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Topic: Contemporary Records

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	Centaur Records - Centaur Records - Classical Record Label
		Founded in 1976, Centaur Records is one of the oldest continuously operating classical labels in the United States.
		Centaur releases recordings of all types of classical music, ranging from early music to recordings of contemporary works.
		Centaur strives to release recordings of interesting music that are first-rate from both musical and sonic standpoints.
	www.centaurrecords.com (119 words)

	Wikipedia search result
		Based in Los Angeles, Contemporary was primarily known as a jazz label that concentrated on the "cool" west coast sound.
		Contemporary recorded such artists as Sonny Rollins, Ornette Coleman, the Curtis Counce Group (featuring Harold Land, Jack Sheldon, Carl Perkins and Frank Butler, Ben Webster, Art Pepper, Shelly Manne, Hampton Hawes, Barney Kessel and Leroy Vinnegar.
		Contemporary was purchased by Fantasy Records in 1984, who used the label name themselves for a short time.
	feedbus.com /wikis/wikipedia.php?title=Contemporary_Records (165 words)

	Massachusetts Divorce Record Information
		Any financial information contained in the more contemporary records however, is available only to the two parties named in the divorce or to a designated legal representative.
		Also, and this is very important, divorce records are generally filed in the county where the couple last lived as husband and wife - not necessarily where they last lived at the time of the divorce.
		Records prior to 1786 and as early as 1639, were heard by a variety of courts within the state and in most cases, the originals are held by the Massachusetts Archives.
	www.massvitalrecords.com /massachusetts_divorce_record_information.htm (471 words)

	Trusting Records in a Postmodern World
		The contemporary diplomatic analysis of the components of a record is a process of abstraction and systematisation, the aim of which is to identify the essential or "ideal" attributes of a record and make them transportable to different contexts.
		An electronic signature is a digital mark having the function of a signature in, attached to, or logically associated with a record, and that is used by a signatory to indicate her approval of the content of that record.
		For electronic records, this means beginning with an analysis of the various features of individual electronic systems and record-keeping environments in their own terms, with all their particularities, variations, and anomalies; and, on the basis of that analysis begin to build a more general framework.
	www3.iath.virginia.edu /sds/macneil_text.htm (5029 words)

	Walt Disney Records - History
		Recorded by Frank Luther and his orchestra in November 1933, the music was derived from the popular Mickey Mouse and Silly Symphony cartoons, including "In a Silly Symphony," "Dance of the Bogey Man," "Mickey Mouse and Minnie's in Town," and "Who's Afraid of the Big Bad Wolf?"
		The record earned platinum sales awards (more than a million units) in the U.S. and Canada, and similar sales were recognized in such far-flung markets as Portugal and Australia.
		Walt Disney Records' first-ever Latin music compilation, "Navidad en Las Américas," was released in 1994 and rereleased during the 1996 holiday season.
	disney.go.com /disneyrecords/history (1854 words)

	THE CONTEMPORARY RECORDS PROGRAM
		The Medical Archives staff collaborates with the staff of departments participating in the contemporary records program to develop retention and disposition schedules for the records that are to be placed in storage.
		Records that must be maintained for long-term legal, regulatory, and informational purposes are scheduled for eventual transfer to the Medical Archives.
		Records that must be retained for only short periods of time to fulfill particular legal and regulatory requirements may be destroyed at the expiration of the retention period if appraisal indicates that the records do not have long-term institutional and informational value.
	www.medicalarchives.jhmi.edu /records.htm (414 words)

	University Records at the University of Idaho
		The original order of the records is extremely important for all future uses of the records; please make sure that records are placed in the boxes in the same order that was maintained in the file cabinet, and that the boxes are sequentially numbered and the original folder headings retained.
		During processing the records are returned to their original arrangement if that has been disrupted, and inventoried, reboxed and refoldered into acid-free containers and folders, weeded of extraneous materials and duplicates, and prepared for research use.
		Researchers using records in the Archives are required to register, identify the nature of their research, take extreme care of the physical materials they are given to examine, and request permission to publish or quote from the records.
	www.lib.uidaho.edu /special-collections/University.Records.html (505 words)

