| | Journal of Seventeenth-Century Music | Vol. 6 No. 2 | Review (Site not responding. Last check: 2007-10-18) |
 | | Given this abundance of recent scholarship on Corelli and his contemporaries, it was high time someone took on the task of reassessing and revising our perspective of this influential composer in a book-length study. |
 | | The fact that two of Corelli’s patrons, Benedetto Pamphilij and Christina of Sweden, had organs in their homes, as Allsop points out, in no way lessens the association made by Italian composers of the harpsichord with the sonata da camera and of the organ with the sonata da chiesa. |
 | | Corelli himself never mentions it in his published music, and there is no composition in the archives of the Accademia Filarmonica by Corelli that would have served as part of the materials required for admission at the rank of composer.” (Allsop, Arcangelo Corelli, 25). |
| sscm-jscm.press.uiuc.edu /jscm/v6/no2/Barnett.html (2893 words) |