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Topic: Daphne Marlatt

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	Preview article about The Gull by Beverly Curran for The Japan Times
		Marlatt, who has been interested in noh ever since she took a course in Japanese literature in translation at the University of British Columbia in the 1960s, participated in the workshop and found Emmert a fine teacher.
		The purpose of Marlatt's current trip to Japan is to give her an even clearer feel for the shodan, the musical passages that form a noh play, as she continues to build the text.
		Daphne Marlatt will read from "Steveston" and other works and talk about her writing in Room EF in the 12F Artspace of the Aichi Arts Center in Nagoya (Higashiyama Line, Sakae Station, Exit 4), April 27, 6:30-8:30 p.m.
	www.pangaea-arts.com /press/japan-times-gull.htm (947 words)

	UBC Student - Prose - Negotiated Identities
		Marlatt indirectly comments on these differences in language games when Ana writes in her journal that women "among themselves" do not "speak as they do in a mixed situation." In situations with men, women's discourse is "only an element of response" (106) to men's discourse, not an element of women's agency and initiative.
		Marlatt's story of women struggling with language in a patriarchal society raises many questions, partly because the novel adopts a non-linear time sequence, and partly because she avoids offering solutions to the dilemma of women's identities.
		Marlatt chronicles Annie's awareness of her body, her consciousness entrenched in the patriarchy, conditioned on the approval of males — on how males look at her.
	egwald.com /ubcstudent/prose/identity.php (3239 words)

	100 Canadian Poets - Daphne Marlatt - Profile
		Daphne Marlatt was born July 11, 1942, in Australia.
		After moving from Malaysia to Vancouver in 1951, Marlatt attained her BA from the University of British Columbia in 1964, MA in Comparative Literature from Indiana University in 1968, and LL.D. from the University of Western Ontario in 1996.
		Marlatt, Daphne, George Bowering, Fred Wah, et al.
	www.ucalgary.ca /UofC/faculties/HUM/ENGL/canada/poet/d_marlatt.htm (672 words)

	WORKING NOTES of Daphne Marlatt (Site not responding. Last check: 2007-10-21)
		Daphne Marlatt was born in Melbourne, Australia, and spent her childhood years in Malaysia before immigrating to Vancouver in 1951.
		Among Marlatt's books are What Matters, poems and journal entries; Zocalo, a nonfiction novel; and Steveston, a historical drama aired on CBC.
		Marlatt helped to organize the Canadian literary conference "Women and Words / Les femmes et les mots" at the University of British Columbia last year.
	www.scc.rutgers.edu /however/print_archive/dmnotes.html (271 words)

	FFWD Weekly:April 3rd.1997 (Site not responding. Last check: 2007-10-21)
		Marlatt, passionate about many issues, was born in Melbourne, but has championed her causes from Vancouver since 1951.
		Marlatt refuses to sell out to what she describes as the "unconscious tailoring of mainstream Canadian generic," despite the temptation.
		Marlatt has read much of the critical work done on Ana Historic and says she learned a lot from it.
	www.ffwdweekly.com /Issues/1997/0403/book1.html (508 words)

	Daphne Marlatt
		Narrative in the Feminine: Daphne Marlatt and Nicole Brossard.
		Daphne Marlatt, Robert Kroetsch and Tim Lilburn.” Studies in Canadian Literature 21.2 (1996): 37-48.
		Daphne Marlatt was born in 1942 in Melbourne, Australia.
	www.brocku.ca /canadianwomenpoets/Marlatt.htm (923 words)

	News Release - Daphne Marlatt named SFU's new writer-in-residence - October 08, 2004
		Marlatt, a Vancouver-based writer whose work breaks down the boundaries between prose and poetry, is the author of several books including Touch to my Tongue, Ana Historic, and Steveston.
		During her nine-month tenure as writer-in-residence, Marlatt will work on a new poetry manuscript, lecture to university and high school classes where her work is being taught, read to high school writing students, and serve as a mentor to the Lower Mainland's community of emerging writers.
		Marlatt says she was “given a lot of support by older writers” when she started her writing career, and has “always found the generosity in the writing community to be quite extraordinary.
	www.sfu.ca /mediapr/news_releases/archives/news10080402.htm (407 words)

