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| | Gerald Peary - essays - The Conversation |
 | | His model could be Francis Ford Coppola in the early 1970s, sandwiching The Conversation (1974)--downbeat, moody, eerily atmospheric, neo-European in its sensibility--between his mammoth popular masterpiece, The Godfather (1972) and The Godfather, Part II (1974). |
 | | When The Conversation first appeared in theatres, critics assumed that Coppola was making a topical film, as they compared the story of protaganist, Harry Caul, wire-tapper and surveillance man, to the then-daily headline sagas of the Watergate burglars. |
 | | The germ of The Conversation was a 1966 conversation with fellow director, Irvin Kershner. |
| www.geraldpeary.com /essays/the/the_conversation.html (893 words) |
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