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| | DAVID TENNANT |
 | | Tennant has got to perfection a certain type of urban American body language: an expression of vague but intense sincerity, big, friendly hand gestures, and a tendency to nod gently while talking, as if to reassure everyone that his words are health-giving and truthful. |
 | | David Tennant's Romeo is youthful, radiant and dashing, as impetuous as a child but also as untainted, standing at one remove from the tedious bawdy humour that so delights his companions. |
 | | The gangly David Tennant is a constant delight as the newly arrived Antipholus of Syracuse, registering increasingly horrified bewilderment with his whole body as he’s showered with money, trinkets and the affections of his long-lost brother’s wife and her sister. |
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