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Topic: David Rosenboom

	Los Angeles Philharmonic Association - Performer Details
		DAVID ROSENBOOM is a composer, performer, conductor, interdisciplinary artist, author, and educator, known as a pioneer in American experimental music.
		Rosenboom has been Dean of the School of Music and Conductor of the New Century Players at the California Institute of the Arts since 1990 and was Co-Director of the Center for Experiments in Art, Information, and Technology from 1990 to 1998.
		David Rosenboom performed on the premiere recording of In C for Columbia Records in 1968.
	www.laphil.org /resources/performer_detail.cfm?id=305 (229 words)

	Untitled Document
		I believe that in order to appreciate Rosenboomís prepositional music, it is also necessary to be actively involved, whether the person is the composer or the listener: a musical universe cannot be created passively, nor can passive hearing of these universes benefit a casual listener much.
		Propositional Music: According to David Rosenboom, Propositional music consists of musical (acoustical) systems that contain all the elements with which the work will be modeled and the rules or principles with which these elements will be ordered (order in a sense that does not negate evolution or change, meaning always certain degree of flexibility).
		Brun is not as much at fault as Rosenboom, who confused me in the opening statement of his thesis by using the phrase ìpropositional musical languageî to define the term propositional music.
	instruct1.cit.cornell.edu /courses/music414/language.html (2352 words)

	POGUS :: Reviews
		On Invisible Gold, American composer, musician and academic David Rosenboom explores the interface between the human nervous system and technology, generating music using brainwaves as signal source and electronic devices as medium.
		David Rosenboom has been working for decades in the realm of experimental music.
		Rosenboom refers to On Being Invisible as being 'a self-organizing, dynamical system, rather than a fixed, musical composition.' This system generates musical changes, predicts the significance with which they may be perceived, and tests for brain signals that either confirm or disconfirm these predictions.
	www.pogus.com /invisiblegoldreview.html (372 words)

	David Rosenboom : Systems of Judgment (1987) - Listen, Review and Buy at ARTISTdirect (Site not responding. Last check: 2007-10-08)
		Composer David Rosenboom has a long history in the vanguard of contemporary music, going as far back as the original Columbia recording of Terry Riley's In C.
		In addition to his work as an instrumentalist on violin, viola, piano, and drums, Rosenboom is primarily known for his pioneering work in computer music, particularly interactive software.
		Rosenboom would go on to do some work with Anthony Braxton; listeners who enjoyed that period of his career should check into this release.
	www.artistdirect.com /nad/store/artist/album/0,,197641,00.html (353 words)

	CDeMUSIC (Site not responding. Last check: 2007-10-08)
		David Rosenboom is working direct from brain to sound through an extended interface.
		Rosenboom, in particular, was interested during the 1970s in doing research into biocontrol and direct control of music from thought.
		The music includes David Behrman's 'Runthrough' (1967), realized with new digital circuitry in 1998 by Mark Trayle; Mark Trayle's 'Primitive Still Life (With Pairs' (1993); Barry Schrader's 'Beyond' (1992); David Rosenboom's 'Music from On Being Invisible II (Hypatia Speaks to Jefferson in a Dream)' (1995); and Morton Subotnick's 'It Begins...' (1997).
	www.cdemusic.org /store/cde_search.cfm?keywords=drosenboomcds (562 words)

	Time and Think Dog! Slide Show
		The shots from our recording sessions in Toronto were taken by David Rosenboom, which is why there is only one with him in it.
		David Rosenboom brought a camera to the sessions.
		By the beginning of summer, David Rosenboom left the band to pursue other opportunities.
	www.lynndavidnewton.com /music/tdslides/tdslides.html (796 words)

	Before There Was Time
		David and Richard were both gainfully employed, and Ellen McFaul got a job to help sustain them, but I tried to make it on virtually nothing.
		David was then making his living playing viola at SUNY with a new music performance group, though he never played viola with the band.
		David Rosenboom and I and a third composer presented this in the Illini Union ballroom as a counter-revolutionary protest to some new music concerts given by the music school that we felt were not adventuresome enough.
	www.lynndavidnewton.com /music/b4time.html (6821 words)

