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Topic: Daylight (film)

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	Film stock - Wikipedia, the free encyclopedia
		Negative films require additional transferring; since negative films are much more commonly used, terms are based on the steps needed to produce a viewable finished print: one speaks of negatives and positives.
		Film is also classified according to its gauge and the arrangement of its perforations— gauges range from 8 mm to 70 mm or more, while perforations may vary in shape, pitch, and positioning.
		The film is also distinguished by how it is wound with regard to perforations and base or emulsion side, as well as whether it is packaged around a core, a daylight spool, or within a cartridge.
	en.wikipedia.org /wiki/Filmstock (1143 words)

	PHOTOMELA.COM
		The professional films' colour balance are designed to be at the peak during the manufacturing stage and unless you plan to develop your film within 48 hours of the first exposure of the roll, the consumer version of colour slides film is the best choice for both beginners and amateurs.
		Daylight film, which is balanced at 5500° Kelvin colour temperature, is good for all general shooting.
		Film contrast is the contrast inherent in a film or paper and is relative to the range of tonal values a film is sensitive to and can record during exposure.
	www.photomela.com /HTMLs/info_tools_films.html (5327 words)

	BlastGARD Bomb Blast Window Protection Films. Fragment Retention Film (Films)
		Film is applied to the window and an extra length or "tail" of film on each edge is attached to the frame with adhesive tape.
		As the film beings to peel away from the glass, the distance down that it travels in 60 seconds is measured.
		This is a direct indicator of the ability of the film to restrain glass during a blast and is a measure of the adhesive performance under dynamic loads.
	www.shattergard.com /testprogram.html (1724 words)

	Film Basics
		Slide and print film are essentially the same; the difference occurs during processing; after the negative images have been processed, the film is briefly exposed (either chemically or with light) so that the silver compounds that had remained untouched now form reverse positive images.
		All you have with you is ISO 100 film.
		Professional film, which is more expensive, is the same as amateur film, but it is selected for its tighter tolerances in color balance, contrast and film speed.
	www.sederquist.com /clafilm.html (1405 words)

	www.onsuper8.org \| Single 8 film stock
		The R25N is a daylight balanced film not needing a filter between the lens and subject.
		This film is suitable only for shooting outdoors or for indoor work with a lot of ambient daylight or daylight balanced lighting.
		Films must be returned to Japan for processing, which is not included in the film cost.
	homepage.mac.com /onsuper8/sng8film.html (402 words)

	Daylight. A Hollywood Jesus visual film review.
		Daylight is an unacknowledged remake of The "Poseidon Adventure." The story line draws heavily on the Moses exodus story and incorporates the idea of salvation through the cross of Jesus Christ.
		The film opens with three trucks loaded with toxic waste headed into the tunnel from Manhattan to New Jersey.
		There is a cross-like sacrificial death in the film, which I have not mentioned.
	www.hollywoodjesus.com /daylight.htm (1031 words)

	Daylight (film) - Wikipedia, the free encyclopedia
		Daylight is an action film, released on Friday, December 6, 1996, starring Sylvester Stallone and directed by Rob Cohen.
		An ex-EMS chief leads the rescue of New Yorkers trapped by an explosion in the (Not named in the film) Holland Tunnel, linking Manhattan and New Jersey.
		Won the Golden Reel Award for best Sound Editing and nominated for an Oscar of that category.
	en.wikipedia.org /wiki/Daylight_(movie) (110 words)

	Welcome to Stock Options
		To use this film under photo flood lights, a blue compensation filter must be used to adapt the light hitting the film to a lower colour temperature.
		It is more practical to shoot tungsten film for both indoor and outdoor (with a 85 filter) because there is far more daylight to cut with a filter than there are lights in a standard light kit.
		Film speed is measured by Eastman Kodak in the United States in graduations called ASA or ISO.
	www.stockoptionscorp.com /SOFAQ.htm (1374 words)

	Stock Options - Film Stock Info
		If a film stock has a D next to the ASA (for example: Vision 250D), this means that the film is balanced for "outdoor" light.
		Puchasing unused film does not differ at all from buying motion picture film from its respective manufacturer when all considerations are taken (age, temperature, humidity etc.).
		Unexposed film should be refrigerated under recommended storage conditions in order to avoid degradation leading to instability of the silver or dye image.
	www.stockoptionscorp.com /SOinfo.htm (1287 words)

	Copy Photography Tips: Color of Light Source (Site not responding. Last check: 2007-09-09)
		The film type must be balanced to the color temperature of the light source.
		A fl and white negative film with good contrast and a fairly low ISO number, such as Kodak TMax 100 film, is good for making fl and white negatives.
		Daylight film is Type S. Tungsten film (3200 degrees Kelvin) is Type L. For disertations, photographs can be made from slides with the reversal process.
	hubcap.clemson.edu /~jwfoltz/Courses/WFB493PH/subjects/color/films/films.htm (304 words)