	CD review: "The Contemporary Records Story"
		Contemporary Records was never a heavyweight jazz label the way, say,Blue Note, Atlantic or Verve were/are.
		But given the level of talent that recorded for the label, the number of signature albums they released, and the sheer volume of top-notch jazz found here through the years, you'd have to put Contemporary in that mid-major group with Pablo, Riverside and Milestone.
		Constructed around the twin pillars of artistic freedom for the musicians and technological excellence for the recording equipment, Koenig's L.A.-based Contemporary label gave jazz musicians the same four-star treatment that Blue Note was providing on the East Coast.
	www.trageser.com /music/album-contemporary.php (287 words)

	SAA: Presidential Address (Duranti-8/28/99)
		The first is that contemporary records represent a challenge for all archivists, irrespective of their working environment, thereby constituting an issue that unites us all and on which SAA can take leadership.
		This does not mean that the archival role is changed anymore than the fact that librarians are entrusted with functions of record classification and scheduling, records managers with appraisal of records for permanent preservation, or historians with the writing of archival guides mean that their role as professions is changed.
		I believe that records managers and archivists need the same body of knowledge to carry out all functions affecting the records, that is, all archival functions.
	www.archivists.org /governance/presidential/duranti-2.asp?prnt=y (2611 words)

	Church Records
		Marriage records include the date of the event, the name of the groom and bride, their residence of origin, previous marital status (widow, single, etc.) and the names of witnesses.
		Some of the records will include the age of the bride and groom, and the more contemporary marriage records will list their parents' names as well.
		As with the birth/christening records, the marriage records are organized chronologically by the date of the marriage.
	www.progenealogists.com /hungary/church.htm (443 words)

	The Contemporary Records Story
		Contemporary Records may be viewed as the West Coast Ying to the East Coast Blue Note Yang.
		The contemporary brand of Jazz was characterized as having an edge, swing associated with secular virile hard bop as performed by the city?s African-American Musicians.
		On the four-disc The Contemporary Records Story, the history of the label is chronicled as a single man?s vision of the grand unification of jazz music.
	www.allaboutjazz.com /php/article.php?id=2121 (992 words)

	CD Review of Contemporary Records Sampler - Contemporary Records Sampler on Contemporary Records @ jazzreview.com
		Labels such as Riverside, Contemporary, Pablo, Debut, Fantasy, and Prestige are a part of the Original Jazz Classics family and each is featured on their own unique sampler collection.
		Contemporary Records was the brainchild of music enthusiast and film producer Lester Koenig, who had begun a sister label, Good Time Jazz, in 1949.
		The choice of music on the Contemporary Records Sampler is outstanding and the newly remastered sound is superb, making this a great starting place for anyone wanting to discover or further their knowledge of the legendary 1050’s “West Coast” sound.
	www.jazzreview.com /cdreview.cfm?ID=3836 (276 words)

	CNN.com - arts & style - Rothko abstract fetches $11 million at record-breaking Sotheby's sale - November 15, 2000
		The mammoth red sculpture sold for $4,185,750, breaking the previous record of $3,907,500 for the artist, who is often associated with his mobiles.
		While new records were set for a slew of rising artists, some of the sale's expected highlights failed to find buyers, including Jasper Johns' "Disappearance I," for which bidding topped out at $3.4 million after a $4 million to $6 million estimate.
		Records were also broken for Gary Hume, Maurizio Cattelan, Felix Gonzalez-Torres, Joan Mitchell, Dan Flavin and Cecily Brown, who had never had a work sold at auction.
	www.cnn.com /2000/STYLE/arts/11/15/sothebys.auction.reut/index.html (679 words)

	Records Management Program at the Alan Mason Chesney Medical Archives
		The Medical Archives provides services for the organization, storage, and management of contemporary records to administrators of the Johns Hopkins Health System and the Health divisions of the Johns Hopkins University (Bloomberg School of Public Health, School of Medicine, and School of Nursing).
		Storage facilities for records are available at a nearby records center in Jessup, Maryland.
		The Medical Archives staff collaborates with the staff of departments participating in the records management program to develop retention and disposition schedules for the records that are to be placed in storage.
	www.medicalarchives.jhmi.edu /recordsmgmt.htm (419 words)

