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| | Review: Neil Gaiman's Coraline, reviewed by Tim Pratt |
 | | Inevitably, Coraline takes the key and returns to the door, and this time when she opens it, there are no bricks, just a dark corridor. |
 | | She tells Coraline that she's her "other mother," and that Coraline may stay with her forever; the chief advantages of this arrangement seem to be delicious food (Coraline's own parents seldom cook anything to her liking) and a lack of disciplinary constraints. |
 | | Coraline explores further, and finds strange analogues to her own world -- a theater full of dogs downstairs, where younger versions of Miss Forcible and Miss Spinks perform an endless vaudeville-style variety show, and a distinctly lunatic old man upstairs, who has dozens of red-eyed rats living in his suit. |
| www.strangehorizons.com /2002/20020701/coraline.shtml (1483 words) |
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