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	The Divine Comedy - Wikipedia, the free encyclopedia
		Seventh Sphere: Saturn - the contemplative (Cantos XXI and XXII).
		Dante's allegory, however, is more complex, and, in explaining how to read the poem (see the "Letter to Can Grande della Scala"), he outlines other levels of meaning besides the allegory (the historical, the moral, the literal, and the anagogical).
		Dante was one of the first in the Middle Ages to write of a serious subject, the Redemption of man, in the low and vulgar language of Italian, not Latin as one might expect for such a serious topic.
	en.wikipedia.org /wiki/The_Divine_Comedy (4525 words)

	GradeSaver: ClassicNote: Divine Comedy-I: Inferno
		Dante was not pleased to have an escort, but Virgil again told him not to be frightened: the demons' growling faces were meant to scare the sinners.
		Dante's reference to the fable of the mouse and the frog makes it clear that he was familiar with Aesop's works, and that the events in the preceeding canto were intentionally fable-esque.
		Dante emphasizes the paternal nature of Virgil's love for him; all the same it is strange to hear about Dante, a grown man of 35, being picked by by Virgil and tenderly carried around.
	www.gradesaver.com /classicnotes/titles/inferno/section7.html (1919 words)

	Meditations On The Divine Comedy (Site not responding. Last check: 2007-10-18)
		Dante is saddened once more, by his pity for the state in which the sodomites find themselves, which is also compassion for the state of Florence.
		Dante pauses for some words of wisdom, before he turns to speak to the Reader, to us, and throw us a simile, of a man diving deep and returning from the depths having freed what was caught.
		The fearful Dante emerges (is this all merely mock-serious?) and it reminds him of the fear of the surrendering soldiery at Caprona, where he was present, in 1289, marching out under the eyes of the besieging Guelphs.
	www.worldebooklibrary.com /eBooks/TonyKline_Collection/Html/MeditationInf15to21.htm (2759 words)

	SparkNotes: Inferno: Cantos XXI–XXIII
		As Dante examines the pitch to determine its composition, Virgil yells for him to watch out: a demon races up the rocks on the side of the pit, grabbing a new soul and tossing him into the flness.
		Thus, Dante follows Christ into Hell on the anniversary of His death, though the poet keeps this fact from the reader until the character has penetrated nearly to the bottom of the pit.
		Dante continues to use his gift for symbolism to make moral points about the sinners of myth and history, rendering this section the most ominous and grotesque so far.
	www.sparknotes.com /poetry/inferno/section9.rhtml (1319 words)

	Bodleian Library: Western manuscripts to c.1500: MS. Holkham misc. 48: Inferno (Site not responding. Last check: 2007-10-18)
		Dante and Virgil with Capaneus among the blasphemers and usurers in the rain of fire.
		Dante and Virgil look at the concentric circles of the malebolge, which are filled with souls- the panderers and the seducers on the topmost ring scourged by devils.
		Dante and Virgil with Piero da Medicina; Piero da Medicina pointingtout Curio; sowers of discord.
	bodley.ox.ac.uk /dept/scwmss/wmss/medieval/mss/holkham/misc/048.a.htm (1409 words)

	New Page 6 (Site not responding. Last check: 2007-10-18)
		Dante's use of Virgil is one of the richest cultural appropriations in literature.
		Virgil had provided Dante with moral instruction in survival as an exile, which is the theme of his own poem as well as Dante's, but he clung to his faith in the processes of history, which, given their culmination in the Roman Empire, were deeply consoling.
		Dante became known as the divino poeta, and in a splendid editionof his great poem published in Venice in 1555 the adjective was applied to the poem's title; thus, the simple Commedia became La divina commedia, or The Divine Comedy.
	www.nelepets.com /art/collections/DANTE/front.htm (4280 words)

	Meditations On The Divine Comedy
		Dante accepted in the Convivio, and explains in the Paradiso, that Angels govern the planetary spheres, their movement and influence.
		Dante bends the knee to him, as a holder of Papal Office, but Adrian reminds Dante that all formal relationships are abandoned beyond the grave.
		Dante’s knowledge is a thirst that cannot be quenched except by that metaphorical water of Truth that Christ spoke of to the woman of Samaria at the well.
	www.tonykline.co.uk /PITBR/Italian/MeditationPurg15to21.htm (4369 words)

