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Topic: David Belasco

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	David Belasco And The Psychology Of The Switchboard
		David Belasco And The Psychology Of The Switchboard
		Belasco's art instinct as a constructive manager was upper-most at the time, he might have been contributing at this moment to the broad melodrama which thrives on the morbid, however it may seek to glorify virtue.
		Belasco, and because, in his theatre he was determined to practice his own policy, and not be dictated to, he soon realized that along that chain of theatres he was irretrievably de-barred; which meant that he must either play in halls or be kept out of certain towns.
	www.oldandsold.com /articles32n/drama-7.shtml (6234 words)

	David Belasco - Wikipedia, the free encyclopedia
		Belasco is also recognized for bringing a new standard of naturalism to the American stage.
		Belasco took over management of the theater and completely remodeled it in 1902, only two years after it was constructed as the Theatre Republic by Oscar Hammerstein.
		The Shubert-Belasco Theatre was located in Washington D.C. David Belasco died in 1931 at the age of 77 in New York City and was interred in the Linden Hills Cemetery in Queens, New York.
	en.wikipedia.org /wiki/David_Belasco (718 words)

	THE DAVID BELASCO PAGE
		DAVID BELASCO was born in San Francisco, California, on July 25, 1853.
		Belasco rebuilt and redecorated the theatre as a showcase for his increasingly lavish productions, installing elaborate stage machinery and lighting equipment and renaming the house after himself.
		Belasco's jewelbox 42nd Street house, lovingly restored, also survives today, as the New Victory--cornerstone of the "new" 42nd Street as it once was of the old.
	www.angelfire.com /ny/davidbelasco (744 words)

	David Belasco - LoveToKnow 1911
		"DAVID BELASCO (1859-), American playwright and manager, was born at San Francisco, Cal., July 25 18 J9.
		After graduating from Lincoln College, Cal., in 1875, he was stage-manager at several theatres and then went to New York where he owned and managed the prosperous Belasco theatre.
		He wrote or adapted some 200 plays, largely melodramatic, and owing to his mastery of stage-craft he was eminently successful as a producer and stage director.
	www.1911encyclopedia.org /David_Belasco (119 words)

	David Belasco - Wikipedia, the free encyclopedia (Site not responding. Last check: 2007-10-26)
		David Belasco (July 25, 1853 - May 14, 1931) was an important American playwright, theatrical producer, and producer.
		A gifted playright, Belasco went to New York City in 1882 where he worked as stage manager for the Madison Square Theater while writing plays.
		David Belasco died in 1931 in New York City and was interred in the Linden Hills Cemetery in.
	www.sugarland.us /project/wikipedia/index.php/David_Belasco (256 words)

	JewishEncyclopedia.com - BELASCO, DAVID:
		He is of the same family as the English actor known on the stage as David James.
		De Mille having died, Belasco, in collaboration with Franklin Fyles, wrote "The Girl I Left Behind Me." In 1891 his English version of "Miss Helyett" was produced.
		Belasco has taken rank at the head of American dramatic authors, and has written and produced "Zaza," "Madame Butterfly," "La Belle Russe," "Valerie," and, with James A. Herne, "Hearts of Oak" and "Du Barry."
	www.jewishencyclopedia.com /view.jsp?artid=565&letter=B (370 words)

	§15. David Belasco. XVIII. The Drama, 1860–1918. Vol. 17. Later National Literature, Part II. The Cambridge ...
		The only manager who, early in the nineties, seems to have had faith in the native product was David Belasco, and his belief was founded on faith in himself.
		The latter revealed the expertness of Belasco as an adapter far better than his work on Hermann Bahr’s The Concert (3 October, 1910) or on The Lily (23 December, 1909) by Wolff and Leroux.
		Had Belasco not been a manager, the effect on his own workmight have been different.
	www.bartleby.com /227/1115.html (620 words)

