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Topic: Cousins (film)


  
  Literatures Languages and Cultures Graduate School
In 1994, Cousins took the Edinburgh Film Festival to Sarajevo, in defiance of the siege.
Cousins is producing Welsh's first original screenplay Meat Trade, executive producing Welsh's adaptation of Alan Warner's novel The Man Who Walks and co-writing and co-directing Bunker, an innovative sci-fi feature film told entirely in still images.
Cousins' most recent projects are both based in Iran: A feature documentary about the city of Bam, which he will produce and co-direct with Oscar winning filmmaker Kevin Macdonald and a 52 minute documentary on the history of Iranian cinema, which he will write and direct for Channel 4.
www.filmstudies.llc.ed.ac.uk /mcousins.html   (632 words)

  
  Les Cousins / The cousins / 1959 / film review
This ability to alter the mood of the film so subtly and effectively is one of Chabrol’s great skills as a director and is used to far greater effect in some of his subsequent thrillers.
In Les Cousins, the situation is cleverly reversed.
Both films seem to side with the outsider and condemn the society that rejects him, although it is perhaps disappointing that, in both cases, that the outsider is destroyed without having any significant impact on the society that crushed him.
frenchfilms.topcities.com /nf_Les_cousins_rev.html   (756 words)

  
 Les Cousins / The cousins / 1959 / film review
This ability to alter the mood of the film so subtly and effectively is one of Chabrol’s great skills as a director and is used to far greater effect in some of his subsequent thrillers.
In Les Cousins, the situation is cleverly reversed.
Both films seem to side with the outsider and condemn the society that rejects him, although it is perhaps disappointing that, in both cases, that the outsider is destroyed without having any significant impact on the society that crushed him.
filmsdefrance.com /FDF_Les_cousins_rev.html   (756 words)

  
 Review/Film; 'Cousins,' an Adaptation - New York Times
''Cousins,'' which opens today at Loews New York Twin and other theaters, is a coarse, raucous, furiously misguided effort to substitute apples for oranges, the oranges in this case being the deceptively casual-looking (and in fact coolly pragmatic) moral attitudes of the story's original French characters.
In France, according to the original film, it is possible for a woman to return home from an adulterous liaison, be met by her habitually unfaithful husband, and tell him point-blank, ''Not one word, or I leave forever.'' And have this put an end to the conversation.
''Cousin, Cousine'' was gently directed and featured an enchanting foursome (Victor Lanoux and the radiant Marie-Christine Barrault as the starry-eyed lovers, Guy Marchand and Marie-France Pisier as their hapless spouses) in the leading roles.
query.nytimes.com /gst/fullpage.html?res=950DE1D8173BF933A25751C0A96F948260   (606 words)

  
 Avalon Publishing Group, Inc./Academic Resources
With style and humor, he identifies the genre's central motif—“The city as labyrinth is key to entering the psychological and aesthetic framework of the film noir”—and goes on to analyze more than three hundred films from 1940 to the present.
Imbuing the language of film with the lyricism so praised in his novels, Christopher draws from his vast knowledge of literature to explore the genre's numerous influences.
Mark Cousins uses his experience as film historian, producer, and director to capture the shifting trends of movie history, relating how filmmakers influenced each other; how contemporary events influenced them; how they challenged established techniques and developed new technologies to enhance their medium.
www.avalonpub.com /academic/film   (1906 words)

  
 Margaret Cousins Papers, Biographical Sketch
When Cousins left the university in 1926, she found employment as an apprentice on her father's SOUTHERN PHARMACEUTICAL JOURNAL in Dallas, advancing to associate editor in 1930 and editor in 1935.
Keenly aware of the power of the press in influencing public values, she sought to "live in a manner worthy of emulation." This strong sense of moral imperative and vocational devotion was the driving force behind her efforts as an editor.
In her youth, Cousins had envisioned writing novels of social history, but the course of her career led her to write "simply to entertain." As a writer, Cousins was known for her Romantic short stories, which appeared in many popular women's magazines, including GOOD HOUSEKEEPING, COSMOPOLITAN, MCCALL'S, and REDBOOK.
www.hrc.utexas.edu /research/fa/cousins.bio.html   (564 words)