	David Rosenboom: Media Works
		Involuntary?Control (1969) documentary on biofeedback with David Rosenboom, Dr. Neal Miller, and Dr. Les Fehmi, and Don Berry, produced Philip Mendlo, filmed by Jerry Murphy, New York University, New York, 16mm film, approx.
		Jasmine persona with songs by Jacqueline Humbert, David Rosenboom, and George Manupelli, performed by Humbert, Rosenboom, and Sam Ashley, includes introduction with excerpts from Rosenboom's And Out Come the Night Ears for solo piano and electronics, Western Front Video, video, approx.
		In The Beginning (The Story) (1980) by David Rosenboom with George Manupelli, staring Jacqueline Humbert and Jean Moncrieff, abstract characters perform symbolic acts about post–human transformations, created for use with the composition for chamber orchestra and synthetic speech, (score available from Frog Peak Music, Hanover, NH.), 16mm film, silent, approx.
	music.calarts.edu /~david/mediaworks/media.html (1142 words)

	David Rosenboom : Invisible Gold - Listen, Review and Buy at ARTISTdirect (Site not responding. Last check: 2007-10-08)
		The more the performers (members of the group Biome) are focused and produce specific brainwaves, the more the music expands in terms of range and variations.
		In the second piece, the performer (Rosenboom) is part of a system that produces electronic sounds and predicts the interacting participant's brainwave reactions.
		Rosenboom's work later influenced a handful of composers, including Michael Prime, who uses the electromagnetic fields of plants to create some stunning music (see L-Fields).
	www.artistdirect.com /nad/store/artist/album/0,,1123925,00.html (402 words)

	The Art of David Tudor (Getty Press Release)
		Los Angeles--The Art of David Tudor: Indeterminacy and Performance in Postwar Culture, a collaboration of the Getty Research Institute and the California Institute of the Arts (CalArts) School of Music, is the first international symposium to celebrate American musical pioneer David Tudor (1926-1996).
		David Tudor, like Andy Warhol, Harry Smith, and other artists whose pioneering work was addressed in the Getty's highly popular and critically acclaimed "Media Pop" and "Harry Smith" symposia, broke through artistic barriers to influence many aspects of contemporary art and music.
		The Getty Research Institute is the repository of David Tudor's complete archives, including rare and unknown piano scores, performance materials, correspondence, and audiotapes that provide the departure point for the collaborative symposium and performances.
	www.getty.edu /news/press/public/tudor.html (868 words)

	David Rosenboom
		He has developed computer software for music, was co-designer of a computerized keyboard instrument with Donald Buchla, the Touché, and is co-author (with L. Polansky and P. Burk) of HMSL (Hierarchical Music Specification Language), a music programming language widely used by educational institutions and individuals.
		Rosenboom has conducted extensive research into information processing modes of the brain as they relate to aesthetic experience and has published two books on the subject, Biofeedback and the Arts (1976), and Extended Musical Interface with the Human Nervous System (1990).
		About Rosenboom's Systems of Judgment, Kyle Gann of the Village Voice wrote, "The piece sums up the 20th century, and sounds ravishing in the process.
	www.lovely.com /bios/rosenboom.html (1200 words)

	David Rosenboom - Brainwave Music
		The system Rosenboom uses relies on what is known as biofeedback.
		Rosenboom uses an interface between the brain and a synthesizer to generate the tones.
		Rosenboom also makes use of some minimalist piano and ethereal vocals to great effect.
	www.blogsandiego.com /david_rosenboom.html (896 words)

	www.myspace.com/davidbug
		david bug with featured audio guests and other artistic types...
		david dug is a soloist improviser, also a member of Pe-eL and menschine.
		Primarily performing live or in the studio with a Moog Rogue or an Ibanez SR 1300 Custom electric bass with a BOSS PS-3 and Vox Fuzz pedals but sometimes opting for an acoustic piano.
	www.myspace.com /davidbug (663 words)

	david's past performances page (Site not responding. Last check: 2007-10-08)
		05-09-2005 at 8pm: David will be performing with Areni Agbabian at her MFA1 concert along with Kris (voice), Melinda (violin), David (Moog), Hiromi (piano) and Katie (piano accompanist) playing Berg, Adams, and Crumb along with an original composition duet in the Roy O. Disney Music Hall at CalArts.
		David is the audio consultant for Vinyl White and chief sound engineer for the Beatles for Sale band and the CalArts' Latin music band among other music present at this event.
		David was David Rosenboom's audio assistant and a co-performer.
	www.leikam.com /david/past_performances.html (1437 words)

