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	E.J.N. - DAVE LIEBMAN (Site not responding. Last check: 2007-10-22)
		David Liebman was born in Brooklyn, New York, on September 4, 1946.
		Liebman pursued his jazz interest by studying with Lennie Tristano and Charles Lloyd.
		Liebman has several books published on a variety of subjects, instructional videos, published chamber music and has contributed regularly to various periodicals such as the Saxophone Journal and the Jazz Educator’s Journal.
	www.ejn.it /mus/liebman.htm (668 words)

	Dave Liebman MP3 Downloads - Dave Liebman Music Downloads - Dave Liebman Music Videos (Site not responding. Last check: 2007-10-22)
		Dave Liebman (doubling on soprano and tenor) and pianist Phil Markowitz engage in ten passionate dialogues throughout this duet set.
		Dave Liebman is joined by guitarist Vic Juris, bassist Tony Marino, and drummer Jamey Haddad for this session concentrating primarily on original works.
		Dave Liebman excels at concept albums; in a sense, they form his niche, and he revels in exploiting the medium.
	www.mp3.com /dave-liebman/artists/79572/discography.html (1371 words)

	Dave Liebman - Biography - AOL Music
		Dave Liebman has developed through time to become one of the top soprano saxophonists in jazz.
		Liebman formed Lookout Farm in 1974, the first of several groups (including Quest in the 1980s) that teamed his reeds with pianist Richie Beirach.
		Dave Liebman, who is very active in jazz education and has written several books, has recorded for a countless number of labels through the years as a leader, including PM, ECM, Horizon, Timeless, Palo Alto, Impulse, Soul Note, Heads Up, Storyville, Owl, CMP, Red, and Candid.
	music.aol.com /artist/dave-liebman/98423/biography (221 words)

	Jazz \| All About Jazz
		David Liebman is, in a certain sense, the quintessence of modern jazz.
		Dave literally eats, sleeps, and drinks jazz, and his incredible energy and enthusiasm is highly contagious, so he has directly or indirectly influenced countless thousands of musicians, listeners, and children towards a deeper and more sophisticated participation in jazz as artists, critics, and audience.
		To meet Dave is to encounter a serious yet gracious person who comes across as a combination of your best high school chum and the CEO of a major corporation.
	www.allaboutjazz.com /iviews/liebman.htm (2324 words)

	arborweb reviews - review: Dave Liebman
		Liebman followed in the footsteps of the great virtuoso, perfecting his craft with lessons from some of the best teachers of his time, but he did not enter a conservatory; he learned his craft by playing with others while he majored in American history at college.
		Liebman has become a virtuoso saxophonist, but his is a technique with brains as well as heart and brawn.
		Liebman's harmony book is like his playing: it stretches boundaries, always open to new exploratory possibilities.
	www.arborweb.com /reviews/0411.liebman-review.html (444 words)

	Bagatellen: Dave Liebman & Marc Copland - Bookends
		Dave Liebman was among them, but fortunately, over the years, he’s managed to shirk most of the semblances in his sound and strike out on his own personal path.
		The Liebman of today seems a musician secure with his past and his present; a veteran who has weathered the tests time threw at him and still sees improvised music as his guiding pursuit and primary source of creative sustenance.
		Liebman’s dry fluttering soprano phrases ripple in soothing confluence with Copland’s bright right hand patterns on the title pieces, but somber hues are the object of study on the saxophonist’s “The Searcher.” Copland’s luminous single note filaments plumb a rich melancholy mood, one that prefaces Liebman’s own ruminations on world-weary tenor.
	www.bagatellen.com /archives/reviews/000197.html (740 words)

	DAVE LIEBMAN & GARY SUGAL STORY (Site not responding. Last check: 2007-10-22)
		I of course contacted Dave Liebman and received an original letter from him stating that this letter did not originate from Dave Liebman and was a forgery "and that the contents contained within these documents are categorically untrue".
		Liebman was scheduled to perform a concert in the Greenwich House in New York for the National Endowment of the Arts.
		Liebman and I were willing to let go of the past, but in light of the use of newsgroups to perpetrate new rumors about us, it is necessary to have this document posted once and for all.
	www.gis.net /~schwartz/anom.html (3825 words)