  
 kamera.co.uk - book review - The Story Of Film by Mark Cousins
- reviewed by Deryck Swan
After commenting in a national newspaper that film literature was lacking an accessible, clearly delineated and jargon-free history of the moving image Cousins received an offer from Pavilion Publishing to produce exactly that.
By examining such films that changed the language of cinema, as opposed to the ones that have gained the most cultural popularity (although these two very occasionally converge), Cousins' book takes an original tour of world filmmaking that offloads equal prominence on American, Iranian, Chinese and Indian cinema alike.
Ozu's truly classic visual style (Cousins tries hard to redeem the notion of 'classic' from its current state of overuse in film writing) was the apotheosis of balanced simplicity and inspired the work of future directors and screenwriters such as Robert Bresson and Paul Schrader.
www.kamera.co.uk /books/the_story_of_film.php   (639 words)

  
 New York Cool
The film opens before the two cousins have begun their killing spree; back in a more innocent time, a simpler time, when a good night out on the town still just consisted of a few drinks, a few laughs, and some kidnapping and forced prostitution.
Chloe Sevigny's meaty appearance is withheld until the final minutes of the film, where she serves to justify and explain the entirety of the previous hour and a half.
In contrast to the film's buzzing inception, the camera is never as dynamic in the body of the film as it is in the opening five minutes.
www.newyorkcool.com /archives/October_2004/film_1.html   (2407 words)

  
 COUSINS IN ARMS
The film's soundtrack, which has been a successful album release in its own right, was the province of engineer, programmer and producer Gareth Cousins, an ex-Abbey Road engineer who now freelances from his base in Stratford-Upon-Avon.
Cousins entered the audio industry in 1986, at the relatively late age of 22 after getting a degree in electronics.
Although the film was conceived with the original Charles Aznavour track, it was thought that it wouldn't appeal to the American market, and so Costello was asked to perform it.
www.soundonsound.com /sos/sep99/articles/gareth.htm   (3730 words)

  
 Kissin' Cousins - MGM 1964 - Elvis Presley
There were two different version of the song 'Kissin' Cousins', The opening title song was written by Fred Wise and Randy Starr and it was this version that was released as a single, peaking at #12 on the pop singles chart.
For the movie 'Kissin' Cousins' Lance plays whichever of the two cousins Elvis is not playing in a particular scene and always has his back to the camera.
In 'Kissin' Cousins' there is a group of lusty mountain maidens called The Kittyhawks, who are in search of men and descend upon Josh Morgan (Elvis) and the platoon of soldiers who accompany him to the Tatum's home on Big Smokey Mountain.
www.elvispresley.com.au /elvis/presley/kissin_cousins.shtml   (2246 words)

  
 Cousins (1989)   (Site not responding. Last check: )
I loved the 1975 French movie "Cousin, Cousine" (roughly pronounced 'koo-ZAN koo-ZEEN', for the non-francophiles).
Again, if the film had done better at the box office, he might have earned an academy award nomination.
It's not a teen film, but neither is it an anti-teen film.
www.imdb.com /title/tt0097116   (548 words)

  
 Mark Cousins | The People | British Independent Film Awards - BIFA
Mark Cousins is a film writer, producer and director.
Cousins’ first good film was DEAR MR GORBACHEV, on which he was associate director.
Since then Cousins has worked in a range of contexts.
www.bifa.org.uk /person.php?person=318   (244 words)

  
 [No title]
Shortly thereafter Kay Cousins died and her dream of bringing this story to the screen seemed, for thirty years, to have died with her.
When I heard that Spielberg was making a film about this subject I had a moment of hope that somehow he had found Kay's screenplay and it was finally going to be a reality.
The film "indicates" what it wants to say, but never really gets beyond that and the enormous cinematic machine it employs, to get to the real emotional heart of the people of this truly important historical moment.
www.mith2.umd.edu /WomensStudies/FilmReviews/amistad-mcalister   (917 words)

  
 Interview with Filmmaker Chelsea Spear of "Alphabet.", 5/02
Described as a "neo-realistic, Truffaut-inspired response to the children's book 'The Phantom Tollbooth,'" the film is a character sketch that follows Emily, a 12-year-old math genius who plays the French horn, on a typical morning in her life as she begins to see the connections between math and music.
I also had an opportunity to briefly intern with a filmmaker whose films mean a lot to me, though he had to let me go because he wasn't in the office long enough to justify having an intern.
In some ways, the film is my way of giving myself those things I wish I had when I was her age.
www.newenglandfilm.com /news/archives/02may/alphabet.htm   (636 words)

