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| | Apostles of Rock: The Splintered World of Contemporary Christian Music [Book Review] |
 | | Although usually called CCM for "Contemporary Christian Music," that label not only confuses the genre with the University of Cincinnati’s famous music school (CCM: the College—Conservatory of Music) but also suggests an affinity between it and the masterpieces of Messiaen, Penderecki, Tavener, and a host of other contemporary Christian art composers—with which it has little. |
 | | A marriage of rock and Las Vegas lounge music (Ralph Carmichael, one of the genre’s early leaders, was an arranger for Bing Crosby, Peggy Lee, and Nat King Cole), C—Pop was originally intended as a tool for the evangelization of white suburban youth. |
 | | Sniffing untapped profits, EMI Music Group (owners of the Beastie Boys), Time Warner, Gaylord Entertainment (owners of the Grand Ole Opry, the Opryland Hotel, and Nashville’s Wildhorse Saloon), and the Zomba Music Group (their current hot property is Backstreet Boys) have all made major purchases of C—Pop labels and performers. |
| www.leaderu.com /ftissues/ft0002/reviews/linton.html (1379 words) |
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