately drew the attention of conductors Herbert von Karajan and Daniel Barenboim after an appearance on French television.
	www.ffaire.com /pr/psoc/bartoli2.html (472 words)

	Grandi Tenori.com: Renato Francesconi (Site not responding. Last check: 2007-10-18)
		Italian tenor Renato Francesconi was born in Roma on 17 September 1938 and studied at the Conservatorio di Santa Cecilia, before continuing his studies at the Conservatorio di Ferrara.
		In 1997 he was awarded the 'Cavaliere di Malta' for artistic achievements and gained the title "tutor" at the Accademia delle belle Arti di Roma in 1998.
		One of the last true dramatic tenors of its class, Renato Francesconi excelled in the roles of Chenier, Canio and Otello, and for his secure upper register he attracted the attention of legendary tenor Giacomo Lauri-Volpi.
	www.grandi-tenori.com /tenors/francesconi.htm (441 words)

	Opera - Reflections - Gina Sanders
		Having won a scholarship at the Conservatorio di Santa Cecilia, she went to Rome to study with Jolanda Magnoni who soon discovered the real nature of her voice, a major liryc soprano born to become a drammatico d'agilità and at the same time a soprano d'agilità drammatica.
		Di Stefano himself once put the blame on an allergy to some rugs he had installed in his Milan apartment in the 1950s.
		Di Stefano made his debut at 23, a young age when compared to Lauri-Volpi's debut at 27, Kraus' at 29 and Corelli's at 30.
	www.opera-gems.com /reflections.htm (4074 words)

	Cecilia Bartoli
		Born in Rome, Cecilia Bartoli received her voice training at the Conservatorio di Santa Cecilia while at the same time being taught and coached by her parents, Silvana Bazzoni and Angelo Bartoli, both professional singers.
		This increasing interest in ancient music led to the collaboration with outstanding orchestras in the field of ancient music, such as Concentus Musicus Wien, Il Giardino Armonico, Akademie für Alte Musik Berlin, The Academy of Ancient Music, Les Arts Florissants, The Orchestra of the Age of Enlightenment, Freiburger Barockorchester and Le Musiche Nove.
		Cecilia Bartoli’s discography comprises more than 10 complete opera recordings, from Mozart via Rossini to Handel and Haydn, and numerous solo CDs.
	www.losangelesopera.com /production/preformer.asp?personid=10074 (388 words)

	The Musical Times: Giacinto Scelsi (Site not responding. Last check: 2007-10-18)
		My association with Scelsi began in the late 1950s, when as a violin major at the Conservatorio di Musica Santa Cecilia in Rome I spent many hours browsing the stock of the De Santis music establishment in Via del Corso, a few blocks away from the Conservatorio.
		Elliott Carter was among the guests that evening, and upon learning that the Quartetto di Nuova Musica was working on Scelsi’s latest quartet, he said that some day he would hope that his two quartets (it was 1965) would be performed together with Scelsi’s, so fond was he of Scelsi’s music.
		A photograph of the Quartetto di Nuova Musica was taken backstage by a reporter after the performance.
	www.musicaltimes.co.uk /archive/0102/scelsi.html (2841 words)

	Buy Cecilia Bartoli Tickets - Cheap Cecilia Bartoli Concert Show Tickets At Onlineseats (Site not responding. Last check: 2007-10-18)
		Cecilia Bartoli tickets may be purchased online through our guaranteed safe and secure server.
		Cecilia Bartoli's recent disc of unknown Vivaldi arias, The Vivaldi Album, has sold nearly half a million copies and got great awards including Echo Klassik 2000, Diapason d'Or 2000 and the 2001 Grammy Award for "Best Classical Vocal Performance".
		Once again, Cecilia Bartoli invites listeners to share her exciting discoveries, composed by one of the greatest figures in the history of music.
	www.onlineseats.com /cecilia-bartoli-tickets/index.asp (947 words)