	Photography Tips
		A table of recommended films and their exposure is posted in the copystand room.
		This information sheet is a guide for choosing films for the various photographic applications and needs of students and faculty in the College.
		Using a color film with an incompatible light source requires a filter to adapt the film to the color of the light source.
	www.aapvrf.cornell.edu /photo.htm (1953 words)

	Photographing Works of Art, Tips & Techniques by Hawkinson Photography
		Daylight: Use north light in the shadow of a building or most anywhere on an overcast day.
		For example, tungsten film requires the use of tungsten lights for correct color balance; while daylight film can be used with sunlight or standard flash units.
		With daylight balanced film your art can be shot with the correct color balance using daylight or daylight balanced bulbs.
	www.hawkinsonphotography.com /photo_art.html (1470 words)

	APOGEE PHOTO MAGAZINE: White Balance and Color Temperature
		This effect is due to the difference in the color temperature between daylight and incandescent light.
		Your film is optimized for a daylight color temperature, but incandescent light has a lower color temperature.
		Photographic daylight film is designed to be exposed in light with a color temperature of 5500 K. Indoor film is designed for light with a color temperature of 3400 K (3200 K for professional film).
	www.apogeephoto.com /july2004/jaltengarten7_2004.shtml (1745 words)

	Copy Photography Tips
		For classroom slide presentations, the easiest film choice is to purchase an E6 process film such as Ektachrome or Fujichrome with a daylight color balance.
		Wind the film advance lever and depress the shutter release button until the film sprockets engage the perforations on the edge of the film.
		Students, who are using daylight film, prefer to use the copy stand in the morning or early afternoon when there is the most direct sunlight.
	www.rci.rutgers.edu /~beetham/photo.htm (1975 words)

	Film and Processing Forum: Is tungsten better than daylight film?
		In those days there was only one daylight 16mm stock around, it was double the cost and considered not to be as good as quality as tungsten.
		In tungsten film, they basically goose the sensitivity of the blue-sensitive layer, which is really easy since it's the top of the stack in all color films.
		Of all of those films, the one that will give you the best shadow detail is 160NC -- but it also has the least saturation of the bunch, making it perhaps not an ideal landscape film.
	www.photo.net /bboard/q-and-a-fetch-msg?msg_id=00GnI2 (1380 words)

	Inexpensive Lighting
		On daylight film, this light source photographs green and on tungsten film, it photographs an aqua color.
		There are two kinds of slide film: daylight balanced slide film, which is rated around 5600 degrees on the Kelvin scale, and tungsten balanced slide film, which measures 3200 degrees Kelvin.
		Its purpose is rather contradicted since daylight film is not really made for long exposures because it quickly exhibits reciprocity (the loss of sensitivity due to abnormally long or short exposures) and this bulb is not bright enough to afford the fast exposures flash or strobe offer.
	www.vividlight.com /articles/1816.htm (1436 words)

	The Finer Points of Color Correction
		Many times when we shoot with color film we get an image that has a blue or orange cast because the lighting was not standard photographic daylight.
		Find the mired number for your light source and film and then subtract the light source number from that of your film and the result is the amount (positve or negative) of correction needed.
		Sometimes when you are using color print film the lab will correct for a color cast during printing but if you are using slide film you must make the adjustment to avoid the blue or orange cast.
	www.geocities.com /cokinfiltersystem/color_corection.htm (571 words)

	Wayne English onPhotography - Chapter 6 - Film
		Prints from chromogenic film will be on color paper, don't forget, if your prints have a color cast to them it means the photo folks did not take the time to make you color neutral prints.
		This refers to exposing film at an ISO which is lower than what the film is rated for.
		A loss of film speed occurs when film is exposed for very short (one ten thousandth second or less) or very long exposures (hours).
	ourworld.cs.com /WayneAEnglish/chapter6.htm (1583 words)

	[No title]
		The type of film and filters that are chosen and the exposure settings on the camera will affect the quality of the pictures.
		Light Balancing Filter: An LBD (light balancing daylight) filter must be employed when daylight film is used with the microscope (tungsten lamp).
		Film: A high resolution film with good continuous gray tones should be used.
	www.trnty.edu /faculty/boomsma/methods/histology/LMphotofilm.doc (1048 words)

	Freewater Productions Guide to Choosing Film Stock (Site not responding. Last check: 2007-09-09)
		The Kodak site has great resources for student filmmakers, such as their tools page, which has film stock comparisons, an interactive lighting demonstration, and a diagram on how to read a film can label.
		If you are finishing to film, it is advisable to use negative film so that several prints can be made from the negative without making a dupe negative or internegative (which is costly).
		Color reversal film tends to have high color saturation and somewhat less latitude (it can't capture as wide a range from dark to light), BandW reversal film is granier than negative, etc. See the Kodak catalog for descriptions.
	www.duke.edu /web/freewater/stock.html (846 words)

	Olympus Microscopy Resource Center: Photomicrography - Common Faults and Suggested Remedies
		You have two choices: Use positive transparency films instead of color negative film, or arrange to show the local processor what the colors should look like and have the processor agree to hand manipulate or remove filters to get the desired result.
		In film rolls where only a single or couple of frames are unexposed, check the camera to make sure film is advancing properly.
		Color transparency film is not very forgiving of exposure errors and will only produce acceptable results within a half to one f-stop of the correct exposure.
	www.olympusmicro.com /primer/photomicrography/faults.html (2915 words)