	David Liebman Group (Site not responding. Last check: 2007-10-22)
		Liebman on tenor saxophone, the emergence of a folkish melody.
		Saxophonist Dave Liebman’s first class jazz skills are matched by an equally enviable work ethic One of the busiest players on the contemporary scene, he also is in demand as a jazz educator and written several pedagogical music books.
		Liebman remains one of the living masters of the sax, whether he’s blowing gorgeous ballads or caught up in fearless, soul-searching, streaming of consciousness solos of volcanic intensity.
	www.upbeat.com /lieb/group.htm (5935 words)

	In The First Person: Dave Liebman
		In 1977, Liebman did a world tour with Chick Corea and by 1978 formed the David Liebman Quintet with John Scofield, Kenny Kirkland and Terumasa Hino as featured sidemen.
		In the 1990s, the Dave Liebman Group, with Phil Markowitz on keyboards, Vic Juris on guitar, Jamey Haddad on drums and Tony Marino on bass recorded several CDs, toured Europe, Japan and Israel and pursued a very eclectic, contemporary style.
		As of late 1997, the Dave Liebman Group became a quartet with Juris, Haddad and Marino.
	www.newmusicbox.org /archive/firstperson/liebman/bio.html (756 words)

	Dave Liebman Quartet (Site not responding. Last check: 2007-10-22)
		But given his equally prodigious accomplishments on tenor and flute, it is much more accurate to refer to Liebman as one of the most prominent and admired jazz musicians in the world, period.
		With a broad, expressive tone and a breathtaking technical facility, Liebman sculpts thrilling solos that while often challenging in energy and range, always maintain an integrity and human dimension that warmly invite the audience along for a rewarding ride.
		Liebman will be performing with a stirring ensemble of veteran jazz masters, including pianist Geoffrey Keezer, drummer Akira Tana, bassist Ray Drummond.
	events.stanford.edu /events/30/3013 (203 words)

	Dave Liebman Big Band
		This 19-piece orchestra, led by the renowned Dave Liebman on saxophone, was introduced with flutes, piccolo, and a guitar.
		Liebman plays and conducts in harmony, and the bass solos were repeated up and down the scale.
		Liebman finally extended the final note to the ultimate, with the orchestra in four-note response, followed by Samba rhythms to Sing, Sing, Sing, a serendipitous surprise.
	www.robertaonthearts.com /id282.html (399 words)

	Dave Liebman & CJP (Site not responding. Last check: 2007-10-22)
		Reuben Hoch's collaboration with Dave Liebman dates back to 1987, when Reuben was a member of the Israeli jazz quartet, Zaviot and Dave was a featured soloist on the quartet's 1987 recording, "Unexpected".
		Dave was subsequently featured on Reuben's solo efforts, "Live in New York at the Knitting Factory" and "If I Only Knew".
		The Chassidic Jazz Project affords Dave the opportunity to dig deeper into his ancestral roots, and we are proud to offer presenters the option of booking the Chassidic Jazz Project with special guest artist and master saxophonist, Dave Liebman.
	www.chassidicjazz.com /liebman.html (132 words)

	David Liebman Group Biography
		Tony on the group: "Playing with the Dave Liebman Group is always a thrilling and educational event.
		Jamey on Dave Liebman: "Dave is the most inspired and hardest working musician I know, comfortable enough in his own skin to tolerate me!.
		Dave not only gives me the space I need, but he digs, mines and helps to refine the musical personalities in all the musicians he comes into contact with."
	www.view.com /liebman-bio-group.html (660 words)

	Inside Jazz
		Liebman has published material on a variety of subjects;instructional DVDs, published chamber music and as well over the years he has contributed regularly to various periodicals such as the Saxophone Journal and the International Association of Jazz Educators Journal.
		Liebman uses Superial tenor and soprano reeds, Keilwerth Saxophones, and AMT wireless microphones.
		“Liebman hasn’t let the vicissitudes of the music industry or the fickleness of the listening public stop him from going about his business; that is, creating adventurous new music that explores all the nooks and crannies of the jazz tradition.
	www.insidejazz.com /Dave_Liebman/Dave_Liebman_Bio.htm (3947 words)

