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Cremaster 3 (2002): Matthew Barney, Aimee Mullins, Richard Serra - PopMatters Film Review |
 | | Many of the set pieces and props in Cremaster 3, for instance, are his own sculptures; moreover, he got New York's Guggenheim Museum to allow him to film the last movement of the film in its famous spiraling rotunda. |
 | | Clearly, Barney's influences are as varied as his media, and the Cremaster Cycle consistently pushes the boundaries of what constitutes "art," "film," and "popular culture." All of the Cremaster films are visual abstractions, as well as excurses on themes like gender, sexuality, identity, freedom, and spiritual transcendence. |
 | | Cremaster 2 takes on madness, psychosexual development, independence, and the relationship of individual to state, through a retelling of the life story of Gary Gilmore (with Norman Mailer portraying Harry Houdini). |
| www.popmatters.com /film/reviews/c/cremaster3.shtml (1295 words) |
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