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Topic: Das Blaue Licht

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	Das (crater) - Encyclopedia Glossary Meaning Explanation Das (crater) (Site not responding. Last check: 2007-09-29)
		Das (crater) - Encyclopedia Glossary Meaning Explanation Das (crater).
		Das is a lunar impact crater on the far side of the Moon.
		To the southwest of Das is the irregular Mariotte crater, and the Von der Pahlen crater lies to the east-northeast.
	www.encyclopedia-glossary.com /en/Das-crater.html (235 words)

	Neue Seite 2
		In seinem Innern waren Höhlen, da tropfte Wasser wie Silberfäden Jahr um Jahr in wechselloser Musik vom Gestein aufs Gestein, und in seinen Klüften gab es heimliche Kammern, wo mit tausendjähriger Geduld die Kristalle wuchsen.
		The third and final track 'Unverändert' is rather short and minimal and has again quite a number of cultural references: to the film 'Das Blaue Licht', the Rumer mountain in Tirol and the 'Faldum' text by Herman Hesse.
		The rather short last song Unverändert' ('Unchanged'), dedicated to the actress and stone witch Junta in the film 'Das blaue Licht', is based on a monologue by Gerhard with lyrics taken from 'Faldum' by Hermann Hesse.
	www.geocities.com /SunsetStrip/Amphitheatre/6522/pedramcd.htm (1664 words)

	MSN Encarta - Search Results - Blaue Vier
		Blaue Vier (Blue Four), group of four expressionist painters who exhibited in Germany in 1922 and in the United States in 1924.
		Blaue Reiter, Der (German for “The Blue Rider”), informal association of expressionist artists founded in Munich, Germany, in 1911.
		Riefenstahl, Leni (1902-2003), German motion-picture actor and director, best known for her documentary films of the 1930s about the National...
	encarta.msn.com /Blaue_Vier.html (115 words)

	Leni Riefenstahl – Biography
		From then on, she took the thousands of strips of film and began to re-edit the film with the ideal notion of what she had hoped it to be.
		Harry Sokal, who had taken her money and the negatives to Das Blaue Licht, returned to Leni in Munich and asked her to help her distribute a skiing film they had done together years ago.
		In early 1960, she had visited London for a studio that wished to create a new colorized version of Das Blaue Licht, but the ideas conflicted and the idea was halted.
	courses.washington.edu /ger371/riefenstahl/biography.html (14832 words)

	Leni Riefenstahl's TIEFLAND: Footnotes
		Sigrid Vagt considers Das blaue Licht to be the propaganda for totalitarian social polarization and idealization of the female.
		Henry Jaworsky (Heinz von Jaworsky), Riefenstahl's cinematographer on Das blaue Licht and Olympia, who continued his career in Europe and the US after 1945, believes Riefenstahl deliberately stretched Tiefland for seven years to avoid working on Party propaganda and dealing with the war.
		Rentschler believes Das blaue Licht to be Riefenstahl's attempt to strengthen the female role in the Bergfilm genre.
	www.germanhollywood.com /tief_fn.html (2095 words)

	The Blue Light (film) - Wikipedia, the free encyclopedia
		The Blue Light) is a silent fl and white 1932 film written and directed by Leni Riefenstahl and Béla Balázs.
		Das Blaue Licht at the Internet Movie Database
		This page was last modified 20:33, 4 October 2005.
	en.wikipedia.org /wiki/Das_Blaue_Licht (63 words)

	Leni Riefenstahl and TIEFLAND - "Wherever you may run..."
		Despite their similar function as erotic stimulus to the male characters, the social outsiders portrayed by Riefenstahl in Das blaue Licht and Tiefland are distinctly different from each other.
		Like Junta in Das blaue Licht and the torch-bearer from Mount Olympus in the prologue to Olympia, Pedro descends the mountain as the pure, nature-bound, and mystically empowered force.
		Following Romantic tenets, the village or “valley” of Tiefland, like the town in Das blaue Licht, represents the corruption of civilization set in contrast to the purity of nature and the mountains.
	www.germanhollywood.com /tiefland.html (3877 words)

