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| | TIME.com: The New Pictures -- Mar. 10, 1930 -- Page 1 |
 | | Pretty Corinne Griffith talks through her nose in her first sound-picture, playing in a manner saturated with melancholy the role of a young woman who, innocently compromised, has been divorced by her husband. |
 | | All daring stuff when Miss Griffith made Lilies of the Field as a silent picture, the little plot seems mild enough now, and its denouement, in which the girl marries her lover, can be foreseen by the end of the first reel. |
 | | Corinne Griffith's charm is the only thing that gets it over, but it is obvious at times that she is uneasy too, especially at the moment when she has to drop her habitual air of dignified seductiveness to dance a tap routine in tights on top of a piano. |
| www.time.com /time/magazine/article/0,9171,752385-1,00.html (759 words) |
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