	EMANEM 4104: TONY BIANCO / DAVE LIEBMAN / TONY MARINO
		Liebman is his usual outgoing self, creating sheets of sound that ebb and flow with the rest of the rhythm section.
		Dave Liebman applies his phrasing like a whirlwind, quivering, self-consciously groundbreaking, exploring theme fragments and pulling out harmonics like a drink of fresh water.
		Liebman sounds inspired on tenor and soprano sax throughout-even if he comes off as slightly out of practice at this style of playing-although 13 minutes of him plinking away at and around the same few chords on piano during Line Ish: Part Two is a tad overindulgent.
	www.emanemdisc.com /E4104.html (2831 words)

	Heads Up: Dave Liebman
		Liebman received his degree in American history from New York University in 1968, and in 1969 he and Bob Moses formed the New York musicians' cooperative, Free Life Communication, an organization responsible for jazz concerts in the community.
		The overall picture of Liebman's playing, from Ten Wheel Drive to Miles, to Open Sky to the duo with Beirach, to Lookout Farm to Quest, has been for the past twenty years a conglomeration of studying and playing so intense it is quite frankly unparalleled by any.
		Jazz is an American art form, but Liebman has drawn in fluences from all over the world, as well as his own back yard, to develop his eclectic sound.
	www.headsup.com /bios/liebman.html (623 words)

	Jazz Saxophonist Dave Liebman Oct. 23 / 2002-2003 / Archive / Press Releases / Hope - Hope College
		Liebman has established himself as a preeminent jazz musician and educator.
		Miles Davis then hired Liebman, and the two shared the stage and recordings for over four years.
		While at Hope, Liebman will also be leading a clinic at the Knickerbocker Theatre at 2 p.m.
	www.hope.edu /pr/pressreleases/content/view/full/1827 (232 words)

	Dave Liebman : Miles Away - Listen, Review and Buy at ARTISTdirect
		Dave Liebman, who played with Miles Davis' group during 1974-1975, pays tribute to the innovative trumpeter throughout this excellent Owl CD.
		To Liebman's credit, he does not ignore Davis' fusion period; in fact, he starts out with the most recent composition (Robert Irving's "Code M.D." from 1984) and works his way backwards chronologically.
		Liebman's highly expressive soprano, Juris' echoey guitar, and pianist Phil Markowitz are the main soloists, but everyone plays quite well; the inclusion of Caris Visentin's English horn on "Pan Piper" (from Sketches of Spain) is a nice touch.
	www.artistdirect.com /nad/store/artist/album/0,,225321,00.html (272 words)

	Mosaic Select: Dave Liebman & Richie Beirach (MS-012)
		Saxophonist David Liebman and pianist Richie Beirach were among the brightest musicians to emerge in the ‘70s.
		Frankly, I've never loved Liebman's playing; it strikes me as a bit hollow and histrionic, though it's certainly energetic; but he and Beirach -- in many duo recordings, in a group called Lookout Farm, and in their more recent quartet, Quest -- have a deep thing together.
		Tunes like "The Iguana's Ritual" (first featured on another ECM collector's-item disc, Liebman's "Drum Ode") could have been recorded by one of the early groups that spun off of "Bitches Brew"; Liebman and Beirach are definitely under the spell of Miles on the first disc here, and it kicks major ass.
	www.mosaicrecords.com /prodinfo.asp?number=MS-012 (1397 words)

	Untitled Document
		His teaching activities at universities and in clinic settings have taken him literally around the world, primarily because of his varied musical interests, expertise on several instruments and ability to articulate the intricacies of the jazz language, aesthetic and technique.
		In 2000, Liebman was inducted into the Hall of Fame of The International Association of Jazz Educators for his contributions to jazz pedagogy.
		Liebman is a member of the Jazz Improv Board of Advisors, and The Jazz Alliance.
	www.katesmithpromotions.com /artists/daveliebman.html (865 words)