	The Harvard Crimson :: Arts :: Concert Review
		The young Bartoli trained at the Conservatorio di Santa Cecilia, while also acquiring much of her musical knowledge and developing her talent through parental coaching.
		Christoph Willibald Gluck (1714-1787) was represented by his “Di questa cetra” from Il Parnasi confuso which exhibited Bartoli’s sublime command of mellifluous and seamless tonal transitions and passages that hovered and drifted weightlessly through her listeners, lingering hauntingly in the air.
		The latter half of the concert was comprised of eleven pieces by Antonio Salieri (1750-1825) drawn from La fiera di Venezia, Armida, La secchia rapita, La finta scema, La scuola de’ gelosi, Palmira, Regina di Persia, and La cifra.
	www.thecrimson.com /article.aspx?ref=358005 (751 words)

	Edgar Alandia Canipa
		Bolivian composer, now resident in Italy, of stage, orchestral, chamber, vocal, and electroacoustic works that have been performed throughout Europe and in the Americas; he is also active as a conductor.
		Alandia studied composition at the Conservatorio di Santa Cecilia in Rome, where he earned his diploma in 1977 and advanced diploma in 1980.
		He taught in Potenza in 1980-81, in Pesaro from 1981-86, in Frosinone from 1983-86, in Rome in 1986-87, and in Pescara from 1987-95.
	composers21.com /compdocs/alandiae.htm (543 words)

	BIO (Site not responding. Last check: 2007-10-18)
		He received his musical education at the Conservatorio di Santa Cecilia.
		He continued his studies with Franco Donatoni at the Accademia Chigiana di Siena and the Accademia Nazionale di Santa Cecilia where, in 1984, he obtained a post-graduate diploma in composition.
		President of Nuova Consonanza from 1999 to 2001, Mauro Cardi teaches Composition at the Conservatorio "L.Cherubini" in Florence.
	www.imeb.asso.fr /BIO/cardi.html (278 words)

	Eilzabeth Norberg-Schulz (Soprano) - Short Biography
		The Norwegian/Italian soprano, Elizabeth Norberg-Schulz, completed her studies at the Conservatorio di Santa Cecilia in Rome with John Shirley-Quirk, Peter Pears and, for a number of years, with Elisabeth Schwarzkopf.
		In the 2000 season she performed the Petite Messe Solennelle at the Teatro Carlo Felice in Genoa, Les Clarières dans le ciel by Lili Boulanger in Munich with the Bayerische Rundfunk, Les Dialogues des carmélites with Riccardo Muti at the Teatro alla Scala and La scala di seta by Rossini at the Rossini Opera Festival.
		She also interpreted L'Osteria di marechiaro by Paisiello at the Teatro San Carlo in Naples and performed at the Lyric Opera of Chicago in Hänsel und Gretel.
	www.bach-cantatas.com /Bio/Norberg-Schulz-Elizabeth.htm (697 words)

	iClassics (Site not responding. Last check: 2007-10-18)
		Cecilia Bartoli’s discography comprises over ten complete operas (including Haydn’s Armida and Händel’s Rinaldo, which have just been released) and numerous solo CDs.
		DVDs are available featuring Cecilia Bartoli’s concert with Bryn Terfel at Glyndebourne Opera House in February 1999 and the Così fan tutte production by Jürgen Flimm and Nikolaus Harnoncourt at Zurich Opera House in February 2000.
		Her forthcoming CD is dedicated to the Italian operas of Christoph Willibald Gluck.This year, Cecilia Bartoli was seen in Bremen, Birmingham, Amsterdam and Paris in concert performances of Haydn’s opera L’Anima del Filosofo under the direction of Christopher Hogwood; at the Zurich Opera House she appeared as Cenerentola and Donna Elvira.
	www.iclassics.com /artistBio?contentId=69 (588 words)

	MSN Encarta - Search View - Bartoli, Cecilia
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		Her recordings The Impatient Lover (1993), An Italian Songbook (1997), The Vivaldi Album, and Dreams and Fables won Grammy Awards for best classical vocal performance.
	encarta.msn.com /text_701610441__1/Bartoli_Cecilia.html (467 words)