	Steveston: Daphne Marlatt and Robert Minden
		In addition, Marlatt and Minden have rethought their decision to interleave poems and photos, and have, instead, created two separate but connected stories — poetry and pictures that evoke their own rhythms and then speak to each other of their connections.
		As Marlatt recalls, "There was something in Steveston which drew us, over and over again, and which our work attempted to enunciate — something under the backwater quiet, the river hum of comings and goings, the traffic of work, that was ‘shouting’ at us to tell it."
		Daphne Marlatt, who has spent most of her life living and writing on the West Coast, has played an important part in creating an alternative poetic line.
	www.ronsdalepress.com /catalogue/steveston.html (250 words)

	Northwest Passages - Author Profile: Daphne Marlatt
		Daphne Marlatt (née Buckle) was born in Melbourne Australia in 1942.
		After graduating from high school, Marlatt studied English at the University of British Columbia from 1960 to 1964 and it was there that she became one of the editors of TISH in 1963.
		As a teacher, Daphne Marlatt has also taken what she has learned as a writer and shared it with aspiring writers.
	www.nwpassages.com /bios/marlatt.asp (294 words)

	Canadian Literature
		Steveston, Marlatt employed the language of pregnancy and birth; the writer's own pregnancy was one of her "first in-body experiences of a kind of limited ecological consciousness" that raised her awareness of "the nameless interbeing we were born with" (
		A decade later, Marlatt was coming out as a lesbian in her life and in her writing, and “the interbeing we were born with” was being reconfigured in the lesbian relationship.
		As a young immigrant to Canada from Oceania in the 1950’s, Daphne Marlatt was keenly aware of possibilities that mastery of more than one language accords to an individual.
	www.uiowa.edu /~mmla/abstracts/122a.html (771 words)

	OneZeroZero: Authors: Daphne Marlatt
		Born Daphne Buckle, to English parents, in Melbourne, Australia, Daphne Marlatt spent six post-war years in Penang, Malaya before emigrating to Canada (North Vancouver, B.C.) in 1951.
		She enrolled in English at U.B.C. in 1960, began to frequent the literary salons associated with TISH magazine, and became an editor by 1963 when the founders were dispersing to graduate studies at other universities.
		Marlatt has edited a number of literary journals including The Capilano Review, Periodics (devoted to works in prose), Island [Victoria] and the feminist journal Tessera.
	www.ccca.ca /history/ozz/english/authors/marlatt_daphne.html (206 words)

	Review of The Gull by Tia Abell for The Richmond Review
		Marlatt wasn't the writer who Specht initially thought of when she first dreamt up the idea for The Gull.
		Marlatt, who was born in Australia and then moved to Vancouver in 1970, is a writer, teacher and poet with a local interest.
		Marlatt says that Noh theatre is psychological-that audiences must take a more active role in receiving the story.
	www.pangaea-arts.com /press/richmond-review.htm (821 words)

	Welcome to the Richmond News - Entertainment (Site not responding. Last check: 2007-10-21)
		Daphne Marlatt's Noh production, The Gull, will be performed at Richmond City Hall May 10 to 14.
		Marlatt is thrilled to introduce Noh to Richmondites.
		Catch Marlatt's The Gull, the new Canadian Noh play at Richmond City Hall in the North Plaza, 6911 No. 3 Rd. - a traditional Noh stage will be erected inside a tent - from May 10 to 14, Thursday to Saturday with 8 p.m.
	www.richmond-news.com /issues06/052106/entertain.html (700 words)

	Lesbian Self-Naming in Daphne Marlatt's Ana Historic
		Daphne Marlatt has written that to become "aware of th[e] dialogue on the many fringes" of "white, middle-class, heterosexual, Anglo-American/Canadian" culture — to "listen.
		Now a historically contingent vehicle for lesbian self-presentation, the text abandons the pretence of being a novel, a fictional heterocosm in the heterosexual tradition, and becomes instead an autofictional text, a blending of the discourses of fiction and autobiography which (re)presents Annie/Daphne's achievement of a lesbian identity outside the boundaries of "normal" society.
		In a powerful analysis of the effect of lesbian writing on the traditional "division between writer and reader," Warland argues that in lesbian love poetry particularly the patriarchal construction of the reader as a viewer — a voyeuristic spectator for whom the poet describes the activities of lovers — has been "rendered obsolete" (134).
	www.canadianpoetry.ca /cpjrn/vol31/chan.htm (2203 words)