	Meditations On The Divine Comedy
		Dante suggests Mars was in Leo at Christ’s birth when in fact at the beginning of 1AD it was astronomically in the constellation of Aries the Ram, the sign of the equinox and of Christ as the Lamb of God.
		Quickly Dante asks to be enlightened, his hidden question is that concerning the justice of the un-baptised who lived without knowledge of the faith and are excluded from salvation, and the eagle shakes its feathers like an un-hooded hawk before replying.
		Dante’s eyes are fixed on Beatrice who dare not smile lest she overpowers him, as we enter the higher and more deeply religious sphere.
	www.tonykline.co.uk /PITBR/Italian/MeditationPar15to21.htm (5708 words)

	American Dante Bibliography for 1972
		Finally, in accordance with the theme of order and unity in diversity, Dante's presentation of the sages in the heaven of the Sun is seen to figure a harmony of the various ways in which mankind may participate in one divine Wisdom.
		Because of family kinship to Dante, he may even be paired as infernal counterpart with the kinsman the poet placed in heaven, Cacciaguida, thus precluding any question of spite of Dante's part ill placing Francesco in hell.
		Dante's conception of the heavenly city is construed in Augustinian terms, based on the saint's and the poet's common vision of justice and peace.
	www.brandeis.edu /library/dante/adb1972.htm (8155 words)

	Paradise. Canto XXI. Dante Alighieri. 1909-14. The Divine Comedy. The Harvard Classics (Site not responding. Last check: 2007-10-18)
		—Dante ascends with Beatrice to the seventh heaven, which is the planet Saturn; wherein is placed a ladder, so lofty, that the top of it is out of his sight.
		Piero Damiano comes near them, and answers questions put to him by Dante; then declares who he was on earth; and ends by declaiming against the luxury of pastors and prelates in those times.
		Here Dante is said to have resided for some time.
	www.bonus.com /contour/bartlettqu/http@@/www.bartleby.com/20/321.html (987 words)

	Falvo: The Irony of Deception in Malebolge
		This is a central question of which Dante, the poet, takes full awareness at mid-point in his journey through Hell, as his poetry must go on with the fraud, the «fiction» of the journey, in order to describe fully and effectively God's outward manifestation of Love and Justice.
		The first hint of Virgil's limitations is given by Dante's subtle comparison of his guide (who displays his confidence at this renewed encounter with the devils) to the «poverello» («poor beggar») who, rushed by the fury and uproar of dogs, «di sùbito chiede ove s'arresta» («straightway begs from where he stops», vv.
		Therefore Dante's comparison should be carefully viewed at different levels: «grammatically», it refers directly to the ferocity of the dogs and the devils; «dramatically», it creates a tension between Virgil's presupposed behavior and his actual conduct; «poetically», it unveils the limits of reason in recognizing the great evil embodied by these devils.
	www.brown.edu /Departments/Italian_Studies/LD/numbers/02/falvo.html (5812 words)

	FREE MonkeyNotes Study Guide Summary-The Divine Comedy:The Inferno by Dante Alighieri(Dante's Inferno)-CANTO XXI ...
		Dante compares this action to that of scullery boys who push the meat into the gravy with their forks.
		She same grim humor is revealed when Dante compares the devils with scullery boys trying to keep the meat (here, the sinners) down in the hot gravy.
		Dante's mistrust is proved correct when one of the devils, Scarmiglione, cheered by others is about to attack him.
	www.pinkmonkey.com /booknotes/monkeynotes/pmDivine71.asp (1863 words)

	Dante (Site not responding. Last check: 2007-10-18)
		Cantos XXI and XXII are sometimes called "The Gargoyle Cantos" because of the grotesqueries we encounter.
		In the original Italian, Dante uses "p" alliterations to convey the bubbling effect of the boiling tar in which the grafters, those with "sticky fingers" in life, suffer.
		Dante sees two Jovial Friars and then Caiaphas, the Jewish leader who told Pontius Pilate to crucify Jesus, who is himself crucified to the ground.
	www.wsu.edu:8001 /~delahoyd/medieval/inferno21.html (674 words)