	CB0002 (Site not responding. Last check: 2007-10-08)
		Entrances is a work for four pianos—all four parts stunningly played by David Rosenboom, who also realized the specific construction of the version of this somewhat open-form piece that is heard here.
		David Rosenboom, the pianist(s) on Entrances and the conductor of the other two works on this disc, is a noted composer in his own right whose most recent CD, a collaboration with Anthony Braxton, was released on the Lovely Music label.
		Rosenboom is the Dean of the School of Music at Cal Arts.
	www.coldbluemusic.com /pages/CB0002.html (650 words)

	CDeMUSIC: David Rosenboom (Site not responding. Last check: 2007-10-08)
		Composer, performer, conductor, interdisciplinary artist, and author, David Rosenboom's interests are remarkably diverse.
		They include the spontaneous evolution of forms, languages for improvisation, new techniques and notation for ensembles, cross-cultural collaborations, performance art, computer music systems, interactive multi-media, compositional algorithms, and the structure of the brain and nervous system.
		David Rosenboom teaches at California Institute of the Arts.
	www.cdemusic.org /artists/rosenboom.html (199 words)

	Invisible Gold - David Rosenboom, Music Downloads - Online
		Enjoyable but not striking at this level, the music must be placed back into its context of production.
		David Rosenboom pioneered music experimentations triggered by biofeedback.
		This reissue was long overdue and is warmly welcomed, if only for its historical and conceptual importance.
	musicstore.connect.com /album/559/David-Rosenboom/Invisible-Gold/500000000000020123743.html (311 words)

	American Music Center Member: David Rosenboom (Site not responding. Last check: 2007-10-08)
		Despite the much-publicized claims of the minimalists to open up classical music to other cultures, their tame nods to world rhythm are blown to shreds by the vitality of cross-cultural eruptions like this.
		Rosenboom and Braxton not only know how to use computers as more than fashionable dressing - they are also doing wonderful things at the composition/spontaneity interface.
		Rosenboom and Floyd gave the audiences a real treat as fingers flew between New York and Santa Monica.
	www.amc.net /member/David_Rosenboom/reviews.html (388 words)

	Transplant: Act IV
		Double-bass player Joëlle Léandre is joined by longtime collaborator William Winant (percussion), David Wessel (laptop) and David Rosenboom (piano).
		A composer, performer, conductor, interdisciplinary artist, author and educator, David is known as a pioneer in American experimental music.
		He has explored ideas in his work about the spontaneous evolution of forms, languages for improvisation, new techniques in scoring for ensembles, cross-cultural collaborations, performance art, computer music systems, interactive multimedia, compositional algorithms, and extended musical interface with the human nervous system since the 1960's.
	www.elsaproductions.com /tour/act4.html (785 words)

	Leonardo On-Line: Leonardo Electronic Directory
		His work is widely distributed and presented around the world and he is known as a pioneer in American experimental music.
		He taught at Mills College from 1979 to 1990, was Professor of Music, Head of the Music Department, Director of the Center for Contemporary Music, and held the Darius Milhaud Chair from 1987 to 1990.
		Two Lines, David Rosenbom and Anthony Braxton, music for winds, MIDI piano, and interactive software, Lovely Music, Ltd., LCD 3071, 1995, http://www.lovely.com
	www.leonardo.info /rolodex/rosenboom.david.html (572 words)

	David Mahler: Reviews, Discography, Audio Clips, and more \|\|\| Music.com
		In "Cup of Coffee" (1980), a woman's voice delivers the phrase "I could really use a cup of coffee" in wide-ranging and fantastical pitch and rhythmic modulations via electronics.
		In other works, David Mahler has used similar techniques to deconstruct human speech and reveal its hidden aspects.
		He is a core member of the Frog Peak Music composer's collective, and a widely published music theorist who co-wrote HSML, or Hierarchical Music Specification Language, with Phil Burk and David Rosenboom, as well as other computer software.
	www.music.com /person/david_mahler/1 (235 words)