	CD reviews of Original Jazz Classics Samplers from Fantasy
		While Fantasy Records itself is best-known as the label that handled (and ultimately alienated) Creedence Clearwater Revival, it was founded in the early 1950s as a vehicle for pianist Dave Brubeck to distribute his own recordings.
		Among those who recorded for Fantasy in the 1950s heyday of West Coast Jazz were Vince Guaraldi (famed for his soundtracks to the animated "Peanuts" TV specials), Chet Baker, Stan Getz and Cal Tjader.
		Riverside Records was founded by a couple of young jazzhounds in the early 1950s, and unaccountably grew into another one of the best jazz labels on the scene.
	www.trageser.com /music/album-fantasy.php (923 words)

	Canyon Records Productions
		This year, over 180 national recordings were submitted for nomination consideration making this year’s tally a new record high for the organization.
		Eligible recordings had to have been commercially released from September 15th, 2005 thru December 31st, 2006.
		Winners will be determined through national membership mail-in ballots and through a national on-line campaign that is open to the public at www.nammys.com.
	www.canyonrecords.com (326 words)

	Concord Music Group
		Reading the news today that drum innovator and bebop pioneer Max Roach died last night at age 83, I was at once struck with feelings of sadness and gratitude.
		Sarah Vaughan was 47 in 1971 when famed impresario Norman Granz, whose Jazz At The Philharmonic series in the '40s and '50s gave bop gravitas and a new audience, recorded her appearance at the Monterey Jazz Festival.
		It's been seven years since Telarc has introduced a new artist, so it's interesting that the label is now taking up the cause of pianist Simone Dinnerstein, who has bucked all kinds of conventions about what a classical artist must be, do, and have in order to build a solo career.
	www.concordmusicgroup.com (947 words)

	Frequently Asked Questions, Records Management
		A sample of these records includes territorial records such as minutes, correspondence, and ledgers from various County offices such as the Clerk, Assessor, Treasurer, and the Territorial Selectmen.
		More contemporary records include annual reports, building permits, property appraisal cards, photographs, tax ledgers, Board of Health minutes, and minutes and correspondence from the Board of County Commissioners.
		Some of the kinds of historical property records we have are property tax appraisal cards (1936 - 1970) and photographs for the years 1936-1991, tax assessment rolls starting in 1852 inclusive up to tax ledgers for 1991, and aerial photographs from 1946, 1952, 1958, and 1964.
	www.slco.org /resource/faq/records.html (307 words)

	Technology Review: The Fading Memory of the State
		Electronic records rot much faster than paper ones, and NARA must either figure out how to save them permanently, or allow the nation to lose its grip on history.
		Weinstein is a former professor of history at Smith College and Georgetown University and the author of Perjury: The Hiss-Chambers Case (1978) and coauthor of The Story of America (2002).
		But it's doubtful such a record would be preserved today, because it would likely be "born digital" and follow a convoluted electronic path.
	www.technologyreview.com /articles/05/07/issue/feature_memory.asp (719 words)

	ASLAPR -- Records Management Division
		Inter-filing records which were never stored at RMC into boxes of files already in storage.
		Destroying records when their retention period has expired.
		Destruction is usually by recycling, however confidential records destruction is available for records which are confidential per law or regulation.
	www.lib.az.us /records/records.cfm (272 words)

	CD Review of Various Artists - The Contemporary Records Story on Contemporary @ jazzreview.com
		Recording engineers Roy DuNann and Howard Holzer set up shop in the back warehouse section of the Contemporary offices and by keeping things simple and straightforward they achieved a pure and lifelike reproduction of instruments that could arguably by rivaled only by Rudy Van Gelder.
		A great deal of the history of Contemporary is contained within the confines of this four-disc set, from archival photos to detailed information about the day-to-day operations of the label.
		From the first recordings of Howard Rumsey’s Lighthouse All-Stars in 1952 to Art Pepper’s 1977 comeback at the Village Vanguard, there are 57 tracks in all.
	www.jazzreview.com /cdreview.cfm?ID=7484 (711 words)