	New Dealers Denvers Muisic Site, Colorado
		Dante XXI proves that Sepultura still has a load of creative genius left.
		Dante XXI is a concept album of an higher order that explores The Divine Comedy a book of enduring prose, written by the albums namesake Dante, that has become one of the most compelling tales of Heaven and Hell ever written.
		Sepultura tackles the subject well; Dante XXI is an engaging mix of thrash, mythology and religion.
	www.newdealers.com (823 words)

	CliffsNotes::The Divine Comedy: Inferno:Book Summary and Study Guide
		The language and imagery in Cantos XXI and XXII is coarse and full of grotesque imagery, far more than earlier cantos, suggesting that the lower a person travels in Hell, the more grotesque Hell becomes.
		Dante the Pilgrim is simultaneously afraid of and fascinated by these beasts.
		Dante seems almost reluctant to continue the journey, literally and spiritually, and Virgil, as human reason, is frustrated with him.
	www.cliffsnotes.com /WileyCDA/LitNote/id-77,pageNum-69.html (315 words)

	Altieri Translation?
		It is here that Dante's style conforms to that of the epic, and it is here that the reader notes Ulysses' egocentricity, his repetition of io and single mention of noi, and his oration delivered as though he were standing before an audience of thousands.
		Dante himself wrote about the difficulties of translating across linguistic borders, and Musa questions, "should it be the poet's voice that is heard, or the voice of the one who is making the poet accessible in another language?"(Musa ix).
		Dante writes that translation is "the very metaphor of poetry at the moment in which [the poet] perceives as unavoidable the discrepancy between his words and his vision."
	www.italianstudies.org /hui235/altieri1.htm (3605 words)

	Inferno [Hell]. Canto XXI. Dante Alighieri. 1909-14. The Divine Comedy. The Harvard Classics
		These are plunged in a lake of boiling pitch, and guarded by Demons, to whom Virgil, leaving Dante apart, presents himself; and license being obtained to pass onward, both pursue their way.
		“From Caprona.” The surrender of the castle of Caprona to the combined forces of Florence and Lucca, on condition that the garrison should march out in safety, to which event Dante was a witness, took place in 1290.
		The awful event alluded to, the Evangelists inform us, happened “at the ninth hour,” that is, our sixth, when “the rocks were rent,” and the convulsion, according to Dante, was felt even in the depths of Hell.
	www.bartleby.com /20/121.html (842 words)

	Dante Alighieri. 1909–14. The Divine Comedy. Vol. 20. The Harvard Classics
		No greater grief than to remember days / Of joy when misery is at hand.
		From Dante’s revolutionary use of the vernacular Italian, this translation in blank verse remains a standard.
		These 101 cantos form the height of the fall-and-redemption genre that would influence every generation of writer since.
	www.bartleby.com /20 (103 words)

	Sepultribe.com :: Sepultura official fan site (Site not responding. Last check: 2007-10-18)
		Working under the watchful eye of producer Andre Moraes, whom they've previously worked with on various Brazilian film soundtracks, the new album "is like a metal soundtrack for a movie, based on 'The Divine Comedy', but making a parallel with the days and situations we live today," says guitarist Andreas Kisser.
		The three main components of "The Divine Comedy" are Dante's descriptions of Hell, Purgatory and Paradise.
		"Dante 05" is expected in erly 2006 via SPV Records.
	www.sepultribe.com /modules.php?op=modload&name=PNphpBB2&file=viewtopic&t=4601 (1063 words)

	BLABBERMOUTH.NET - SEPULTURA: 'Dante XXI' Minisite Launched
		SEPULTURA will embark on their European tour with IN FLAMES without drummer/founding member Igor Cavalera, who is taking a break from the group's touring activities to spend time with his second wife and their new son, who was born in January.
		Dante is a solid album, not a Derrick era solid album but a Sep solid album, Max era included!
		The accuracy of the information contained herein is neither confirmed nor guaranteed by Roadrunner Records, and the views and opinions of authors expressed on these pages do not necessarily state or reflect those of Roadrunner Records or its employees.
	www.roadrunnerrecords.com /blabbermouth.net/news.aspx?mode=Article&newsitemID=48734 (689 words)

	dante (Site not responding. Last check: 2007-10-18)
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	www.tihministries.com /search/dante (225 words)

