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Topic: Continuity editing

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	CONTINUITY LINKING (Site not responding. Last check: 2007-11-03)
		Spatial continuity is attained by strict adherence to the 180-degree rule which ensures a common space from shot to shot and a constant screen direction.
		Temporal continuity is achieved by focusing on the chronology of shots concerning action, event and cause, while at the same time supporting and sustaining the temporal manipulation of order, frequency and duration.
		These principles of continuity editing are operational principles or conventions, which may co-exist in a given conjoining of two shots.
	www.media.uio.no /personer/gunnarl/essays/continuity_linking.html (382 words)

	Part 4: Editing
		Editing can affect the experience of time in the cinema by creating a gap between screen time and diegetic time (Montage and overlapping editing) or by establishing a fast or slow rhythm for the scene.
		The slow mounting crescendo is paralleled by an increase in the editing rate, and an intensified framing (the sequence actually begins on a long shot similar to the previous one).
		In the Hollywood continuity editing system the angle of the camera axis to the axis of action usually changes by more than 30 ° between two shots, for example in a conversation scene rendered as a series of shot/reverse shots.
	classes.yale.edu /film-analysis/htmfiles/editing.htm (3300 words)

	Film editing - Wikipedia, the free encyclopedia
		Film editing evolved from the process of a film editor physically cutting and taping together pieces of film, using a splicer and threading the film on a machine with a viewer such as a Moviola, or "flatbed" machine such as a Kem or Steenbeck.
		Before the widespread use of non-linear editing systems, the initial editing of all films was done with a positive copy of the film negative called a film workprint.
		Sergei Eisenstein developed a system of editing that was unconcerned with the rules of the continuity system of classical Hollywood that he called Intellectual montage.
	en.wikipedia.org /wiki/Film_editing (2633 words)

	Editing 2
		Continuity editing moves the story and is generally slower than dynamic editing.
		Parallel editing is the technique of intercutting two independent sequences to and fro in the course of editing so that a relationship is established between the parallel actions.
		Editing is the language, the linkage, the collision and the montage of film.
	comm2.fsu.edu /programs/comm/film/editing2.htm (5028 words)

	Lecture I (Site not responding. Last check: 2007-11-03)
		In continuity editing, retention of the 180 degree rule is essential to ensure the viewer's easy comprehension of spatial relations.
		In continuity editing, manipulation of temporal order and duration tends to be limited, and clearly conveyed as such.
		One technique associated with an opposition to continuity editing is the jump cut, which involves (arbitrarily) excising a portion of time and space between shots so as to emphasize the cut.
	www.utoronto.ca /ini115y/editing2.htm (179 words)

	Editing
		Editing is normally done in post-production, the period after the shooting of a film or tape during which the production is edited, dubbed, and prepared for distribution..
		Continuity editing in narrative filmmaking is used to condense time and space as well as to emphasize story elements, structuring the narrative material so that patterns of meaning are created.
		Editing literally creates a new kind of motion in moving pictures, It literally "picks the audience up" psycho/physically" and moves it from position to position, from place to place, from time to time, from emotion to emotion.
	comm2.fsu.edu /programs/comm/film/editing.htm (2740 words)

	[No title]
		Continuity editing relies upon matching screen direction, position, and temporal relations from shot to shot.
		Axis of action: In the continuity editing system the imaginary line that passes from side to side through the main actors, defining the spatial relations of all the elements of the scene as being to the right or left.
		Master shot: In analytical editing, the master shot is often the first shot of a scene and it records the entire action and dialogue of the scene.
	www.u.arizona.edu /~swhite/english_300_fall_2005/Editing_Terms.doc (652 words)

	continuity editing
		continuity: concentrates on the structuring of on- and off-screen space and on establishing and maintaining the viewer’s mental map.
		Rhythmic editing occurs when the editor adjusts the length of the shots in relation to each other to control their overall duration on screen to create accent, beat and tempo.
		Spatial continuity is when the filmmaker connects any two points in space through similarity, difference or development or even divide the whole space into component parts to make up the scene.
	www.sfu.ca /~ccbaker/webspace/MI06_site/week3/wk3-continuity1.htm (1540 words)

	THE FORMULATION OF THE CLASSICAL STYLE
		Editing, with its instantaneous changes of vantage point, presented a new aesthetic challenge, and filmmakers had to a considerable degree to thrash out their problems on their own.
		The formulation of the continuity editing system was not a direct development of devices from the primitive period.
		First the onlooker surveys the scene (establishing shot); as the action continues, he or she focuses upon a detail (cut-in), or glances back and forth at the participants in a conversation (shot/reverse shot), or glances to the side when distracted by a sound or motion (cutaway).
	www-rohan.sdsu.edu /~tfm320/continuity2.htm (9408 words)

