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| | Film Review - Constantine |
 | | With disbelief and alarm, Constantine realizes that the demon is fighting not for possession of this child's body but for a way to break through it and enter the physical world, which is a breach of the age-old balance. |
 | | Constantine is based on an intriguing idea--that of the world behind the world--but the execution leaves a lot to be desired, from the mumbo-jumbo screenplay to the stale direction and unsatisfying acting of all concerned, including Reeves, who seems bewildered as a screen character, which is good, but also as a performer, which is not. |
 | | The film is visually clever: When Constantine is in Angela's apartment, and he momentarily crosses over into hell, it's the hell version of her apartment that he's in, but when he goes out into the streets, it's the hell version of Los Angeles. |
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