	APESHIT - Reviews (Site not responding. Last check: 2007-10-18)
		The monstrous Dante XXI is a fist in the face to all the naysayers and a further affirmation that SEPULTURA in 2006 remains a dominant force.
		Dante XXI is the band’s first return to death/thrash brutality since the days of Chaos A.D. Arise.
		Thematically, Dante XXI is based on the literary masterpiece, Dante’s Divine Comedy.
	apeshit.org /main.php?cat=2 (4865 words)

	Heavy Hitter: Music News
		Also available at the same location is the track "Ostia", taken from the group's new album, "Dante XXI" (view cover here), due in North America on March 14 via SPV.
		Dante XXI was recorded at Trama Studios in Sao Paulo, Brazil with producer Andre Moraes, who they’ve previously worked with on various Brazilian film soundtracks.
		The eleven songs that comprise the album are all based on the epic poetic masterpiece “The Divine Comedy” written by Italian author Dante Alighieri in the early 14th Century.
	www.heavyhitterinc.com /musicnews.php (16223 words)

	THE BEER PIT! - "It's NOT About Being SOBER!" Beer::Babes::Bands & More! (Site not responding. Last check: 2007-10-18)
		SEPULTURA are a band that have been known to go to no end to achieve the sound and structure that is needed for their musical visions to come to life.
		It has been an endeavor creating their latest CD DANTE XXI, but one that has been a pleasure for the band and necessary to bring their artistic concept to fruition.
		This is something that cannot be denied as you hear the story unfold and envision the images that fuel this conceptual wonder...
	www.thebeerpit.com (192 words)

	The Divine Comedy News
		In recent weeks, a small group of Dante enthusiasts meeting to read "The Divine Comedy", have completed reading and discussing the nine circles of Hell.
		SEPULTURA Finalize Track Listing For 'Dante XXI' - Dec. 2, 2005 Brazilian thrashers SEPULTURA have finalized the track listing for their new album, "Dante XXI", due in early 2006 via SPV Records.
		Born between May 20 and Jun 20 in 1265, Dante Alighieri, the poet of La Divina Commedia, The Divine Comedy, was one of the most original thinkers of his time.
	www.topix.net /who/the-divine-comedy (618 words)

	Dante Engravings (Site not responding. Last check: 2007-10-18)
		III, 1-21: Dante and Virgil at the Gates of Hell
		XXI, 22-42: The Devil Carrying the Lucchese Magistrate to the Boiling Pitch-Pool of Corrupt Officials
		XXIV, 1-18: Beatrice and Dante in Gemini Amid the Spheres of Flame
	www.flyingsheep.com /blake/dante.html (651 words)

	Publications on Dante: Christopher Kleinhenz
		"Dante, Statius, and Virgil: An Unusual Trinity," in: *Lectura Dantis Newberryana, Vol.
		"Dante as Reader and Critic of Courtly Literature," in: *Courtly Literature: Culture and Context: Selected Papers from the 5th Triennial Congress of the International Courtly Literature Society (Dalfsen, The Netherlands, 9-16 August, 1986), ed.
		Dante's Purgatorio: Introductory Readings, edited by Tibor Wlassics, Supplement to Lectura Dantis 12 ([Charlottesville: University of Virginia] 1993), p.53-69.
	www.the-orb.net /encyclop/culture/lit/italian/da_b_kle.htm (788 words)

	Sepultura Finalize Track Listing \| News @ Ultimate-Guitar.Com
		Brazilian thrashers Sepultura have finalized the track listing for their new album, "Dante XXI", due in early 2006 via SPV Records.
		Sepultura's 11th full-length album, "Dante XXI" was recorded at Trama Studios in São Paulo, Brazil, where the group had previously laid down the "Revolusongs" EP, which contained cover versions of songs from such acts as Massive Attack to Hellhammer to Jane's Addiction (and was included in the limited-edition digipack version of 2003's "Roorback").
		In addition to the 10 tracks that are set to appear on "Dante XXI", Sepultura recorded two cover songs -- Judas Priest's "Screaming for Vengeance" and Sick of it All's "Scratching the Surface" -- which will be released as single b-sides in the future.
	www.ultimate-guitar.com /news/upcoming_releases/sepultura_finalize_track_listing.html (437 words)

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