	DAVID BELASCO
		Son of a Jewish clown who emigrated from London, David Belasco was born and in San Francisco at a time when that city had a growing theatre community following the gold rush of 1849.
		William Winter reports that even as a boy, Belasco kept writing materials by his bed so he could write down ideas that might be useful to him in the theatre that would occur to him at night.
		Belasco claimed to have been associated with the production of nearly 400 plays, most of them written or adapted by himself; but his writing, in a time when lbsen, Strindberg, and Chekhov were introducing realism, remained filled with sensational melodrama or maudlin sentiment.
	www.wayneturney.20m.com /belasco.htm (947 words)

	HAUNTING THE BELASCO
		Belasco in his quixotic battle against The Syndicate to maintain independence as a producing director, and leased him the theatre.
		Belasco performed the role of Marc Antony many times in his youth, and he was in preparation to produce Julius Caesar (among other shows) at the time of his death in 1931.
		It's the ghost of playwright-producer David Belasco, thought by some to be stalking the W. 44th St. theater where the musical is being staged.
	www.hauntingthebelasco.com (3463 words)

	Madame Butterfly Story Origins
		Belasco also took a big theatrical risk by taking 14 minutes for Butterfly to stand stationary waiting for Pinkerton as a lighting effect showed the passing of the night.
		Later in the same year Belasco's play was presented in London at the Duke of York's Theatre, this time on the program with Jerome K. Jerome's Miss Nobbs.
		David Henry Hwang has also taken a step forward in the confusion as to who is who in his very successful play and movie
	www.balletmet.org /Notes/ButterflyStory.html (1626 words)

	Belasco*
		David J. BELASCO and Secretary of Education, Commonwealth of Pennsylvania, Appellees.
		Belasco who was present in the classroom apparently observed the paddling but did not intervene.
		Belasco testified that he did not attempt to stop the aides from paddling Neel because when Neel was summoned to the front of the room, the other class members became excited and unruly.
	www.bucknell.edu /Academics/Resources/PA_School_Law/Teachers/Dismissal_Professional_Employee/State_Cases/Belasco-422dc7822ab57.html (2543 words)

	MSN Encarta - David Belasco
		Born in San Francisco, California, Belasco worked there as an actor, writer, and stage manager from 1874 to 1882.
		In 1907 Belasco acquired his own theater, the Stuyvesant, renamed the Belasco in 1910.
		Belasco's direction helped develop a number of popular actors.
	encarta.msn.com /encyclopedia_761571695/David_Belasco.html (266 words)

	Maude Adams-La Belle Russe
		Belasco himself took considerable pride in La Belle Russe, and claimed that it was the production of this play which retrieved the fortunes of Lester Wallack, lost when the latter moved into his new theater.
		David Belasco, who is spoken of as the author of "La Belle Russe," that benignant creature made the resemblance between these two sisters so absolute that a man who is married to one of them accepts the other as his wife.
		David Belasco continued for years to adapt French plays, but he was under no illusion as to the value of a play billed "From the French." His experience with La Belle Russe had opened his eyes.
	www.bookmice.net /darkchilde/maude/mplay4.html (1880 words)

	MSB - Lloyd Greif Center for Entrepreneurial Studies
		Belasco is a founder of BC2 Environmental Corp., a California-based environmental drilling and remediation firm.
		Belasco graduated with honors from the University of Southern California's Entrepreneur Program and the University of Pennsylvania Law School, where he was an editor of the Law Review.
		David was the recipient of the 2004 Golden Apple Award for teaching excellence, an annual award selected by students of the Marshall School of Business.
	www.marshall.usc.edu /web/LloydGreif.cfm?doc_id=5092 (266 words)

	David Belasco — FactMonster.com
		Connections with the Frohmans brought him to New York City in association (1882–84) with the Madison Square Theatre and later (1886–90) as stage manager of the Lyceum.
		, David Warfield, Blanche Bates, Frances Starr, Ina Claire, and Lenore Ulric.
		In 1907 he built the Stuyvesant Theater, later known as the Belasco, during his fight against the Theatrical Syndicate of the 1890s.
	www.factmonster.com /ce6/people/A0806826.html (337 words)