	Cinema -- Editing
		A visual transition created in editing in which one shot is instantaneously replaced on screen by another.
		Editing that creates action that flows smoothly across shots and scenes without jarring visual inconsistencies.
		The finished edit of a film, approved by the director and the producer.
	www.learner.org /exhibits/cinema/editing2.html (403 words)

	Basic editing theories and principles
		It was at this point that the theory of continuity editing was born.
		News editing is a basic approach video editors use to create documentaries, instructional videos, advertising, corporate promotions, and other presentations which call for editing footage of spontaneous, un-scripted action.
		Although this edit is abrupt and destroys the "illusion of continuity," the MTV generation easily accepts such leaps in time and space.
	www.bctv.net /telcom/tel40text/3editing.html (2219 words)

	Video Editing - Continuity Techniques
		In the editing process we have to rely on regular insert shots and cutaways to effectively present the elements of a story.
		When it was placed next to the close-up of the food, the audience perceived hunger in his face; and when it was associated with the shot of the little girl, the audience saw the actor as experiencing parental pride.
		Thus, one of the most important tenets of editing was experimentally established: the human tendency to try to establish a relationship between a series of scenes.
	www.cybercollege.com /tvp051.htm (941 words)

	Film Editing \| Activity 3 \| Teacher's Resource Guide \| YMI, Ltd./AMPAS
		In the editing process, the editor does not usually attempt to create an exact record of what happened as viewed through the eyes of one character.
		Continuity editing generally presents the action in a logical, chronological sequence.
		Examine how action continuing from one shot to another is "matched." Study the direction that objects move across the screen from one shot to another.
	www.oscars.org /teachersguide/filmediting/activity3.html (689 words)

	T351 Week 4
		Continuity editing refers to arranging the sequence of shots to suggest a progression of events.
		In relational editing scenes which by themselves seem not to be related take on a cause-effect significance when edited together in a sequence.
		In thematic editing (also referred to as a montage) images are edited together based only on a central theme.
	www.indiana.edu /~telecom/faculty/krause/Sum_T351/t351week4.html (1537 words)

	The Continuity System--Film Editing
		THE CONTINUITY SYSTEM: A highly standardized system of editing, now virtually universal in commercial film and television but originally associated with Hollywood cinema, that matches spatial and temporal relations from shot to shot in order to maintain continuous and clear narrative action.
		Generally speaking, the continuity system aims to present a scene so that the editing is "invisible" (not consciously noticed by the viewer) and the viewer is never distracted by awkward jumps between shots or by any confusion about the spatial lay-out of the scene.
		A key element of the continuity system is the 180 DEGREE RULE, which states that the camera must stay on only one side of the actions and objects in a scene.
	cla.calpoly.edu /~smarx/courses/continuitysys.html (1046 words)

	Video Editing - Continuity Editing
		Editing is the creative force of filmic reality...and the foundation of film art.
		Continuity editing primarily suggests guiding an audience through a sequence of events and, in the process, showing them what they want to see when they want to see it.
		Although strict continuity editing would dictate that we present events in a logical sequence, it would make a more interesting story -- one that would be more likely to hold an audience -- if we present the result first and reveal the cause gradually over time.
	www.cybercollege.com /tvp050.htm (1588 words)

	Digital Video Editing Class -- learn digital video editing online -- learn with non-linear editing programs, such as ...
		Edit your project into a finished sequence with relatively smooth editing and pacing.
		Edit a short video, working with supplied images or adding your own footage to continue the story of the video.
		Non-linear editing program (Avid Free DV is recommended and available as a free download at http://www.avid.com/freedv/index.asp) and Access to a digital video camera, preferably a MiniDV with a FireWire I/O connection.
	training.sessions.edu /online-training/digital-video-editing.asp (903 words)

	Computer Editing: Go with the Flow -- Editing for Continuity
		When a program is well edited, it seems to seamlessly flow from one shot to the next, and from scene to scene, capturing the imaginations of viewers and guiding them to an understanding of the material being presented.
		Continuity is important, but sometimes telling the best story you can is more important than the getting all the details just right.
		Only as we got older did we realize that in the interest of keeping the editing pace of the gunfights as rapid as possible, those cowboy "six-shooters" were somehow magically capable of firing dozens and dozens of rounds without reloading.
	www.videomaker.com /article/9251 (1304 words)

	LEARNING UNIT 5 FILM STRUCTURE
		The student should be able to describe all intershot visual and aural elements and relate these concepts to the process of editing.
		Editing is the process of selecting and assembling various shots both in terms of images and sounds.
		Continuity editing has certain rules that aim to hide rather than emphasize the cut.
	mailer.fsu.edu /~jgm8530/editing_overhead.htm (475 words)