	DigitalJournal.com (Site not responding. Last check: 2007-09-29)
		Behind her is a poster for "Das blaue Licht", the movie in which she shot to prominence starring as a mute outcast who alone knows the secret of a lofty crystalline grotto.
		HAMBURG (dpa) - Leni Riefenstahl says it is "dreadful" that she has lived so long, insisting she should have died the day World War II broke out, according to an extraordinary interview on German television to mark her 100th birthday this month.
		The Nazi leader admired her work, particularly her pioneering, atmospheric 1932 directorial debut "Das Blaue Licht" (The Blue Light) in which she starred as a mute outcast who alone knows the secret of a lofty crystalline grotto in a craggy peak visible to her eyes once every blue moon.
	www.digitaljournal.com /print.htm?id=3251 (1120 words)

	Slavoj Zizek-Bibliography/Will She Ever Die/Lacan Dot Com
		This continuity is usually given a "proto-Fascist" twist, as is exemplarily the case in the famous Susan Sontag essay on Leni "Fascinating Fascism".
		Perhaps, the search for the "true ideological identity" of Leni is a misleading one: there is no such identity, she was genuinely thrown around, inconsistent, caught in a cobweb of conflicting forces.
		Is then the best way to mark her death not to take the risk of fully enjoying a film like Das blaue Licht which contains the possibility of a political reading of her work totally different from the predominant one?
	www.lacan.com /zizekleni.htm (625 words)

	Leni Riefenstahl - Das blaue Licht (The Blue Light), 1932
		The film Das blaue Licht was Leni Riefenstahl's award-winning directorial debut.
		In fact, she not only directed, but co-wrote, edited, produced and starred in the film.
		Das blaue Licht: Eine Berglegende aus den Dolomiten
	www.riefenstahl.org /director/1932 (1127 words)

	Nietzsche and Leni Riefenstahl 09.17.03 (Site not responding. Last check: 2007-09-29)
		What Riefenstahl couldn't know at the time was that Hitler had just seen her last motion picture, "Das Blaue Licht" and that he was enthralled.
		I admit that Das Blaue Licht" was as close as anybody could get to a pure German Romantic tale replete with Teutonic imagery of the mountain and the forest.
		Nevertheless, the Nietzsche analogy is interesting for exactly the opposite reasons that the editors of The Economist mean it: Nietzsche (as Cameron wanted to prove in his still unwritten study) was hijacked by the Nazis and unfairly denounced after the war as the philosopher of the National Socialists.
	www.stanford.edu /group/wais/Germany/germany_NietzscheAndRiefenstahl(091703).html (585 words)

	Film-Archive - Personal Info: Leni Riefenstahl (Site not responding. Last check: 2007-09-29)
		She trained as a dancer and began her film career as an actress in Arnold Fanck's "mountain films" in the 1920s.
		In 1932, she made her directorial debut with The Blue Light (Das blaue Licht), winning critical and commercial success as well as Hitler's personal approval.
		This led to her being commissioned to film the 1934 Nuremberg Party Rally in Triumph of the Will (Triumph des Willens, 1935).
	www.german-cinema.de /archive/film_person_view.php?film_person_id=3612 (173 words)

	Film Threat Back Talk Forums - View Single Post - Leni Riefenstahl Dies At 101
		I her work she invented and used technics no one has eeven bothered to try before.
		Off course she made "Triumpf des Willens" and "Olympia" and this ghastly "Unsere Wehrmacht"-Movie, but she started out as an icreadibly skilled director with "Das blaue Licht" wich had absolutly no Nazi Stuff in it.
		Off course her work was financed by bad guys, but as she always told in believable manne, she wasn´t interested in politics, she was interested in Art.
	www.filmthreat.com /forums/showpost.php?p=932&postcount=2 (160 words)

	World Cinema: Directors -- Leni Riefenstahl
		Trained as a dancer, Riefenstahl started her film career as an actress in Arnold Fanck's "mountain films" (Der heilige Berg / The Holy Mountain, 1926, among others).
		With her first film as a director, Das blaue Licht / The Blue Light (1932), Riefenstahl not only gained critical and commercial success, but also won Hitler's personal approval, leading to a commission to film the Nuremberg Party Convention in 1934.
		Triumph des Willens / Triumph of the Will (1935), with its careful orchestration of narrative structure and spectacle, remains the best-known film of Nazi cinema, retaining its ambivalent power of propaganda and visual pleasure.
	www.geocities.com /Paris/Metro/9384/directors/riefenstahl.htm (200 words)