  
 The Story of Film - Film Quiz
There are so many different ways that film can be considered, more than just which celebrated actor is playing the lead or the total budget and box-office takings.
Film critic, producer and presenter, Mark Cousins shows how film-makers are influenced both by the historical events of their times, and by each other.
Film is an international medium, so as well as covering the great American films and film-makers, the book explores cinema in Europe, Africa, Asia, Australasia and South America, and shows how cinematic ideas and techniques cross national boundaries.
www.contactmusic.com /new/home.nsf/webpages/thestoryoffilmx07x10x04   (450 words)

  
 The Films of Claude Chabrol
This horizontal, flat mirror is an innovation in film noir, too - most mirrors in Lang and the film noir he influenced are vertical and parallel to walls.
The shot of Paul in a telephone booth late in the film echoes a previous shot of the heroine in a rising elevator, earlier at the hotel.
In both films, a young woman is victimized by the house's inhabitants.
members.aol.com /MG4273/chabrol.htm   (2255 words)

  
 Tom McBeath Film Credits
McBeath's film history is quite extensive (especially considering he is primarily a stage actor).
Films currently without links will hopefully be added in due time.
McBeath has also appeared in at least two short films, "The Alley" (18 minutes) and "The Fisherman and His Wife" (11 minutes), which may not be obtainable for the purpose of making vid caps.
queen-of-outer-space.com /tmfilm.htm   (102 words)

  
 David Lynch Scene by Scene interview
There is a film screen to the right of Mr Lynch, which Mark Cousins project film clips on during the course of the interview.
Everything that happens after a film is finished is maybe interesting and it can be, you know, very hurtful or exhilarating in certain ways but it has not much to do with the work.
She said, you know, that your films have got a sort of misogynistic view of women, that the characters are not understood, they have no inner life.
victorian.fortunecity.com /plath/372/index2005.html   (5851 words)

  
 I film realizzati da ELVIS e alcune descrizioni.
I film realizzati da ELVIS e alcune descrizioni.
Dopo due anni di servizio militare, i suoi film presero tutti la stessa formula: belle ragazze, luoghi esotici, scazzottate e canzoni.
Gli unici due film che si aggiunsero furono due documentari riguardanti la sua carriera musicale: il primo fu "That's the way it is", che lo riprende durante i preparativi per il ritorno sul palcoscenico; e il secondo "Elvis on Tour" documenta 15 giorni di concerti attraverso gli Stati Uniti.
www.grazielvis.it /film   (281 words)

  
 IN THIS WORLD
As the film progresses, it becomes clear that the purveyors' perfidy and greed are matched only by their shameless disregard for the fate of their cargo.
It's a clumsy attempt to straddle the line between narrative and non-fiction film, and to graft onto the characters' situation portent that is already immanent.
In preparation for making the film, they interviewed refugees who immigrated to Britain, some of whom had made the last leg of their trip as Jamal does--through the Channel Tunnel from the former refugee camp in Sangatte.
www.filmjournal.com /filmjournal/reviews/article_display.jsp?vnu_content_id=1000695574   (527 words)

  
 Howstuffworks "How Film Festivals Work"
One such film was Steven Soderbergh's "Sex, Lies, and Videotape," which debuted at Sundance Film Festival in 1989 and won the Audience Prize.
The film caught the attention of Miramax Studios, which released "Sex, Lies, and Videotape" in August 1989.
Some festivals are specific to one film genre, such as documentaries, or to one length, such as shorts.
www.howstuffworks.com /film-festival1.htm   (491 words)

  
 indielondon.co.uk - books - The Story of Film, preview
Film critic, producer and presenter, Mark Cousins shows how film-makers are influenced both by the historical events of their times, and by each other.
The Story of Film is divided into three main epochs: Silent (1885–1928), Sound (1928–1990) and Digitial (1990-Present), and within this structure films are discussed within chapters reflecting both the stylistic concerns of the film-makers and the political and social themes of the time.
Film is an international medium, so as well as covering the great American films and film-makers, the book explores cinema in Europe, Africa, Asia, Australasia and South America, and shows how cinematic ideas and techniques cross national boundaries.
www.indielondon.co.uk /books/story_of_film.html   (445 words)