	>Editing in the depth of the surface
		The vast majority of films are still edited according to continuity principles[1], and the growing school of new editing will probably co-exist with classical continuity well into the future, maybe even forever.
		As a first principle, this new kind of editing is based, not on explaining the spatial relations as is the case with the continuity system, but on using different visual and auditive tricks to make the audience relate to a two-dimensional picture surface, thus not missing the explanation of the third dimension.
		The continuity convention is so established not only as a construction principle but in our conception of a film that when you chose to ignore it, it's important that you make your own contract with the audience.
	pov.imv.au.dk /Issue_06/section_1/artc6A.html (3273 words)

	continuity editing 2
		A match on action adds variety and dynamism to a scene, since it conveys two movements: the one that actually takes place on screen, and an implied one by the viewer, since her/his position is shifted.
		Cutting on movement is the preferred option in editing, provided the sequence has been shot to include action edit points.
		He made films, shot by shot to create a visual or narrative collisions from sequence to sequence, believing the when viewers are confronted with such collisions or conflicts they more actively participate in understanding the content of the film.
	www.sfu.ca /~ccbaker/webspace/MI06_site/week3/wk3-continuity2.htm (1570 words)

	Continuity Editor Extraordinaire (Site not responding. Last check: 2007-11-03)
		The continuity department for the movies or television are those responsible for making sure no anachronisms appear in period movies such as a roman legionaire wearing a wristwatch.
		Please note that I do not have traditional editing skills (though spelling consistency and word usage are provided as part of my service), but I have a Bachelors in Applied Physics, a Masters in Information Science and have an eye for logical inconsistencies.
		My services include logic checking, continuity checking, scientific accuracy and spelling consistency, As part of this last service I can provide a skeleton glossary of names and terms used throughout your text which is a byproduct of my checking process.
	homepage.mac.com /phillberrie/continuity_editor.html (382 words)

	Untitled Document
		Classical editing achieves a "smooth" and "seamless" style of narration, both because of its conventionality (it is "invisible" in part because we are so used to it) and because it employs a number of powerful techniques designed to maximize a sense of spatial and temporal continuity.
		Three other standard editing techniques in classical editing are also important: First, Hollywood editing typically embeds cuts in the middle of an action.-- a technique known as a MATCH ON ACTION.
		A central convention of the CONTINUITY SYSTEM that states that the camera must stay on one side of the axis of action (also known as the 180 degree line) -- an imaginary line running through the space of the scene (often between two key actors).
	shea.mit.edu /ramparts/commentaryguides/glossary/filmlexicon.htm (3618 words)

	Edit Suite: Continuity Boot Camp
		Cutaways, which are basically a short cut edit to a separate but related shot, work well when you want to draw attention away from a continuity error.
		In the edit, I had to find a way to communicate that Sherry had left her seat at the table and was standing at the table waving good-bye to Jim.
		The rule of thumb for editing action says to make cuts happen "on the action." To cut these shots together, the proper edit point would be when her body turns to leave.
	www.videomaker.com /article/1208 (2412 words)

	Continuity ConsiderationsA good videographer and editor will look for movements within a sequence that tie the shots ...
		Continuity ConsiderationsA good videographer and editor will look for movements within a sequence that tie the shots together.
		For example,when switching from a medium shot to a close-up of someone writing, their hand should be in the same place when the edit is made.
		The edit should take place when the man is in approximately the same location in each shot.
	wneo.org /video/continui.htm (316 words)

	Continuity Boy
		When watching a film composed according to the classic continuity style, all viewers will focus their attention on a small number of objects within a shot.
		Continuity errors are typically mistakes made during production that are spotted by viewers on repeated viewings of a film.
		Editing Memory is a drop in activity in which you get to test your memory for films by reconstructing the film using editing.
	continuityboy.blogspot.com (4318 words)

	202Montage (Site not responding. Last check: 2007-11-03)
		Linear Editing has today been superceded by nonlinear editing as analog formats have given way to digital formats.
		• Continuity editing tends to be invisible - it doesn't draw attention to itself, but works instead to seamlessly weave disparate shots into a coherent whole.
		In addition to affecting the audience emotionally, editing can also prompt audiences to engage with the film intellectually, making intellectual connections between shots that initially seem unrelated.
	pages.emerson.edu /faculty/P/Peter_Flynn/202Montage.htm (559 words)

	COM 355 / Week 6 / Editing 1
		The camerapersons careful selection of shots to include and shot composition is a form of editing.
		Continuity editing: moves the action smoothly without any discontinuous jumps in time or space
		Dynamic editing: a bit more complex than continuity editing and utilizes visual materials to create an impact rather than to convey literal meaning.
	homepages.wmich.edu /~nwulup/3550-06.htm (902 words)

	Videography Basics - The Grammar of Editing
		Traditionally, a cut joins two shots in a continuing action, a fade signals a change from one action to another and an effect makes either type of transition purposely calling attention to itself.
		In classic editing, a cut should be nearly invisible because the action on screen moves across the division between shots in an uninterrupted flow.
		As her close-up continues, we see him superimposed on her face to show what she's thinking about, then shifting to him by completing the long cross fade.
	www.personal.kent.edu /~lhanson/grammar.htm (1440 words)

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