D.A. Pennebaker - Factbites

D.A. Pennebaker - Factbites
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	D.A. Pennebaker - Wikipedia, the free encyclopedia
		Donn Alan "D. A." Pennebaker (born July 15, 1925 in Evanston, Illinois) is an American documentary filmmaker and one of the pioneers of Direct Cinema.
		Pennebaker speaking at the University of Florida in February 2003.
		Sometimes called "Pennebaker documentaries", these films, shot with an obviously hand-held camera, typically eschew voice-over narration and interviews in favor of a "simple" portrayal of events.
	en.wikipedia.org /wiki/D.A._Pennebaker (199 words)

	Pennebaker Hegedus Films
		D A (Donn Alan) Pennebaker is widely regarded as one of the pioneers of cinema verite filmmaking.
		This technical development helped Pennebaker and his colleagues establish what became known as “cinema verite,” a new style of filmmaking that rejected voiceover narration in favor of recording real people and events as they happened, with as little direction from the filmmaker as possible.
		In the 60s, Pennebaker’s portrait of Bob Dylan, DONT LOOK BACK, and MONTEREY POP, starring Janis Joplin and Jimi Hendrix, were two of the earliest films using real-life drama to have a successful theatrical distribution.
	phfilms.com /index.php/phf/people/d_a_pennebaker (590 words)

	Pennebaker Hegedus Films
		D A Pennebaker and Chris Hegedus met the members of Depeche Mode in 1988.
		If you've only ever seen Dont Look Back or Monterey Pop, be sure to check out the film Pennebaker calls, "the most fun I've ever had making a film."
		Depeche Mode 101 is a story of music in the eighties, as it weaves together the adventures of the band and a bus full of fans as they travel across the country to the band's final concert in California at the Rose Bowl.
	phfilms.com (195 words)

	USATODAY.com
		D.A. Pennebaker: She didn't really have much to do with it at all, except for watching it when it was finished.
		D.A. Pennebaker: I didn't want it to be a concert film, so I purposely didn't show any complete performance.
		D.A. Pennebaker: I think the anarchist line was kind of a joke line.
	cgi1.usatoday.com /mchat/20010522002/tscript.htm (909 words)

	The Complete Monterey Pop Festival - $79.95 Dvd
		DA Pennebaker truly earned his credentials here as his camera focuses with incredible grace and sensitivity on each face, be it from audience member or performer.
		The commentary by D.A. Pennebaker and Lou Adler, unlike a lot of commentary on dvds these days, really gives you an idea of what was being done here.
		Lou Adler talking about putting the festival together and Pennebaker about the problems of filming.
	dvd-5.com /06JU7P.html (6643 words)

	D A Pennebaker and Chris Hegedus
		D A Pennebaker and Chris Hegedus are the award winning husband/wife documentary filmmaking team best known for their 1994 feature documentary The War Room.
		One of the early pioneers of cinema verite, Hegedus and Pennebaker’s intimate, narrative style of filmmaking has recorded some of the best-known public figures and personalities of our times.
		Working as a two-person crew using only handheld cameras and available light, Pennebaker and Hegedus are able to observe without interrupting, a key to their trademark fly-on-the-wall style.
	www.docurama.com /Docurama/filmmakers/pennebaker_hegedus (347 words)

	d.a. pennebaker
		Set to Duke Ellington's Daybreak Express, Pennebaker's debut film is a dynamic portrait of New York City filmed from the elevated third avenue train line.
		As well as behind the scenes footage of press interviews, jam sessions, and even an obligatory drunken hotel room scene, Pennebaker's seminal documentary captures both the public and private persona of this notoriously elusive musician.
		Don't Look Back plugs into the untamed energy of Bob Dylan's 1963 English tour.
	www.acmi.net.au /masters_pennebaker.jsp (107 words)

	Transcript: D.A. Pennebaker 2/3/2000
		That was not his first political film: Pennebaker worked on a film in 1960 called ÔPrimary.Õ It followed candidate Jack Kennedy in the Minnesota primary.
		: Our scheduled chat for tonight is with D.A. Pennebaker, one of the amazing documentary filmmakers of our time.
		Pennebaker feel about the movie "Eat the Document"?
	www.time.com /time/community/transcripts/2000/020300pennebaker.html (2660 words)