	MelissaHagg: Who are you talking about?
		David Belasco was a son of a Jewish clown who emigrated from London.
		I found it so ironic that David Belasco was a child that actually ran away to join the circus.
		This shows that David Belasco was serious about his work whether it is at the circus as a child or as a creator of a melodramatic play.
	blogs.setonhill.edu /MelissaHagg/005854.html (493 words)

	[No title]
		Belasco had been scouting out a star vehicle to fill a short bill when he chanced upon a poignant novella about colliding cultures authored by an American scholar of Japanese culture, John Luther Long, and fashioned from it the play that would evolve into one of the treasures of the operatic repertoire.
		The Belasco luster was further tarnished by accusations of plagiarism, perjury, extortion, forgery, and pornography—all of which left Belasco bitter and weary, but never so much as did the sting of becoming obsolete.
		Belasco considered his lighting design for Madame Butterfly his “most successful effort in appealing to the imaginations of those who have sat before my stage.” And it must have been, for when Puccini saw Belasco’s London production, he fell under the Belasco spell exactly, even though he understood not a word of the English text.
	www.kewatt.com /Belasco.doc (680 words)

	[No title]
		Belasco is the one individual manager to-day who has a workshop of his own; he is pre-eminently a creator, whereas his contemporaries, like Charles Frohman, were emphatically manufacturers of goods in the amusement line.
		Belasco has written about them in a series of magazine reminiscences, which, if they are lacking in exact sequence, are measure of his type of mind, of his vivid memory, of his personal opinions.
		Belasco has reached his position through independence which, in the '90's, brought down upon him the relentless antagonism of the Theatrical Trust--a combine of managers that feared the advent of so individualistic a playwright and manager.
	www.ibiblio.org /pub/docs/books/gutenberg/1/3/3/1/13319/13319.txt (18542 words)

	MSN Encarta - David Belasco
		David Belasco (1859-1931), American playwright, theatrical producer, and manager, one of the first American producers to unify all elements of a theatrical production under the supervision of one person.
		Belasco permanently influenced American production techniques through his insistence on natural styles of acting, elaborate theater facilities, and, above all, minutely realistic stage settings and properties.
		A prolific writer, Belasco wrote, adapted, and collaborated on many plays.
	encarta.msn.com /encyclopedia_761571695/Belasco_David.html (266 words)

	Let There Be Light (Site not responding. Last check: 2007-10-26)
		Today most theatrical lighting involves computer control and extensive memory systems; however, several centuries ago when poets such as William Shakespeare were writing some of the greatest theatrical pieces of all times, stage lighting was simply light from the sun.
		It was an effect such as this, coupled with the innocence of David Belasco's Madame Butterfly character, that caused Puccini to pursue the storyline as a potential opera.
		Belasco's production featured screens depicting a garden of cherry blossoms, a rice field, and a sunset over a snow-covered volcano.
	www.clevelandopera.org /tour/educational/buttrfly/light.html (725 words)

	David Belasco Biography and Summary
		David Belasco (1853-1931), American theatrical director-producer and playwright, attempted to bring veracity to the popular melodrama through meticulous detail in setting and lighting.
		A phenomenon of the nineteenth century, David Belasco became one of the most powerful people in the American theatre by the turn of the new century.
		David Belasco(July 25, 1853- May 14, 1931) was an important American playwright, director and theatrical producer.
	www.bookrags.com /David_Belasco (181 words)

	§15. David Belasco. XVIII. The Drama, 1860–1918. Vol. 17. Later National Literature, Part II. The Cambridge ... (Site not responding. Last check: 2007-10-26)
		The only manager who, early in the nineties, seems to have had faith in the native product was David Belasco, and his belief was founded on faith in himself.
		The latter revealed the expertness of Belasco as an adapter far better than his work on Hermann Bahr’s The Concert (3 October, 1910) or on The Lily (23 December, 1909) by Wolff and Leroux.
		Had Belasco not been a manager, the effect on his own workmight have been different.
	www.bonus.com /contour/bartlettqu/http@@/www.bartleby.com/227/1115.html (620 words)