  
 Cousins (UK - DVD R2) in Reviews > Video Discs at DVDActive
Danson effortlessly carries the film as its centrepiece, Rossellini reminds everyone that she really should regularly appear in far better films than this, Petersen is suitably slimy and Young bitches away which clenched teeth as only she can.
In such a dialogue driven film, the lack of a surround track is not the end of the world; the trio of wedding sequences display some nifty channel separation from the front of the soundstage and Ted Danson’s celebrated slurred style of delivering dialogue is always crystal clear from the centre speaker.
Presented by Paramount on another disc that’s as annoyingly average as the film itself, Cousins is nevertheless not the worst way of spending a wet and windy Sunday afternoon and may even make a decent DVD purchase for Ted Danson devotees or those in the dating game.
www.dvdactive.com /reviews/dvd/cousins.html   (951 words)

  
 The Tech - Jealousy over spouses forges new; more successful frienship in Cousins
Inspired by Cousin, Cousine, the hit French film of 1975, Cousins stars Ted Danson of Cheers fame as Larry Kozinski, a married dance instructor who is afraid of success.
The most revealing shot of the film occurs when Larry and Maria, deciding the fate of their friendship, walk down a flight of stairs.
Cousins, however, gets so many aspects of human nature and love right that this fault should not stop anyone from viewing this film.
www-tech.mit.edu /V109/N2/cous.02a.html   (760 words)

  
 VH1.com : Movies : Person : Claude Chabrol : Biography
The film, which revolved around the intrusion of a man (Jean-Louis Trintignant) upon a lesbian relationship, was a critical success, and heralded a new, more mature phase of Chabrol's career.
Based upon the true story of a 19-year-old girl (Huppert) who was convicted of poisoning her father and attempting to kill her mother, the film achieved the remarkable feat of lending its unlikable protagonist a degree of three-dimensional sympathy, and drew favorable comparisons to Hitchcock, whose work provided Chabrol with a constant source of inspiration.
Chabrol's films of the 1980s and '90s largely suffered in comparison to his earlier work; some critics noted that they lacked the unity and quality that gave the director's films of the 1950s and '60s such enduring resonance.
www.vh1.com /movies/person/74551/bio.jhtml   (1144 words)

  
 dark discussion - New great book: The Story of Film   (Site not responding. Last check: )
This is the story of film told passionately, from the perspective of the filmmakers themselves.
In keeping with Cousins' international perspective, the images are drawn as much from the less familiar worlds of African, Asian and Middle Eastern cinema as from the work of Western directors.
As mentioned, an important factor in Cousins' narrative is the apparent network of influences he refers to throughout a Century of filmmaking.
www.darkdreams.org /vbulletin/printthread.php?t=7279   (1643 words)

  
 Articles written by 'Mark Cousins' for Prospect Magazine
His trippy films delight in moments of rapture—from which he finds it hard to come down.
Digitisation is bringing film's history back to life and may revive cinema-going too.
Film festivals were created to promote what the mainstream ignores.
www.prospect-magazine.co.uk /list.php?author=28   (987 words)

  
 Netribution > Features > Carnal Cinema > Mike Fungus
His next film was the deeply personal ‘I’ve Had Lots of Sex’ – an allegedly semi-autobiographical piece about the sexual experiences of a man over the course of his life.
The film follows a man from boyhood to adulthood and recounts his various sexual encounters.
The whole film has been shot in real time and the screen is split into four images.
www.netribution.co.uk /features/carnal_cinema/81.html   (1167 words)

  
 Netribution > Features > Carnal Cinema
Resident columnist Dr Andrew Cousins invites you to peer through his telescope at a galaxy of stella filims and shooting stars, in that universe that we call cinema
'A short film without guns is like decafinated coffee' - Dr Andrew learns the secrets of short filmmaking from Paul Wilderman, director of Death and Mayhem in E Minor.
Film Theory with Added Punch - Dr Andrew meets Dr Suzi Drexler, respected academic and author of 'The Camera as a Penis'
www.netribution.co.uk /features/carnal_cinema   (527 words)

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