	AMCTV.com - D.A. Pennebaker Biography
		Pennebaker came to film after early success as an engineer, which helped considerably in the creation (with fellow filmmaker Richard Leacock) of a portable 16mm synchronized sound camera that could be carried on the shoulder.
		It was Pennebaker's first foray into music and set the stage for the decades to come where he would turn his lens on some of the most talented and influential rock musicians of the era.
		In 1967 Pennebaker struck cinematic gold in the form of Don't Look Back, a black and white study of Bob Dylan on his 1965 English concert tour, complete with all the misery the trip entailed.
	www.amctv.com /article?CID=1271-1--0-16-EST (382 words)

	pennebakjer
		Pennebaker's Monterey Pop (1968) is offered as a palliative which subverts the assumptions of this narrative, making its music highly visible while not exploiting representations of the audience.
		The documentary-making team D.A. Pennebaker and Chris Hegedus recall their experiences with "The War Room", a film on the Democratic Party campaign.
		"Pennebaker filmed more than 50 hours of the 1992 presidential campaign of Pres Bill Clinton and made a 90-minute documentary from the footage he shot.
	www.uni.edu /~fabos/pennebaker.html (1113 words)

	NPR : Filmmaker D.A. PENNEBAKER
		Filmmaker D.A. Fresh Air from WHYY, January 7, 2000 · Filmmaker D.A. One of America's foremost documentary producers, PENNEBAKER has brought his cinema verite approach to subjects ranging from Bill Clinton's presidential campaign, to Castro's Cuba, to Bob Dylan's first tour of Britain.
		PENNEBAKER's film on Bob Dylan, Don't Look Back, is being released on DVD.
		Music has been the source of much of PENNEBAKER's work.
	www.npr.org /templates/story/story.php?storyId=1110982 (157 words)

	BBC - BBC Four Rock Doc Greats - Ask DA Pennebaker
		Filmmaker DA Pennebaker answers your questions about his films in the Rock Doc Greats season.
		PENNEBAKER and HEGEDUS We survey the filmmaking couple's career
		The director shares his thoughts on Jimi Hendrix's "noise", David Bowie's fans and Bob Dylan's filmmaking skills.
	www.bbc.co.uk /bbcfour/features/rock-docs/ask_pennebaker.shtml (2291 words)

	Reel New York - D.A. PENNEBAKER
		In a project designed to further film as a journalistic medium, Pennebaker joined several contemporaries to produce the highly acclaimed and revolutionary "Living Camera" series of documentaries.
		After the two produced MONTEREY POP and KEEP ON ROCKIN', Pennebaker went solo with a television documentary of the Stephen Sondheim musical "Company" and a theatrical concert film of David Bowie.
		Beginning in 1964 with the Bob Dylan tour film, DON'T LOOK BACK, Pennebaker and his partner Robert Leacock began documenting the prevailing cultural phenomenon of the times -- rock music.
	www.thirteen.org /reelnewyork4/interview-pennebaker.html (631 words)

	Barnes & Noble.com - Interview - D.A. Pennebaker
		A living legend in documentary filmmaking, Pennebaker is best known for his smart, timely musical films -- from the definitive Dylan documentary Don't Look Back to the landmark Bowie concert film Ziggy Stardust and the Spiders From Mars to the penetrating tour film Depeche Mode 101.
		Two of Rock n' Roll's most enduring cinematic images were caught by one man: D.A. Pennebaker.
		But he was more than just a rockumentarian, as fans of The War Room, his record of the 1992 presidental campaign, know.
	video.barnesandnoble.com /search/interview.asp?ctr=636719 (1483 words)

	DigiGuide : D A Pennebaker and others
		When is 'D A Pennebaker and others' on TV I am afraid we have no information on D A Pennebaker and others
		Download DigiGuide, the best TV guide, and never miss a programme with D A Pennebaker and others in it again
		Find out more on D A Pennebaker and others at the Internet Movie Database
	library.digiguide.com /lib/person/30289 (99 words)