	Writer-in-Residence (Site not responding. Last check: 2007-10-21)
		Daphne Marlatt, a writer with a national and international reputation, is an outstanding choice to inaugurate the program.
		Daphne Marlatt has been writer-in-residence at a number of universities in Canada, most recently at the University of Windsor (2001-2), and has taught English and Women's Studies at Simon Fraser University and the Universities of British Columbia, Saskatchewan, and Victoria.
		Forty-five minute appointments are available Wednesday and Thursday afternoons, in AQ 6121, and are for editorial and critical feedback on work that has been submitted one full week before (a hard copy of your work should be delivered to Daphne Marlatt's mailbox in the English Department no later than the Thursday before your appointment).
	www.sfu.ca /english/marlatt.html (817 words)

	NeWest Press: Daphne Marlatt Bio
		Daphne Marlatt was born in Melbourne, Australia and spent her formative years in Penang, Malaysia.
		Daphne Marlatt’s work includes numerous published books including: Salvage, Ana Historic, Touch to my Tongue and Steveston.
		Her work has appeared in over twenty anthologies and is a frequent contributor of articles to literary publications.
	www.newestpress.com /bios/marlatt.html (59 words)

	Narrative in the Feminine by Joanne Saul (Site not responding. Last check: 2007-10-21)
		Drawing on a substantial range of complex theoretical materials, Knutson develops an intriguing argument about the challenge that Marlatt and Brossard pose to what Knutson calls the 'masculine generic' - by which she means a privileging of the male universal that has severely limited female agency at the level of narrative.
		At the story level, her text is focalized through a group of women rather than through a singular dominant male 'I.' Like Marlatt, Brossard uses intertextuality actively to recontextualize both canonical and non-canonical works and to foreground a [+male] cultural heritage and its set of symbols and codes.
		Non-experts in the field of narrative theory will appreciate Knutson's careful and cogent approach to her subject as she reinforces her argument about why the historicizing and contextualizing of narrative theory is important both as a critical and a political task.
	www.utpjournals.com /product/utq/711/knutson103.html (652 words)

	SFU Library - News & Events
		Daphne Marlatt’s most recent title is a chapbook, Seven Glass Bowls (Nomados Press, 2003).
		Marlatt is currently writing a contemporary version of a Japanese Noh play for a multicultural theatre company in Vancouver.
		Daphne Marlatt will be reading from her work in the Special Collections Division of the W.A.C. Bennett Library on Thursday, 10 March 2005 from 12:30 — 1:30 pm.
	www.lib.sfu.ca /whatsnew/announcement.htm?id=150 (200 words)

	Arts > Literature > World Literature > Canadian > Authors > Novelists > Marlatt, Daphne (Site not responding. Last check: 2007-10-21)
		Daphne Marlatt (innate July 11, 1942) is a Canadian poet who lives in Vancouver, British Columbia.
		She was innate around Melbourne, Australia as Daphne Buckle.
		At the immature age her personal moved to Malaysia and at age nine they retire to Vancouver, in which she has since remained.
	daphne-marlatt.generalanswers.org (135 words)

	(m)Öthêr Tøñgué Presš - Daphne Marlatt (Site not responding. Last check: 2007-10-21)
		If these lithe and melodious poems didn't so ardently link equal and opposite responses to experience (hold on, let go), if they weren't so dense with sensation, I'd call them cirrous.
		Daphne Marlatt's trust of her reader, inspires a return of generosity and astonishment.
		About the Author: Daphne Marlatt is a poet, novelist, theorist, lecturer, little magazine editor and university instructor.
	www.mothertonguepress.com /marlatt.html (212 words)