	Requiemsurvey.org
		He began the study of composition under the guidance of Barbara Giuranna, and continued at the Conservatorio di Santa Cecilia with maestri Luigi Andrea Gigante, Guido Turchi and Irma Ravinale, obtaining a diploma in composition and choral music.
		From 1981 to 1983 he was a pupil of Franco Donatoni in Siena and Rome, obtaining the diploma of merit from the Accademia Chigiana and the post-graduate diploma from the Accademia di Santa Cecilia.
		This requiem is a collaborative composition of Marco Betta (Lux aeterna), Lorenzo Ferrero (Introito), Carlo Galante (Dies irae), Paolo Arcà, (Offertorio), Matteo D'Amico (Sanctus), Giovanni Sollima (Agnus Dei) and Marco Tutino (Libera me) on a text of Vincenzo Consolo (1933), an Italian writer.
	www.requiemsurvey.org /composers.php?id=1249 (139 words)

	Untitled Document
		Her recital appearances have been accompanied by leading pianists such as Daniel Barenboim, Myung-Whun Chung, James Levine, András Schiff and Jean-Yves Thibaudet. Besides concert arias of Mozart, Rossini, Puccini etc, her concert repertoire also comprises German Lieder and songs and arias of Bizet, Viardot, Berlioz and Ravel.
		This increasing interest in early music has led to Cecilia Bartoli's collaboration with such outstanding period instrument orchestras as The Orchestra of the Age of Enlightenment, Concentus Musicus Wien, Il Giardino Armonico, Akademie für Alte Musik Berlin, The Academy of Ancient Music, Les Arts Florissants, Freiburger Barockorchester and Le Musiche Nove.
		As a first product of this collaboration the 2003 "Salieri Album", recorded with the Orchestra of the Age of Enlightenment, conducted by Adam Fischer, immediately became a best-seller.
	www.deccaclassics.com /artists/bartoli/biography.html (306 words)

	Sony Classical - Music
		The film scores of Ennio Morricone (the most prolific film music composer of our time) mirror the broad range of film music from pop songs to contemporary classical compositions, and include great movies like Once Upon a Time in the West, The Good, the Bad, and the Ugly, Cinema Paradiso, and The Mission.
		This new live concert recording of his own favorite film music, with the Orchestra and Chorus of the Academy of Santa Cecilia complemented by rock musicians and singers and conducted by Morricone himself, is an exciting new chronicle of the development of film music in our time.
		Ennio Morricone (born in 1928 in Rome) learned to play the trumpet from his father and studied composition, orchestration and conducting at the Conservatorio di Santa Cecilia.
	www.sonyclassical.com /music/61672/main.html (333 words)

	Dallas Symphony Orchestra
		Future engagements include debuts with the Atlanta and Dallas Symphony Orchestras, the Tasmania and Queensland Orchestras, the Slovenian Philharmonic, Cosi Fan Tutte for Finnish National Opera and Madam Butterfly for Opera Australia.
		Federico Cortese studied conducting at the Conservatorio di Santa Cecilia in Rome and the Hochschule für Musik in Vienna.
		As well as composition, he has pursued studies in literature and humanities and holds a law degree in Jurisprudence.
	www.dallassymphony.com /mm/mm_guests_show.php?file=federico_cortese (313 words)

	Sally Williams (Site not responding. Last check: 2007-10-18)
		She holds a degree in opera from Hartt College of Music and did her graduate study at Boston University and the Conservatorio Di Santa Cecilia in Rome, Italy.
		An accomplished "cross-over" artist, Sally has performed principal roles with the New York City Opera, Atlanta Opera, Lake George Opera, Des Moines Metro Opera, and Opera Company of Boston in such roles as Regina in Blitzstein's Regina, Mrs.
		Lovett in Sondhein's Sweeny Todd, Ulrice in Verdi's Un Ballo in Maschera, and Marcellina in Mozart's Le Nozze di Figaro.
	www.geocities.com /Broadway/Balcony/3351/williams.html (180 words)

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