	Moviefone: Movie Celebrities - D.A. Pennebaker: MAIN
		DA Pennebaker and Chris Hegedus met the members of Depeche Mode in 1988.
		An innovator in the Direct Cinema style of documentary filmmaking, also known as cinéma vérité, filmmaker D.A. Pennebaker got his start in the...
		DA Pennebaker - Filmography, Awards, Biography, Agent, Discussions, Photos, News Articles, Fan Sites.
	movies.aol.com /celebrity/main.adp?sid=106029 (252 words)

	Media Nugget : Don't Look Back : D.A. Pennebaker
		Filming Bob Dylan's 1965 tour of England, cinema verit pioneer D.A. Pennebaker became the next best thing to a fly on the wall.
		Media Nugget : Don't Look Back: D.A. Pennebaker
		Beyond the title credits, the film is without captions or voice-over narration, allowing the viewer to interpret the film (and thus the subject) on its own terms.
	www.medianugget.com /2001/05/dont_look_back.html (149 words)

	D.A. Pennebaker Movies @ Filmbug
		Directed by D.A. Pennebaker, Rick McKay, Chris Hegedus, Andy Picheta and Nick Doob
		Directed by Chris Hegedus, D.A. Pennebaker and David Dawkins
		Directed by D.A. Pennebaker, Chris Hegedus and Nick Doob
	www.filmbug.com /db/341873-2 (140 words)

	D.A. Pennebaker
		Find where D.A. Pennebaker is credited alongside another name
		Discuss this person with other users on IMDb message board for D.A. Pennebaker
		You may report errors and omissions on this page to the IMDb database managers.
	www.imdb.com /name/nm0672060 (463 words)

	D.A. Pennebaker
		One of the founding fathers of 'direct cinema', American filmmaker's adopted name of choice for 'cinema verite', and perhaps its best known practitioner during the 1960s and early 70s, Pennebaker helped construct a style of storytelling and an attitude toward his subjects (often political figures or entertainers) that influenced a generation of nonfiction filmmakers.
		Branford Marsalis: The Music Tells You - (Director / / Released / Pennebaker Associates Inc)
		Branford Marsalis: The Music Tells You - (Editor / / Released / Pennebaker Associates Inc)
	www.hollywood.com /celebs/detail/celeb/1121876 (778 words)

	Alibris: D. A. Pennebaker
		by Pennebaker, D. see all copies from $2.95!
		We guarantee the condition of every book, new or used.
	www.alibris.com /search/books/author/D._A._Pennebaker (72 words)

	D.A. Pennebaker - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links
		D.A. Pennebaker - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links
		Browse artists: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #
	www.artistdirect.com /nad/music/artist/card/0,,951644,00.html (92 words)

	village voice > news > Loving the Alien by John Cameron Mitchell
		I recently spoke with documentary filmmaker D.A. Pennebaker (Don't Look Back, Monterey Pop) about the release of his newly restored and remastered 1973 concert film, Ziggy Stardust and the Spiders From Mars (now playing at Film Forum).
		I catch Father John watching me and I blush.
		JCM: Al Maysles was shooting with you on Monterey Pop.
	www.villagevoice.com /issues/0228/mitchell.php (1409 words)

	Retro Rock 14 09 81 D.A. Pennebaker
		US 2-LP radio interview with D.A. Pennebaker about Dylan's "Don't Look Back" (1965) and "Monterey Pop" (17 06 1967)
		Features Combination of the two (2:20) and Ball and Chain (4:51) by Big Brother & the Holding Co at Monterey, 17 06 1967, and other artists: Bob Dylan (Don't Look Back), Jefferson Airplane, Country Joe & the Fish, The Who, Jimi Hendrix, etc
	smironne.free.fr /JANIS/RADIO/RR140981.html (62 words)