	Kodak Filmmaking and Cinematography Basics (Site not responding. Last check: 2007-09-09)
		What we consider "Daylight," that is, the mix of light from the sky and sun from two hours after sunrise until two hours before sunset is very different in its "color" than typical household lighting.
		As a result, the use of "Daylight" film in daylight or H.M.I. light is preferred to the use of "Tungsten" film with an "85" filter.
		After the film is developed, the sound record is transferred to magnetic film of the same width as the camera film (16 or 35mm), to allow for physical cutting in a synchronizer, a device with two or more sprocket wheels locked together by a metal shaft, to maintain synchronization.
	www.8mmfilmstock.com /filmbasics.html (3409 words)

	Tungsten or daylight for this job? - Large Format Photography Forum
		I plan on shooting it with daylight ra ther than tungsten film and using 25 units of magenta color correction.
		Tungsten does marvelous things to t he sky color but daylight will be saturated as well, though not the deep purple of the tungsten.
		The building is shot before sunrise with the lights on and the correct filtration for the indoor light with daylight film, then a second exposure is made, without the filtration, for the exterior of the building after sunrise.
	www.largeformatphotography.info /forum/showthread.php?t=7267 (417 words)

	PDN: Interior Photography-Begginer help
		Was tungsten film used, the balance was far to good to me daylight film in tungsten light.
		Daylight film will be too warm, more-so with the 81A.
		Tungsten film is balanced for 3200K studio tungsten lights, it that is what it is exposed with then the image will be neutral, however the type of tungsten lights in architecture are often not 3200K, they are closer to 2800K, wich will result in a warmer image.
	www.pdngallery.com /cgi-bin/ubb/ultimatebb.cgi?ubb=next_topic;f=10;t=000032;go=older (925 words)

	Fujichrome Slide Films (Site not responding. Last check: 2007-09-09)
		It is a economical and high quality slide film for any type of photographer whether a amateur or professional.
		Fuji Sensia, 400ASA (135/36), is a high-quality and versatile daylight film with a high speed rating.
		FUJICHROME Velvia [RVP] is a daylight type high image quality color reversal film with an ISO speed rating of 50.
	www.jjmehta.com /products/slide_films01.html (563 words)

	SaveYourMovies - Pick Connection Speed for DVD Movie Demo / Film Conversion Examples (Site not responding. Last check: 2007-09-09)
		Your film is first converted to a digital format and then placed on the media format you want.
		Using Type A color film in daylight without a filter or using daylight film in open shade or on a cloudy overcast day could cause excessive blueness.
		They happened to be using a daylight type film indoors which resulted in excessive redness that we were able to eliminate.
	www.saveyourmovies.com /Demo_PickConnection.htm (866 words)

	Film Basics
		Color film normally configured for tungsten light or daylight.
		Color film must be configured (in manufacture) to match the color temperature of the light used.
		Daylight film with tungsten light makes reddish look.
	www.unc.edu /~jimlee/Filmbasics.html (251 words)

	Pac Lab Inc.
		Since Pro 8/45 is a daylight film, caution must be used to remove the 85 filter found in most Super 8camaras when using this stock.
		(250 ASA daylight balanced): 8/46, also a Vison® stock is similar in structure to 74, but in daylight balance.
		It is the fastest motion picture film ever developed, capable of rendering a proper exposure in less light that ever imagined.
	www.pac-lab.com /ColorNegS8.htm (433 words)

	Glassware
		To record color in the daylight glassware, I use an exposure about one stop greater than the outdoor scene would normally require.
		Although this type of shooting is done indoors, it requires a daylight film because of the source of the light.
		I match the color balance of the film with the light source, such as daylight film for daylight and tungsten film for tungsten light.
	www.parkwestcameraclub.org /tips/glassware.html (1003 words)

	Hostboard.com, Your Message Board Partner:: Single 8, Fujica Z-2 [o/t?] (Site not responding. Last check: 2007-09-09)
		the general tone of this daylight film shot in daylight conditions was - to me - dull.
		This is because the K40 requires an 85 filter in daylight (built into most cameras) so its working ASA is 25 as the extra light is absorbed by the filter.
		As to your film coming out a bit dark it could be that the meter in the camera is off.
	www.hostboard.com /cgi-bin/ultimatebb.cgi?ubb=get_topic&f=409&t=3869 (2845 words)

	[No title]
		This is the most commonly used filter to use when shooting daylight film with tungsten lights.
		The film is designed assuming you won't have a lot of light to work with.
		I haven't used tungsten film, but have used a blue filter on the lens for this purpose, and setting the white balance on a digital to tungsten has the same effect.
	www.nikonians.org /cgi-bin/dcforum/dcboard.cgi?az=printer_format&om=135&forum=DCForumID20 (466 words)

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