	Claims for Additional Payment: The Importance of Keeping Contemporary Records
		During the arbitration, the representative of the Falklands Government applied to the Supreme Court for a ruling on whether a witness statement could be introduced in evidence to supplement the contemporary records produced in compliance with Clause 53 of the FIDIC Conditions of Contract.
		If it is discovered that some records are missing a few days after the event or if there is only time to make a rough contemporaneous note, it is not too late to remedy the situation by supplementing those records a few days or even weeks later.
		Under English law, the requirement to keep contemporary records is a strict one, and arbitrators should not admit supplementary evidence to overcome a want of contemporary records except in the very narrowest of circumstances.
	www.constructionweblinks.com /Resources/Industry_Reports__Newsletters/Apr_22_2003/clai.html (810 words)

	Amazon.com: The Contemporary Records Story: Music: Various Artists (Site not responding. Last check: 2007-10-23)
		From its inception in 1951, Contemporary Records was an important independent jazz label, a West Coast equivalent to New York's Blue Note, Prestige, or Riverside.
		But Contemporary also reflected the dual nature of the Los Angeles jazz scene, which contrasted the largely white "cool school" (often played by Hollywood studio musicians) with the edgy and forceful hard bop practiced by the city's perennially unsung fl musicians.
		As the label's story unfolds here in recordings from 1952 to 1977, Koenig's vision is consistently impressive, whether he was recording a witty date by visiting East Coast icon Sonny Rollins or early sessions by avant-garde figures Ornette Coleman and Cecil Taylor.
	www.amazon.com /Contemporary-Records-Story-Various-Artists/dp/B00023GFQI (837 words)

	The Contemporary Records Story - Jazzmatazz review
		A boxed set surveying a record company’s several-decades output is much like a family photo album.
		Such is the case with the 4-CD Contemporary Records Story.
		This company, Contemporary, had as a primary mission the focus on West Coast musicians.
	home.att.net /~jazzmatazz/reviews/04/r0405b.html (175 words)

	Fantasy Records - Wikipedia, the free encyclopedia
		1968 label of debut CCR LP Fantasy Records is a United States based record label, which was founded by Max and Sol Weiss in 1949 in San Francisco, California.
		Fantasy's first subsidiary label, formed in 1951, was Galaxy Records.
		While some operations are still located in Berkeley, the record label is now headquartered at the Concord Music Group location in Beverly Hills, California.
	en.wikipedia.org /wiki/Fantasy_Records (382 words)

	Blind Pig Records
		Their incredible performances and the enthusiasm of the audiences led to the notion of recording this memorable music and presenting it to fans beyond the confines of this legendary club.
		From the very beginning, our belief in the creative abilities of the artists and their need to expand the limits of their art form took precedence over a strict adherence to any narrowly defined musical idiom.
		This philosophy has earned Blind Pig a reputation for excellence not only through releases by some of the all-time greats, but also through recordings of the new generation of artists who are bringing these uniquely American art forms into the 21st century.
	www.blindpigrecords.com (315 words)

	Contemporary Records Discography Project Page
		Contemporary Records (e Los Angeles, 1951; Lester Koenig) record company and label.
		Contemporary Records Catalog: 3600/7600, 5000, 6000 series - album index
		Contemporary Records Catalog: 78/45 rpm 300, 45300, EP series - single index
	www.jazzdisco.org /contemporary (169 words)

	Various Artists \| The Contemporary Records Story
		Having founded the Good Time Jazz label in 1949 to record Dixieland jazz, he created the Contemporary imprint in 1952 for modern classical music and modern jazz to keep himself busy.
		Koenig was a stickler for sonic fidelity, and built his own recording studio on the premises.
		These recordings bear the fruits of his demands, particularly in the bass.
	www.allaboutjazz.com /php/article.php?id=13859 (700 words)

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