	Biography
		She was also associated with many other composers including David Rosenboom, Jon Hassell, David Behrman, and later in New York City with La Monte Young as a member of his Eternal Dream House performing ensemble.
		In 1972 she moved to San Francisco establishing herself prominently as pianist, improvising composer, and joined Terry Riley, Pandit Pran Nath, and Robert Ashley on the Music Faculty of Mills College.
		Her devotion to and interest in World Music, in African-American Music, and in Contemporary Music enhances her own highly-developed discipline rooted in the European classical tradition and culminates in her individual style of musical expression as exemplified in her performances and recordings.
	www.katrinakrimsky.com /biography.htm (546 words)

	ICMA : Array
		The Terrain of Possibilities by Bill Alves, and Invisible Gold by David Rosenboom, seem to have little in common on the surface, but contain a faint kinship through a reliance on internal feedback for the production and influence of musical processes.
		On the Alves, internal organs of a robot are 'listened to' while on the Rosenboom, music is composed and manipulated through brainwave biofeedback.
		The material on the CD is distilled and compiled from live performance, and consists largely of an 18 minute drone with shifting spectra, mostly, but not always, harmonic in nature.
	www.notam02.no /icma/array.php?artid=40 (848 words)

	www.myspace.com/lepdblpeel
		David has moved up to the San Francisco Bay Area; looking for a paid day job, restarting his Live radio show "In Your Ear..." with David Bug on KZSU, and developing other creative ventures.
		Lorin still lives in the Los Angeles area with his girlfriend and is working on various day job projects, teaching others and following up on more custom synthesizer constructions.
		a duo music project of Lorin Edwin Parker and David "Bug" Leikam started in the summer of 2005 in a living room brap session.
	www.myspace.com /lepdblpeel (256 words)

	American Music Center Member: David Rosenboom (Site not responding. Last check: 2007-10-08)
		Rosenboom, D., Coniglio, M. & Subotnick, M.: Center for Experiments in Art Information and Technology (CEAIT): Studio Report, Proceedings Of The 1992 International Computer Music Conference, San José State University, [International Computer Music Association], San Francisco, 1985.
		David Rosenboom, in, Zimmermann, W.: Desert Plants: Conversations with 23 American Musicians, Beginner Press and A.R.C. Publications, Cologne and Vancouver, 1976.
		HMSL (Hierarchical Music Specification Language), developed by Rosenboom, D., Polansky, L., and Burk, P., [Frog Peak Music], Hanover, NH, 1980-present, (new versions continue to be released).
	www.amc.net /member/David_Rosenboom/shop.html (1931 words)

	JB Floyd :: Photographs
		JB Floyd and David Rosenboom after the ICMC Concert.
		Will is the bass player on the Late Night Show with David Letterman.
		After performing at the War Memorial Auditorium in San Francisco with George Marsh and David Wessel.
	www.jbfloyd.com /photos.php (156 words)

	Festival Miami - Home
		He has collaborated on many occasions with David Rosenboom in concerts of two-piano improvisations throughout North America and Europe.
		Their collaborations resulted in the recently released recording, Suitable for Framing, on the ARC label of Canada.
		His latest CD, Suitable for Framing, is a re-release of a performance with David Rosenboom of improvisations featuring the two pianists and the South Indian Mrdangam master, Trichy Sankaran.
	www.music.miami.edu /FestivalMiami2005/Bios/JBFloyd.htm (334 words)

	Frog Peak Artist: David Rosenboom
		A few copies left of this rare ARC edition.
		Music by Rosenboom, Polansky, Burk, Parson, Scholz, Bischoff, Didkovsky, and Marsanyi.
		Music by Braxton, Reich, Brubeck, Riley, Oliveros, Rosenboom, Payne, Polansky, Harrison, and others.
	www.frogpeak.org /fpartists/fprosenboom.html (202 words)

	David Rosenboom MP3 Downloads - David Rosenboom Music Downloads - David Rosenboom Music Videos (Site not responding. Last check: 2007-10-08)
		David Rosenboom MP3 Downloads - David Rosenboom Music Downloads - David Rosenboom Music Videos
		Teitelbaum studied with composers Luigi Nono and Goffredo Petrassi in Italy on a Fullbright scholarship, after which he brought the first Moog synthesizer to Europe....
		Portions of content provided by All Music Guide © 2006 AEC One Stop Group, Inc.
	www.mp3.com /david-rosenboom/artists/2536/similar.html (295 words)

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