	Glass Links from the Glass Encyclopedia and the Virtual Glass Museum
		Ed Pennebaker's Red Fern Glass (specialises in replicas early American glass)
		Das Jahrhunderthaus (glass miniatures, tableware & marbles: Lauscha, Germany)
		Emma Camden (New Zealand glass artist in cast glass, pate de verre)
	www.glass.co.nz /links.htm (7452 words)

	FAQ.ascx
		In 1959 there was word that Marlon Brando would costar with Sidney Poitier in "Paris Blues" and to be produced by PENNEBAKER, which is Marlon Brando's own production company named after his mother, but Marlon Brando turned it down but PENNEBAKER did make it with Poitier, Paul Newman and Joanne Woodward.
		Allsion", that Brando did not participate, was played by Robert Mitchum.
		Rania Ahmed further writes: I get all this information from a book called "The Movie Makers" by David Shipman.
	brando.crosscity.com /Brando/Main.aspx?Page=FAQ/FAQ.ascx (2619 words)

	MetroArts/Thirteen
		In 1964, Leacock and Pennebaker formed their own company and made what is today considered one of the seminal films of rock music, DON'T LOOK BACK, about Bob Dylan.
		In 1959, Pennebaker, along with Richard Leacock and the Maysles, joined Drew Associates, a group of filmmakers organized by Robert Drew and Time, Inc. dedicated to furthering the use of film in journalism.
		Over the course of five years, Pennebaker and his colleagues established what became known as "cinema verité," an unobtrusive style of filmmaking that rejected voice-over narration in favor of recording real people and events as they happened, with as little "direction" from the filmmaker as possible.
	www.thirteen.org /metroarts/080502/bio.html (315 words)

	Fort Worth Weekly Online -- fwweekly.com Metropolis Look Ahead
		Had Pennebaker made only Dont Look Back or the 1967 Monterey Pop concert film (which contains the famed footage of Jimi Hendrix setting his guitar aflame, quite literally) or The War Room (a home movie in which James Carville and George Stephanopoulos plot the Clinton ascendancy), his legacy would be cemented.
		Lord, how tired Pennebaker must be after all these years of being asked, "What was Bob really like?" Don't look back.
		She asks this because, during the spring of 1965, Pennebaker made a documentary about Dylan's tour of England, Dont Look Back, which captured a drained, cagey Dylan as he transitioned, uncomfortably, from fame to legend.
	www.fwweekly.com /issues/2001-05-24/stuff.html (1527 words)

	BilingualsTwoPerson7.doc
		Authors� note: Correspondence concerning this article should be addressed to Nairan Ram�rez-Esparza at email nairan@mail.utexas.edu or to James W. Pennebaker, Department of Psychology, The University of Texas, Austin, TX 78712 (email: Pennebaker@psy.utexas.edu).
		A Special Case of Cultural Frame Switching Nair�n Ram�rez-Esparza, Samuel D. Gosling, James W. Pennebaker University of Texas at Austin and Ver�nica Benet-Mart�nez University of California, Riverside Word Count: 7,158 RUNNING HEAD: Do Bilinguals Have Two Personalities?
		Preparation of this paper was made possible by a grant from the National Institutes of Health (MH52391).
	www.outofschool.net /working/files/BilingualsTwoPerson7.doc (1527 words)

	SendMeMovies.com - Complete Monterey Pop Festival (1967-1997) (Special Edition) - DVD
		Otis At Monterey" (1987, 18min.) - along with nearly every complete performance filmed by Pennebaker and his crew, the "Outtakes" (1997, 120min.).
		Special Features: Box Set; Audio Commentaries by D.A. Pennebaker and Festival producer Lou Adler on "Monterey Pop," Hendrix biographer Charles Shaar Murray on "Jimi Plays Monterey," and music critic Peter Guralnick on "Shake!
		With his characteristic verite style, D.A. Pennebaker captured it all, immortalizing those moments that have become legend: Pete Townshend destroying his guitar; Jimi Hendrix burning his.
	www.sendmemovies.com /pc-38583-218-complete-monterey-pop-festival-1967-1997-special-edition-dvd.aspx (293 words)

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