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Bazin on CinemaScope |
 | | As matters stand today, since not all films have been made to undergo this surgical operation, the framing is left to the initiative of the projectionist, who is supposed to choose between beheading the characters and cutting off their legs, according to his personal complexes. |
 | | In this respect, film is not an art form, it is not the fulfilment of an eternal need or a newly created one (are there any radically new needs?); rather, it is the result of the happy conjunction between a virtual need and the technological-economic state of civilization. |
 | | Film will thus grow even more apart from the abstractions of music and painting, and will get even nearer to it profound vocation, which is to show before it expresses, or, more accurately, to express through the evidence of the real. |
| www.film-philosophy.com /vol6-2002/n2bazin (6785 words) |
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