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| | [No title] (Site not responding. Last check: 2007-10-14) |
 | | As a novelist, Robert Graves is probably best known for his reconstructions of turning points in the history of the Roman Empire (the Empire at its height in the "Claudius novels," and at its fall in Count Belisarius), of Christianity (King Jesus), of the Republican interlude in seventeenth century England (Wife to Mr Milton). |
 | | in Count Belisarius)--the conventions of (auto)biographical writing are employed as much as those of the historical novel, and I therefore prefer to call them "fictional (auto)biographies of historical characters." |
 | | This, I would argue, is a specific genre which started with Virginia Woolf's Flush (1933) and which had a strongly critical intent from its beginning; this is shown, for instance, by Woolf's choice of Elizabeth Barrett Browning's dog, rather than either the poet or the poetess, as her main character. |
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