| |
| | The New Yorker: The Critics: Content (Site not responding. Last check: 2007-11-02) |
 | | A split family forced to sit shiva together is, of course, a metaphor for the awkward recent years of German reunification, and the film’s German audience was apparently amused by the thought that a Jewish family serves as the allegorical framework of their dilemma. |
 | | Levy shot “Zucker” for German television, in 16-mm., but, after screening it a few times for audiences, he realized he had made something that would play in theatres. |
 | | The movie is raw-looking, and Levy throws the camera around as if it were a Teddy bear, but he controls the actors with calm professional skill—all the characters, beautifully developed in short scenes, are touching and slightly absurd at the same time. |
| www.newyorker.com /critics/content/articles/060123crci_cinema (1369 words) |
|