	Dave Liebman & Bobby Avey \| Vienna Dialogues
		Dave Liebman has released seventy albums since 1972, matching some of the most frequently recorded musicians in jazz, but the soprano saxophonist keeps moving forward.
		It was difficult for me to prepare for listening to Liebman largely as an interpreter of classical music, and I was impressed with his thoughts vis a vis this project.
		Liebman sought the assistance of pianist Bobby Avey, a former resident of the Pocono Mountain area of Pennsylvania where the saxophonist lives (along with Phil Woods and Bob Dorough).
	www.allaboutjazz.com /php/article.php?id=23446 (570 words)

	Dave Liebman News
		Dave Liebman and Bobby Avey Take note: Don't expect "Vienna Dialogues" to be a jazz album.
		The saxophonist Dave Liebman absorbed jazz in the mid-1960's.
		Steve Inskeep and Ashley Kahn Miles Davis performs in 1973 at Olympia Hall in Paris with clarinetist Dave Liebman and bassist Michael Henderson.
	www.topix.net /who/dave-liebman?scoring=d (497 words)

	CD Review of Dave Liebman - In A Mellow Tone on Zoho Music @ jazzreview.com
		Moreover, though Liebman has regularly played soprano sax in many past projects—and he does so on some of the tracks on this CD as well—Liebman often explores the darker tones of the tenor sax.
		On the other hand, Liebman and Juris show their total understanding of the other’s ideas when they play in unison on their scampering version of “Wow,” a tribute to Liebman’s early teacher, Lennie Tristano.
		No doubt, Liebman’s recordings will go on as well, even as he reconfigures his band into new shapes and voices and even as he records on new labels necessitated by the exigencies of the entertainment industry.
	www.jazzreview.com /cdreview.cfm?ID=7253 (503 words)

	Dave Liebman & Bobby Avey \| Vienna Dialogues
		Liebman has always been a player who can immerse himself in any setting, capture its essence and still sound completely himself.
		Here, however, Liebman and Avey have crafted arrangements of music—largely from the Romantic period of the 19th Century—that are reverential, yet allow a greater degree of exploration.
		Liebman, who plays soprano throughout, approaches the material faithfully; but towards the end of this lied (art song), the duo becomes just a little bolder, and Liebman’s strong voice becomes self-evident.
	www.allaboutjazz.com /php/article.php?id=23304 (557 words)

	Dave Liebman - Conversations - organissimo jazz forums - This is the place to discuss the band, jazz, and more!
		Liebman plays mainly soprano but he has some solo spots on tenor and uses the flute for diversity, to decorate the melodies.
		When an artist has as a wide musical viewpoint as saxophonist Dave Liebman, and has released so many albums in a 35-year career that touch on so many aspects of jazz—big band to solo, highly structured to free, acoustic to electric—one would think that there’d be little chance of surprise left.
		In a time when fans are lauding artists like trumpeter Dave Douglas and guitarists Bill Frisell and Pat Metheny for their ability to intrepidly tackle a diversity of musical approaches, all the while retaining distinctive and recognizable voices, the truth is that Liebman has been doing this all along.
	www.organissimo.org /forum/index.php?showtopic=13532 (1001 words)

	Dave Liebman, sax/Phil Markowitz, piano - Manhattan Dialogues - Zoho
		Manhattan Dialogues, the new Zoho release by the sax/piano duo Liebman and Markowitz is a cerebral conversation, at times dark and brooding and at other times light and playful.
		Liebman is usually upfront in the mix with Markowitz commenting on Liebman’s leads.
		The latter number, written by Liebman, is the fourth movement of a five-part suite originally scored for orchestra and piano trio.
	www.audaud.com /article.php?ArticleID=772 (264 words)

	Zoho Music - Dave Liebman & Phil Markowitz - Manhattan Dialogues
		On Manhattan Dialogues, the celebrated saxophonist / composer Dave Liebman returns to the duo format with his long-time musical collaborator Phil Markowitz on piano — in a highly virtuosic October 2004 live set recorded at the Manhattan School of Music.
		My first exposure to Dave Liebman were the recordings “On the Corner” by Miles Davis, and “Live at the Lighthouse” by Elvin Jones.
		Dave Liebman endorses Keilwerth saxophones, Superial reeds, and AMT microphones.
	www.zohomusic.com /cds_detail.php?cds_id=27 (1218 words)

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