	Maybe Later: The Girl of the Golden West: SHU Blogs?
		David Belasco: mocking dramatic behavior, or using the dramatic gamble for a man’s life to make money.
		Since Belasco says, “My plays are all written to be acted, not to be read,” I certainly place the latter as the more reasonable motive for Belasco to write this play.
		Reading that Belasco had worked with Giacomo Puccini to create the popular opera “Madame Butterfly,” Belasco’s status as a playwright can be more distinctive at the time; however playwright is now defined differently: One who writes plays; a dramatist.
	blogs.setonhill.edu /StephanPuff/005883.html (252 words)

	Belasco (Site not responding. Last check: 2007-10-26)
		David Belasco was a Portuguese-Jewish actor, playwright and manager who found his earliest successes as a stage manager for "realistic" drama in New York City and San Francisco.
		He was well-known at the turn of the century, was regarded as conveing a flamboyant personality and having a flair for "total theatricity." Noted as a "pioneer of realism," he often used the most current of technologies in his stage direction.
		Unlike Belasco who was content to capture and portray the past on stage, Gatsby wanted to re-create and hold it.
	www.wiu.edu /users/mfwc/wiu/g3balasco.html (230 words)

	The Moon of the Caribbees and Six Other Plays of the Sea
		David Belasco's copy, with Bolasco's bookplate and annotations by Belasco on first pages of IN THE ZONE.
		David Belasco's attraction to IN THE ZONE might at first appear paradoxical.
		Belasco, the dean of the old-time Broadway managers, resented the attention being paid to experimental groups like the Provincetown Players.
	www.eoneill.com /works/19301.htm (333 words)

	Silent Era: Archive: Photoplay: December 1915: Mary Pickford
		Belasco, I recognize you by your pictures,” were her first words.
		Belasco, remember, no matter where I am or what I am doing, when you want me just let me know, and I’ll come.” I did not she her again for a number of years, but I watched her grow in popularity.
		I remember once Mary asked David W. Griffith, who was her first motion picture director, if she could do a picture with me. And one of the things that I value very highly is a reel, the only one which I possess, and which I have in my studio and treasure greatly.
	www.silentera.com /archive/photoplay/1915/1215/1215-27.html (2347 words)

	Religion of David Belasco, theatrical producer
		David Belasco was the first theatrical manager of Mary Pickford, and who was the man that created her stage name.
		She [Charlotte Pickford] started at the top [in looking for somebody to utilize her daugher Mary Pickford's acting talents] with playwright, director and producer David Belasco, the self-appointed high priet of American drama.
		David Belasco was a charlatan, a great showman, the middle link in a tradition that starts with P. Barnum and ends with Cecil B. De Mille.
	www.adherents.com /people/pb/David_Belasco.html (189 words)

	The Girl of the Golden West (Site not responding. Last check: 2007-10-26)
		The stage play by California-born David Belasco opened in 1905 at the Belasco Theatre in New York City, starring Blanche Bates, Robert Hilliard and Frank Keenan (grandfather of Keenan Wynn).
		Belasco himself was stage director and Arturo Toscanini conducted.
		Belasco had made the play and opera successful with his stage craft wizardry.
	www.dandugan.com /maytime/f-girlof.html (2048 words)

	Belasco Theatre
		The Belasco Theater is located on the north side of 44th Street, between Broadway and Sixth Avenue.
		The Belasco Theatre was eventually bought by the Shubert Organization, but legend has it that its namesake continued to attend performances there, albeit in ghost form, even after his death in 1931.
		The interior of the Belasco Theatre shows some signs of age but is nonetheless very handsome, with numerous murals and beautiful stained glass light fixtures.
	www.nytix.com /Links/Broadway/Theaters/belasco.html (530 words)

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