	Leni Riefenstahl: FILMOGRAPHY
		And this feeling, that it would be good if form and content coincide, out of this wish I developed the thought that in order to be able to present such pictures I should write a ballad, a fairy tale or a legend.
		And that is why I wrote »Das Blaue Licht« for this legend is almost challenging to produce it in off-beat pictures.«
		In addition, after I had directed this film for I could not afford a director I have enjoyed it, and I felt that I have a certain talent for it.
	www.leni-riefenstahl.de /eng/film.html (1208 words)

	MRC FilmFinder-Full Record: Das Blaue Licht: eine Berglegende (PAL Region 2)
		MRC FilmFinder-Full Record: Das Blaue Licht: eine Berglegende (PAL Region 2)
		Full Record: Das Blaue Licht: eine Berglegende (PAL Region 2)
		Das Blaue Licht: eine Berglegende (PAL Region 2)
	www.lib.unc.edu /house/mrc/films/full.php?film_id=11674 (47 words)

	Film by Leni Riefenstahl - "dis Blau Licht" (the Blue Light).
		Film by Leni Riefenstahl - "dis Blau Licht" (the Blue Light).
		During the full moon, a mystical blue light emanating from a grotto high in the Alps, draws men to climb after the source only to fall to their deaths.
		It is a great look back into history.
	www.sharkhunters.com /tapeh110.htm (388 words)

	[No title] (Site not responding. Last check: 2007-09-29)
		Elements of film, composition, lighting, location and eventually the allegorical nature of the story itself provide firm assurance of the artists future potential.
		Devoid of the controversies that plague her future works, Das Blaue Licht ("The Blue Light") remains a beautifully powerful prophesy of the coming darkness in Europe.
		Interest in the film caused Riefenstahl to re edit and re score the film for a re-release as Die Hexe von Santa ("The Witch of Santa Maria") in 1952.
	www.dasblauelicht.net /new_page_5.htm (78 words)

	9
		Watched a short clip of “Westfront 1918” risky film banned in 1933; boo-ed and interrupted by right-wing groups
		1930 December 19 “Das Flötenkonzert von Sanssouci” directed by Gustav Ucicky, boo-ed by left-wing groups
		1932 March 24 Premiere of “Das Blaue Licht” directed by Leni Riefenstahl, who also wrote the script and played lead in her directing debut
	personal.uncc.edu /rrussi/courses/fall2002/germanfilm/minutes/minutes092402b.htm (363 words)

	Amazon.ca: Books: Lumière bleue et autres contes / das blaue licht (Site not responding. Last check: 2007-09-29)
		Amazon.ca: Books: Lumière bleue et autres contes / das blaue licht
		Lumière bleue et autres contes / das blaue licht
		Top of Page : Lumière bleue et autres contes / das blaue licht
	www.amazon.ca /exec/obidos/ASIN/2070405850 (93 words)

	The Jewish Journal Of Greater Los Angeles
		Today, the UCLA Film and Television archive presents a panel discussion on the controversial artist who has been simultaneously celebrated for her innovations in filmmaking and condemned for years creating Nazi propaganda films.
		A screening of “Das Blaue Licht” (“The Blue Light”) follows.
		Wear out the kids today at Mount Sinai’s second annual Jewish Children’s Bookfest.
	www.jewishjournal.com /home/print.php?id=13209 (467 words)

	VH1.com : Movies : Movie : The Blue Light : Main
		The Blue Light (Das Blaue Licht) is widely regarded as the best of the German "mountain" f...
		The Blue Light (Das Blaue Licht) is widely regarded as the best of the German "mountain" films of the early 1930s.
		Leni Riefenstahl both directed and starred in this film, playing a free-spirited gamine who dares to climb a precipitous mountain peak.
	www.vh1.com /movies/movie/3844/moviemain.jhtml (155 words)

	Leni Riefenstahl Desktop Wallpaper - "Das blaue Licht" Wallpapers
		Leni Riefenstahl Desktop Wallpaper - "Das blaue Licht" Wallpapers
		Below you will find 14 downloadable desktop wallpapers from Leni Riefenstahl's acclaimed 1932 directorial debut, Das blaue Licht, each available for download at three standard monitor resolution sizes.
		Following the first wallpaper showing the three versions of the Illustrierter Film Kurier which were published at different times to promote the film, the subsequent production stills (not frame enlargements) are shown here essentially in sequence as each related scene appears in the film.
	www.riefenstahl.org /downloads/wallpaper-blauelicht.html (205 words)

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