	Northwest Passages - Author Profile: Daphne Marlatt
		“ Phenomenological I: Daphne Marlatt's Steveston.” Figures in a Ground: Canadian Essays on Modern Literature Collected in Honor of Sheila Watson.
		Godard, Barbara, Daphne Marlatt, Kathy Mezei, et al.
		Phillips, Jayne Anne, Frank Conroy, Daphne Marlatt, et al.
	www.nwpassages.com /bios/marlatt2.asp (733 words)

	Amazon.com: Salvage (Writing West Series): Books: Daphne Marlatt (Site not responding. Last check: 2007-10-21)
		A scrutiny of the fragments of the author's history and re-envisioning of them from a feminist perspective, a gesture that salvages a past.
		Daphne Marlatt is a poet, novelist and editor.
		She received her MA in Comparative Literature from Indiana University and has since been writer-in-residence at many educational institutions across Canada, including the Universities of Alberta and Manitoba.
	www.amazon.com /Salvage-Writing-West-Daphne-Marlatt/dp/0889950741 (730 words)

	Wilfrid Laurier University Press, Narrative in the Feminine
		Avant-garde writers Daphne Marlatt and Nicole Brossard answer these, and many more questions, in their two groundbreaking works, now made more accessible through the careful, narratological readings and theoretical background in Narrative in the Feminine.
		Susan Knutson begins her study with an analysis of the contributions made by Marlatt and Brossard to international feminist theory.
		Not least, the study is a guide to two important works of the leading experimental writers of Canada and Quebec, Daphne Marlatt and Nicole Brossard.
	info.wlu.ca /~wwwpress/Catalog/knutson.shtml (331 words)

	Lisa's Blog: Salmon Express: Daphne Marlatt's Steveston
		Workers rode the rails "from the centre of things" to "the end of the road, at ther river's mouth (Marlatt 55; 54).
		For those who lived in Steveston, the rail line connected residents to the city's nightlife, "as there was nothing on Lulu Island at the time" (Steveston-interurban Online).
		For those who stayed--or were allowed to stay--Steveston was home; for all who relied on the fishing industry, Steveston was a "circling back in to their source" (Marlatt 57).
	weblogs.elearning.ubc.ca /lisa/archives/017713.html (307 words)

	Narrative Deconstruction Gender, 1571132678, £40.00/$60.00, 204pp, 2003 (Site not responding. Last check: 2007-10-21)
		Audrey Thomas and Daphne Marlatt are contemporary Anglo-Saxon Canadian writers whose work has been extensively analyzed within the field of feminist literary theory.
		Marlatt's and Thomas's works have never been studied outside a Canadian context, and Erdrich's work has mostly been looked at in the context of ethnic women writers or Native American literature.
		She offers her protagonist a way out into a new order that breaks with the law of the father, creating a "monstrous" text that explores the possibilities of a lesbian identity.
	www.boydell.co.uk /71132678.HTM (524 words)

	SFU Library - News & Events
		On Wednesday, March 30 join the English Department and Writer-in-Residence Daphne Marlatt for an afternoon of readings, refreshments and conversation.
		Ten authors from both on and off campus who have worked with Daphne during the past year will read from their work.
		Come out and listen to an interesting range of work and then enjoy snacks and an opportunity to connect with these and other writers.
	www.lib.sfu.ca /whatsnew/announcement.htm?id=260 (158 words)

	List of web sites about Novelists: Marlatt, Daphne
		Northwest Passages: Daphne Marlatt - Biography and selected bibliography.
		Working Notes of Daphne Marlatt - Biography, notes, and an excerpt from 'How Hug a Stone'.
		Writers' Union of Canada: Daphne Marlatt - Profile and selected publications.
	www.kub.it /dir/67598 (153 words)

	Theater Review of "The Gull: The Steveston Noh Project"
		The Gull, by Daphne Marlatt, was a visual and
		was lucky enough to get a ticket for opening night of the Pangaea Arts production of Daphne Marlatt’s The Gull: The Steveston Noh Project.
		Acclaimed BC author, Daphne Marlatt, has written an original Canadian Noh play, The Gull, that speaks of the experience of Japanese-Canadians returning to Steveston after the internment years.
	www.stevestonivillage.com /thegull.html (574 words)

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